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- moosywoosy
-
Scratcher
500+ posts
SWC Megathread ࿔*:ଳ・ March 2026
“The dog that weeps after it kills is no better than the dog that doesn’t.
my guilt will not purify me”
my guilt will not purify me”
Should a man be punished for a crime he can’t remember committing? Like all philosophical questions, no objective answer can be found.
Someone may argue: a loss of memory means no need for rehabilitation. After all, if they don’t remember anything, there’s certainly no reason to believe they may do it again.
However, on the opposing side: a loss of memory doesn’t undo the damage. If a man forgets he committed a murder: his victim is still dead. Amnesia won’t bring his victim back from the dead, so it shouldn’t pardon a man for his crimes.
To August Wynd, the undeniable answer…
would be yes.
—
MEDICAL RECORDS
Name: August Wynd
Date of Birth: 2004-11-13
Gender: Male
Contact Number: XXX-XXXX-XXXX
2026-03-01
Patient got in a car crash, resulting in loss of memory from concussion sustained during the accident. The patient has taken several tests regarding the blackout, amnesia is confirmed via neuro-psychological evaluation. The patient has agreed to attend therapy weekly to help regain any memories possible and adjust to life.
—
“Onto our next report…The Botanist, a serial killer most well-known for leaving a bouquet of flowers at his victim’s bodies, has not killed anyone as of March 1st. This goes against The Botanist’s typical schedule…”
August watched the TV with dreary eyes as he sifted through his belongings. He knew what watching TV was like. Despite that, he felt like he was watching it for the first time.
Nonetheless, August continued to look through his belongings. His psychologist had suggested that he look at items he owns, just to see if those could bring up some memories.
August's hands fidgeted. He was restless after his accident. Did he fidget before his accident?— like an instinct that he retained despite his amnesia? Something that was “proof” he was still the same person?
He held onto his old instincts, but it felt like it was the first time he was in the home he’s lived in for years. Those thoughts that came while he unpacked his wallet brought the lingering question up again.
—
RECEIPT
DALEY’S BOUQUETS
(XXX) XXX-XXXX
XXX XXXX STREET
(XXX) XXX-XXXX
XXX XXXX STREET
Bouquet of Lilies: $28.00
Bouquet of Peonies: $36.00
Bouquet of Carnations: $15.00
Bouquet of Petunias: $14.00
Bouquet of Hyacinths: $22.00
Bouquet of Chrysanthemums: $18.00
Bouquet of Dahlias: $26.00
ACCOUNT # - XXXXXXXXXXX
APPROVED - Purchase
***
TAX 6.35%: $10.09
FINAL TOTAL: $169.09
# OF ITEMS SOLD: 7
—
What’s up with all the flowers?
August wondered if he had a girlfriend he forgot about—No, if he had a girlfriend she’d be here. Plus, he had no contact on his phone that fit the bill for being a significant other.
Maybe he went to a funeral? But, seven flowers seemed excessive. No one went to seven funerals in such a short span of time.
—
THE BOTANIST HAS CLAIMED THEIR NEWEST VICTIM!
2026-02-07
The Botanist is a serial murderer known for leaving flowers at their crime scenes. They kill one person per day for the first week of each month. Their newest victim, Nathan Nguyen, was found dead with a bouquet of white peonies in Rosemary Park.
With no remaining living relatives, his younger brother, Elijah Nguyen, is currently with Child Protection Services and is still awaiting placement hearing.
In February, The Botanist’s victims are Nicolas Penn, Adrianna Smith, Taylor Martinez, Vincent Dacus, Alice Moon, Emily Wu, and Nathan Nguyen marked with lilies, peonies, carnations, petunias, hyacinths, chrysanthemums, and dahlias respectively.
The police claim to be doing all they can, but are being criticized for…
Read more…
—
August Wynd was a murderer.
He collapsed over his toilet; bile kept spilling. When he finished, he wished he could vomit again, but his stomach was completely empty, leaving him in an unrelievable nausea.
Oh my god.
I’m crying.
He shouldn’t be crying. He killed them. All of them. Their dreams, hopes, aspirations, gone because of him. How /dare/ he cry for something that was his fault.
His hands were clean when they should’ve been red.
Why did I do it?!
Desperately, he searched his memories for a reason—a noble reason or tragic past that excused him—but nothing came. Only his past self knew why he did it.
He knew murder was wrong—so why didn’t know it back then?! Did he even think he was right when he committed murder? Or was he willing to be wrong? If so, why?
The only person who could answer was a man who didn’t exist anymore. August’s questions would be eternally unsolved. Those answers were a secret his past self took to his grave.
But…
His past self wasn’t dead.
He was standing right here.
And he was guilty.
—
Elijah Nguyen - @elijahnguyen077
( attachment: cafe.png )
had a long shift…! best coffee in town tho!!
Location: Blooming Flowers Cafe
—
“The week has ended without a single kill from The Botanist…” The news broadcaster’s voice felt almost mocking.
August entered the cafe Elijah worked at, blearily taking in his surroundings. He needed to apologize. It was the least he could do.
But what could he say? Apologies weren’t going to bring Nathan back.
“Sorry, we just closed.” The younger boy stared at him dully, his eyes a puffy red—oh god, had he been crying?
Your fault…Your fault…
August clenched his jaw, staring at the boy in front of him. He was just a highschooler. And August—he…
He killed Elijah’s brother.
“…Listen.” August stared at Elijah mournfully, prematurely apologizing. “I’m the one who killed your brother.”
Elijah’s expression froze. “…You’re kidding.”
“I wish.”
Elijah’s face filled with horror. August thought the boy might bolt or scream. But, he stayed stock still. Elijah stared at August warily, who knew he deserved it.
“I’m so—so sorry.” His words felt useless.
August told Elijah everything.
Elijah’s eyes were downcast. He was too shocked to react harshly, only nodding in response to anything August said. Perhaps, the naivety of a child was what resulted in such a mild reaction. August was prepared for confrontation, but an uncanny calm felt much worse.
“I see.” Elijah said with an unnervingly flat voice. His shoulders, however, still shook.
“Do you…” August took a pause, unable to force the words out. The physical recoil he felt made it feel like he couldn’t. “…think you’d ever…forgive me?”
August didn’t know why he asked. He knew what the answer he deserved was.
Elijah looked up, his dark eyes narrowing. “…Not in a million years.”
August’s quiet hope for forgiveness was quickly extinguished. August expected a ‘no’. But, maybe, he searched for forgiveness. Knowing what answer would come—but still wishing for a different answer, was simply delusion.
“I-I understand—”
“…I don’t think I’ll ever forgive /that/ you for killing Nathan.” The boy looked August dead in the eyes, slightly softening. “But, you don’t remember doing it.”
He continued. “You don’t need to apologize. I don’t have anything to forgive you for.”
August’s mouth twitched. So, this was the innocence of a child. This answer, it was what the boy truly believed. It was much worse than a simple ‘no’.
“You can’t be serious!” August shouted. “I’m still the same person! I’m still August Wynd!”
“I’m…”
August’s hands fidgeted. Like he did before. Just more proof he was still a killer.
“…still the person who killed your brother.”
This body was the one who killed Nathan. So this body needed to be punished.
August stormed out without another word.
—
OBITUARY OF NATHAN A. NGUYEN
We are mourning the death of Nathan A. Nguyen, who tragically passed away on February 7th, 2026. He lived for 20 years and unfortunately passed due to falling victim to serial murder.
Nathan was born on February 8th, 2005 in XXXX, XX. He was a student at XXX University where he was pursuing Computer Science. His sudden passing has had a devastating fallout for those who knew him. Nathan was known for his silent, yet thoughtful gestures. While he never spoke much, anyone who had the privilege of knowing him knew him for his ability to carry burdens off of other’s shoulders through his quiet listening that allowed for encouragement without words.
He is survived by his younger brother, Elijah Nguyen, who respectfully asks for privacy during this difficult time.
Nathan’s body has been buried in Saint Anne’s Gravesite, where his memory will live eternally.
—
August took in the hustle and bustle of the building. People moved from place to place, voices over radios overlapping. The familiar scent of coffee hung in the air. August closed his eyes—he was here for a reason. All he needed to do was put his foot forward.
He approached the front desk, where a middle-aged man sat with a serious look on his face. Well, everyone here looked serious. It was something that came with the job. August cleared his throat to get his attention. As if he was passing through an invisible barrier—August felt this was the point of no return.
Though, August shouldn’t have even considered turning back.
“I’d like to turn myself in.”
After all, he needed to repent.
—
RECORD OF INTERVIEW
Person interviewed: AUGUST WYND
Date of Birth: 2004-11-13
Place of Interview: GARDENIA POLICE STATION
Date of Interview: 2026-03-07
Time commenced: 21:10
Time concluded: 21:41
Duration of Interview: 31 minutes
Interviewing Officers: DC 1412 IAN LILAC
Other Persons Present:
LILAC: This interview is being tape recorded. I am DC 1412 Ian LILAC. I am interviewing August WYND.
LILAC: The date is the 7th of March and the time is 21:10, and the interview is being conducted at Gardenia Police Station.
LILAC: WYND, I am legally required to tell you that this conversation is being electronically recorded. Do I have your consent to do so?
WYND: Yes.
LILAC: WYND, you have the right to remain silent. Anything you say can and will be used against you in a court of law. You have the right to an attorney. If you can not afford an attorney, one will be provided for you. Do you understand the rights I have just read to you?
WYND: Yes.
LILAC: With these rights in mind, do you wish to speak?
WYND: Yes.
LILAC: In that case, let’s begin with some background questions.
LILAC: What is your name, birthdate, age, education, and employment history?
WYND: …My name is August WYND. I am 21 years old, born on November 13th, 2004. I graduated from Lakeview High School, and I am studying for a bachelor's degree in psychology. I work as a convenience store worker part-time.
LILAC: Thank you for your answers, Mr. WYND.
LILAC: Now, let me get this straight—you are turning yourself in as The Botanist?
WYND: That is correct.
LILAC: Why turn yourself in?
WYND: …Because I'm the one who killed them.
LILAC: (pause) I see. Why are you turning yourself in now as opposed to sooner?
WYND: I was recently in a car accident which caused me to lose my memories. I came to the realization of who I was. Or rather, what I did. After I realized, I decided to turn myself in.
LILAC: …Amnesia?
WYND: Correct.
LILAC: If that’s the case, how did you realize that you were The Botanist?
WYND: I realized the date The Botanist stopped killing perfectly lined up with the date of my accident. I figured this was a coincidence at first—but more and more details made me realize I was the killer.
LILAC: May I ask what those were?
WYND: I had a receipt for several bouquets of flowers in my wallet—they happened to be the same flowers from the last 7 victims of The Botanist.
LILAC: And you know for sure this receipt is yours?
WYND: Yes. My credit card number is on it.
LILAC: Any idea why you killed them?
WYND: …I don’t.
LILAC: Is that all?
WYND: (pause) I believe so, yes.
LILAC: Thank you for your time Mr. WYND.
- END OF RECORDING -
1996 words
author's note
- thank you saffron and isa for critiquing!
Last edited by moosywoosy (March 30, 2026 13:52:53)
- taylorsversion--
-
Scratcher
500+ posts
SWC Megathread ࿔*:ଳ・ March 2026
Description Setting
212/200 words
The music blared from the speakers of the party, the beats from the song making the floor shake. Or was that the people jumping? The room was packed, and there wasn't much space to dance, so it wasn't a surprise that many people had started bouncing up and down. New Year's Day was soon, and you could almost feel the excitement in the wide, spacious, concert venue, as screams got louder and the anticipation built. The band played songs that they thought were famous and the crowd pretended they knew the lyrics, clapping their hands along. It was dark in the audience, but you could just about see the glint of expensive jewellery and sparkly accessories, reflecting from the massive disco ball hanging over the stage. It casted bright lights across the room, dizzying the partygoers as it spun. They started spinning, too, dresses fanning out and heels clumsily tripping. It was hard to tell when the countdown began, but gradually a shout started to take over the crowd. They were shouting numbers, going down one by one.
3… 2… 1…
The final triumph probably made some people lose their voices, as people yelled with the joy of entering a new year. A fresh start, and a goodbye to the last one.
212/200 words
The music blared from the speakers of the party, the beats from the song making the floor shake. Or was that the people jumping? The room was packed, and there wasn't much space to dance, so it wasn't a surprise that many people had started bouncing up and down. New Year's Day was soon, and you could almost feel the excitement in the wide, spacious, concert venue, as screams got louder and the anticipation built. The band played songs that they thought were famous and the crowd pretended they knew the lyrics, clapping their hands along. It was dark in the audience, but you could just about see the glint of expensive jewellery and sparkly accessories, reflecting from the massive disco ball hanging over the stage. It casted bright lights across the room, dizzying the partygoers as it spun. They started spinning, too, dresses fanning out and heels clumsily tripping. It was hard to tell when the countdown began, but gradually a shout started to take over the crowd. They were shouting numbers, going down one by one.
3… 2… 1…
The final triumph probably made some people lose their voices, as people yelled with the joy of entering a new year. A fresh start, and a goodbye to the last one.
Last edited by taylorsversion-- (March 7, 2026 19:24:03)
- 129waterfall
-
Scratcher
1000+ posts
SWC Megathread ࿔*:ଳ・ March 2026
WEEKLY ONE DONE 
1649 words total
Part 1:
230 words
Name: “V” Garnet
Age: 17
Appearance: V has long, waist length dark hair. She has dark green eyes and pale lips. Her skin is tanned from all the time she spends outside in the wastelands. She often wears tight but breathable fabrics to move freely while keeping sand from getting trapped inside of her sleeves. She travels with a belt that holds her sword, a small slingshot, and a water canteen. She wears boots meant for navigating terrain, but are not so chunky they hold anyone up. Oftentimes she wears shades of tan to blend in with the desert around her. She also always keeps her jade bracelet on her.
Strengths: Fighting, especially for those she cares about and causes she believes in. She's a strong debater and quick on her feet when situations are not going as planned. Always has a backup plan or way to escape. She is also usually rather punctual.
Weaknesses: She does not easily trust others, which is part of the reason she always makes sure there's some other option/backup available. She can be overly stubborn and always holds a grudge, is not very forgiving. She isn't always the most charismatic and doesn't know how to make small talk or charm people on her side, instead always using logic or threats to communicate. Because of this, she doesn't have many people close to her.
Part 2:
140 words
My moodboard can be found here: https://scratch.mit.edu/projects/1287984501/
I tried to make this moodboard as dark and mysterious as possible to reflect the character. The desert is meant to represent the conditions she lives in, and the tavern is a place she often goes to drink and observe (and occasionally talk to) other locals or interesting people passing by. The emerald choker is the necklace I mentioned, and the sword is similar to what I had in mind for her. (without the massive gem embedded though - the handle should be all leather and it should be less medieval) The green felt like a good color to describe her and is similar to her eye color. I did accidentally use the same image twice though, whoops- (it's okay there's still at least eight unique images) Overall I feel like it matches her vibe and the environment she lives in.
Part 3:
515 words
I am using this lovely character Cee by @AWritingCheerleader <33
I don't understand why they won't let me go. There is nothing left for me here, all I can do is grow old, have children, and watch them have children as the skyline stares so tauntingly at me. So close, yet unreachable. Maybe if I'm lucky I'll be able to spin tapestries once I'm settled down. But how is that the greatest thing I can possibly achieve in life? Surely that's not fair. Surely there's some- “Cecelia Thornefield!” My mothers sharp voice cut through my thoughts. “Why have you not finished your crop work? Your brother finished his hours ago!” Ugh.
“I'm coming! I was just- just taking a short break!” I start jogging towards the next room where my mother is waiting.
"Your brother doesn't seem to need all these breaks,“ a pointedly raised eyebrow challenged me. I would say something, but that never ends well. This battle isn't worth fighting, because despite how right I am, they can't see past my brother, the golden child. Instead, I opt for the sarcastic answer, which, to be fair, won't garner a positive response either.
”Yeah, well, he's perfect in every way and I'm not, so," I grab the basket and rush out the door before she can reply. It's mango harvest season, so I have to choose the ripe and ready ones from the trees for the village to eat. I dart among the trees, collecting mangoes that are yellow and almost squishy, knowing they're ready to be eaten. But as I reach the outskirts of the village, where the farthest trees are, the glint of the sea catches my eye. Surely a quick dip wouldn't hurt - I kick off my sandals and slide my toes into the water, carefully holding up my dress as to not get it wet. If my parents knew I had been spending time in the water, they would be furious. I don't get it. Morforwyn has all this gorgeous open water, yet we're not allowed to use it! Apparently, it's dangerous, but I've always been fine. Besides, we literally bathe in water, so why are we so scared of it? Sure, maybe there have been bad experiences in the past, but they're not forward thinking enough to get over it. I look over to my left at the ships. No idea why we even have them if they're never in use. I've played around with them before, enough that I know how to use them, but I have never gotten far. I watch as the sun falls over the sea, the bright colors reflecting in the water. I should be getting back soon, but I doubt they even miss me. What difference would it really make if I were gone? I can't just go on like this until I die, my life has to amount to more than that. It's time to do something unheard of, something drastic. But I know there's more out there, and I'm going to find it to finally understand what it means to not just exist, but to truly live.
Part 4
764 words
Cee peacefully slept hidden on the back of the wagon. After a long journey at sea, she couldn't help but rest. The truck wouldn't be stopping for a long, time, anyway. She had overheard the truck drivers talking about the long commute as they were getting ready to leave the coastal town. Cee knew this was her opportunity, because she had to get as far away from the sea as possible. She doubted people would come after her, but stealing a ship was still not a good look, and not something you want to get caught for. So, Cee had decided to hop into the back of the wagon, aside smelly barrels of fish packed with salt, beads from the village, and seaweed that would likely be used in soups. The smell was overwhelming, but she curled inside anyway, between two barrels, where she hopefully wouldn't be seen. Her only way of knowing her surroundings was by peeking through the tiny gap in the wooden planks, where the bright sun shone through. She had assumed it would be a long but uneventful commute to her destination. That was, until she was abruptly woken up by the shake of the wagon and shouting.
“It's the sand force!” Cee's eyes opened wide, every muscle in her body tensing, but she forced herself to become small, hiding in between the barrels. Whatever was going on outside, she did not want to become a part of it. She waited there for what was a mere couple of minutes, but felt like an hour. She heard metal clashing, and the occasional sound of sand being thrown, with grunts and screams thrown in between. Until finally, quiet. Cee sat perfectly still for a minute, and then allowed herself to breathe. Maybe she was finally safe. Then, the doors of the wagon were thrust open, blinding Cee with the bright sunlight reflecting on the desert sand - not a bit of water in sight. Where was she? No time to worry about that. Someone in tan clothes holding a strikingly sharp sword stepped in. Cee crouched down again, as the figure hauled out barrels and boxes. The amount of items left became smaller and smaller, until the person was within reach of Cee. She pressed her head down and-
“Who are you?” Cee braced herself, then looked up, flinching at the sword pointed at her.
“I-I'm Cee, what about you?” Cee shifted her attention to the person holding the sword. To her surprise, it was a girl, who couldn't have been much older than her. The girl ignored her question.
“What are you doing in this wagon? And what are you wearing? I can tell you're not from here.” Cee didn't know what to say. “Well? Cat got your tongue? ANSWER!” She shoved the sword closer to Cee's throat.
“I'm just from an island, alright? It's called Morforwyn and I stole a ship and ran away and I'm very sorry but I promise I have nothing to do with those seafood truck people! I'm just trying to get away from home!” The girl lowered her sword.
“Listen, this wagon isn't carrying seafood. They put some salt, fish, and seaweed to cover it up. Great cover up. Creates a bad smell, slimy stuff nobody wants to pick through. But they're really smuggling weapons to this rival group in the East. They've been terrorizing us for a while now - not strong enough to take over, but they're growing. Fast. You really shouldn't be here.” She uncovered a barrel, throwing out fish to reveal daggers, catapults, and crossbows. “See?”
“I'm sorry, I didn't mean-”
“I know you didn't mean to, that's not the issue here.” The two girls stayed there for a moment, looking at each other. “Well you can't just sit in this wagon until you turn to dust. Get up.” Cee stood up, wiping the sand off of her flowy blue dress, which now felt out of place.
“I have nowhere to go… I just wanted to get away, I didn't really have a plan after that. I mean- I didn't know what was out here, but I figured it had to be better.” The mysterious girl rolled her eyes.
“Of course. Look, I'm pretty sure the island paradise is a bit better than this wasteland, but sure, whatever.” The girl chewed on her cheek, unsure of what to do next. “Look, I'm V. I'll take you to where I live and help you out for a while. Can't just leave you here, after all. But you're going to have to help out.”

1649 words total
Part 1:
230 words
Name: “V” Garnet
Age: 17
Appearance: V has long, waist length dark hair. She has dark green eyes and pale lips. Her skin is tanned from all the time she spends outside in the wastelands. She often wears tight but breathable fabrics to move freely while keeping sand from getting trapped inside of her sleeves. She travels with a belt that holds her sword, a small slingshot, and a water canteen. She wears boots meant for navigating terrain, but are not so chunky they hold anyone up. Oftentimes she wears shades of tan to blend in with the desert around her. She also always keeps her jade bracelet on her.
Strengths: Fighting, especially for those she cares about and causes she believes in. She's a strong debater and quick on her feet when situations are not going as planned. Always has a backup plan or way to escape. She is also usually rather punctual.
Weaknesses: She does not easily trust others, which is part of the reason she always makes sure there's some other option/backup available. She can be overly stubborn and always holds a grudge, is not very forgiving. She isn't always the most charismatic and doesn't know how to make small talk or charm people on her side, instead always using logic or threats to communicate. Because of this, she doesn't have many people close to her.
Part 2:
140 words
My moodboard can be found here: https://scratch.mit.edu/projects/1287984501/
I tried to make this moodboard as dark and mysterious as possible to reflect the character. The desert is meant to represent the conditions she lives in, and the tavern is a place she often goes to drink and observe (and occasionally talk to) other locals or interesting people passing by. The emerald choker is the necklace I mentioned, and the sword is similar to what I had in mind for her. (without the massive gem embedded though - the handle should be all leather and it should be less medieval) The green felt like a good color to describe her and is similar to her eye color. I did accidentally use the same image twice though, whoops- (it's okay there's still at least eight unique images) Overall I feel like it matches her vibe and the environment she lives in.
Part 3:
515 words
I am using this lovely character Cee by @AWritingCheerleader <33
I don't understand why they won't let me go. There is nothing left for me here, all I can do is grow old, have children, and watch them have children as the skyline stares so tauntingly at me. So close, yet unreachable. Maybe if I'm lucky I'll be able to spin tapestries once I'm settled down. But how is that the greatest thing I can possibly achieve in life? Surely that's not fair. Surely there's some- “Cecelia Thornefield!” My mothers sharp voice cut through my thoughts. “Why have you not finished your crop work? Your brother finished his hours ago!” Ugh.
“I'm coming! I was just- just taking a short break!” I start jogging towards the next room where my mother is waiting.
"Your brother doesn't seem to need all these breaks,“ a pointedly raised eyebrow challenged me. I would say something, but that never ends well. This battle isn't worth fighting, because despite how right I am, they can't see past my brother, the golden child. Instead, I opt for the sarcastic answer, which, to be fair, won't garner a positive response either.
”Yeah, well, he's perfect in every way and I'm not, so," I grab the basket and rush out the door before she can reply. It's mango harvest season, so I have to choose the ripe and ready ones from the trees for the village to eat. I dart among the trees, collecting mangoes that are yellow and almost squishy, knowing they're ready to be eaten. But as I reach the outskirts of the village, where the farthest trees are, the glint of the sea catches my eye. Surely a quick dip wouldn't hurt - I kick off my sandals and slide my toes into the water, carefully holding up my dress as to not get it wet. If my parents knew I had been spending time in the water, they would be furious. I don't get it. Morforwyn has all this gorgeous open water, yet we're not allowed to use it! Apparently, it's dangerous, but I've always been fine. Besides, we literally bathe in water, so why are we so scared of it? Sure, maybe there have been bad experiences in the past, but they're not forward thinking enough to get over it. I look over to my left at the ships. No idea why we even have them if they're never in use. I've played around with them before, enough that I know how to use them, but I have never gotten far. I watch as the sun falls over the sea, the bright colors reflecting in the water. I should be getting back soon, but I doubt they even miss me. What difference would it really make if I were gone? I can't just go on like this until I die, my life has to amount to more than that. It's time to do something unheard of, something drastic. But I know there's more out there, and I'm going to find it to finally understand what it means to not just exist, but to truly live.
Part 4
764 words
Cee peacefully slept hidden on the back of the wagon. After a long journey at sea, she couldn't help but rest. The truck wouldn't be stopping for a long, time, anyway. She had overheard the truck drivers talking about the long commute as they were getting ready to leave the coastal town. Cee knew this was her opportunity, because she had to get as far away from the sea as possible. She doubted people would come after her, but stealing a ship was still not a good look, and not something you want to get caught for. So, Cee had decided to hop into the back of the wagon, aside smelly barrels of fish packed with salt, beads from the village, and seaweed that would likely be used in soups. The smell was overwhelming, but she curled inside anyway, between two barrels, where she hopefully wouldn't be seen. Her only way of knowing her surroundings was by peeking through the tiny gap in the wooden planks, where the bright sun shone through. She had assumed it would be a long but uneventful commute to her destination. That was, until she was abruptly woken up by the shake of the wagon and shouting.
“It's the sand force!” Cee's eyes opened wide, every muscle in her body tensing, but she forced herself to become small, hiding in between the barrels. Whatever was going on outside, she did not want to become a part of it. She waited there for what was a mere couple of minutes, but felt like an hour. She heard metal clashing, and the occasional sound of sand being thrown, with grunts and screams thrown in between. Until finally, quiet. Cee sat perfectly still for a minute, and then allowed herself to breathe. Maybe she was finally safe. Then, the doors of the wagon were thrust open, blinding Cee with the bright sunlight reflecting on the desert sand - not a bit of water in sight. Where was she? No time to worry about that. Someone in tan clothes holding a strikingly sharp sword stepped in. Cee crouched down again, as the figure hauled out barrels and boxes. The amount of items left became smaller and smaller, until the person was within reach of Cee. She pressed her head down and-
“Who are you?” Cee braced herself, then looked up, flinching at the sword pointed at her.
“I-I'm Cee, what about you?” Cee shifted her attention to the person holding the sword. To her surprise, it was a girl, who couldn't have been much older than her. The girl ignored her question.
“What are you doing in this wagon? And what are you wearing? I can tell you're not from here.” Cee didn't know what to say. “Well? Cat got your tongue? ANSWER!” She shoved the sword closer to Cee's throat.
“I'm just from an island, alright? It's called Morforwyn and I stole a ship and ran away and I'm very sorry but I promise I have nothing to do with those seafood truck people! I'm just trying to get away from home!” The girl lowered her sword.
“Listen, this wagon isn't carrying seafood. They put some salt, fish, and seaweed to cover it up. Great cover up. Creates a bad smell, slimy stuff nobody wants to pick through. But they're really smuggling weapons to this rival group in the East. They've been terrorizing us for a while now - not strong enough to take over, but they're growing. Fast. You really shouldn't be here.” She uncovered a barrel, throwing out fish to reveal daggers, catapults, and crossbows. “See?”
“I'm sorry, I didn't mean-”
“I know you didn't mean to, that's not the issue here.” The two girls stayed there for a moment, looking at each other. “Well you can't just sit in this wagon until you turn to dust. Get up.” Cee stood up, wiping the sand off of her flowy blue dress, which now felt out of place.
“I have nowhere to go… I just wanted to get away, I didn't really have a plan after that. I mean- I didn't know what was out here, but I figured it had to be better.” The mysterious girl rolled her eyes.
“Of course. Look, I'm pretty sure the island paradise is a bit better than this wasteland, but sure, whatever.” The girl chewed on her cheek, unsure of what to do next. “Look, I'm V. I'll take you to where I live and help you out for a while. Can't just leave you here, after all. But you're going to have to help out.”
Last edited by 129waterfall (March 9, 2026 23:26:31)
- theleapingleopard
-
Scratcher
500+ posts
SWC Megathread ࿔*:ଳ・ March 2026
WIP poem (needs a title… any suggestions?)
I. Floating
I am not falling. There’s no way down.
Instead, I am hanging in midair
except the air was extracted under anaesthetic.
And I am motionless as if its etherised patient.
Time and space loosen its grip, my grip is
reaching, reaching and my gloves brush -
nothing. They should be full
of elements and riches, but they are empty.
II. Below
Earth is a coin far below dropped
into the deep, swirling well
in the belly of the beast.
I am tethered to it too, you know…
Tethered only to life by one rope -
an umbilical chord I leech off of.
I swim and squirm through the black depths of the universe
without resistance.
I gulp life from the tube.
Where did it come from, I always wondered?
Life, I mean. What a strange type of currency.
The least important, no doubt.
And the coin flips slowly. Maybe it’ll land,
eventually. Heads or tails?
Heads, we live. Tails, we die…
After all, the creatures deserve that.
III. Inside
Everything looks strange through a helmet.
The perspective warps and twists
and all you can hear is your breathing
and… and the warning, beeping.
And I’m floating, flying, falling… away. Or maybe not.
I’ve been birthed from the beast
and now I’m in the darkness,
the organ that sustained me discarded, like always.
IV. The Other Voice?
You reached to the stars.
But they were pulsing deep in my chest.
The stars have always been inside of me.
Your hand, clamped around my heart and pulled it - out,
greedy fingers grasping so tight to secure what you wanted.
But the stars were gone, as was my heart.
Exploded in a flurry of supernova.
So you reached your heart back out,
thinking the blood was elixir, and went
searching somewhere else. And then…
No stars in my heart, only darkness now
only darkness
maybe you’ll see it in a thousand years.
V. Breathing
For now, oxygen fills my lungs
I never remember it being quite this sweet…
I think they’ve substituted it for tear gas.
And the view out of my helmet looks really strange,
The red tinges my vision of darkness. So strange, so alien…
Especially Earth. Especially Earth
which I am full of-
Earth and Darkness. Earth. Darkness.
I always wondered,
What was at the centre of the Earth?
But then again, I always wondered
What it was like to be in space.
VI. Outside
Everything looks strange through a helmet.
The swirling tentacles reach out to ensnare me,
reaching for my heart to grab it
and stop it beating.
My blood is its ink
I can see the tentacles leeching it out
and spilling the cold dark ink -
spilling the warm, swirling blood -
spilling the star-spattered poison -
into whatever lies out there.
Everything looks strange through a helmet.
And I must look strange, in my helmet,
to everything who’s eyes watch me back.
VII. Breathing, part 2
The oxygen no longer tastes sweet.
The red light grows ever dimmer
as the beast forces its tentacle down my throat
and sucks all the air out
of me
The oxygen isn’t sweet.
It tastes like metal and ink.
I once wanted gold and riches
but now the coin is blocking my throat
and that coin used to be earth.
Now it is just a black whole that leeches
my life
away.
VIII. Darkness
The coin landed on tails.
I am within the beast, or-
the beast is within me…
Too late. The ink explodes
in a flurry of supernova
and I am not
falling
I. Floating
I am not falling. There’s no way down.
Instead, I am hanging in midair
except the air was extracted under anaesthetic.
And I am motionless as if its etherised patient.
Time and space loosen its grip, my grip is
reaching, reaching and my gloves brush -
nothing. They should be full
of elements and riches, but they are empty.
II. Below
Earth is a coin far below dropped
into the deep, swirling well
in the belly of the beast.
I am tethered to it too, you know…
Tethered only to life by one rope -
an umbilical chord I leech off of.
I swim and squirm through the black depths of the universe
without resistance.
I gulp life from the tube.
Where did it come from, I always wondered?
Life, I mean. What a strange type of currency.
The least important, no doubt.
And the coin flips slowly. Maybe it’ll land,
eventually. Heads or tails?
Heads, we live. Tails, we die…
After all, the creatures deserve that.
III. Inside
Everything looks strange through a helmet.
The perspective warps and twists
and all you can hear is your breathing
and… and the warning, beeping.
And I’m floating, flying, falling… away. Or maybe not.
I’ve been birthed from the beast
and now I’m in the darkness,
the organ that sustained me discarded, like always.
IV. The Other Voice?
You reached to the stars.
But they were pulsing deep in my chest.
The stars have always been inside of me.
Your hand, clamped around my heart and pulled it - out,
greedy fingers grasping so tight to secure what you wanted.
But the stars were gone, as was my heart.
Exploded in a flurry of supernova.
So you reached your heart back out,
thinking the blood was elixir, and went
searching somewhere else. And then…
No stars in my heart, only darkness now
only darkness
maybe you’ll see it in a thousand years.
V. Breathing
For now, oxygen fills my lungs
I never remember it being quite this sweet…
I think they’ve substituted it for tear gas.
And the view out of my helmet looks really strange,
The red tinges my vision of darkness. So strange, so alien…
Especially Earth. Especially Earth
which I am full of-
Earth and Darkness. Earth. Darkness.
I always wondered,
What was at the centre of the Earth?
But then again, I always wondered
What it was like to be in space.
VI. Outside
Everything looks strange through a helmet.
The swirling tentacles reach out to ensnare me,
reaching for my heart to grab it
and stop it beating.
My blood is its ink
I can see the tentacles leeching it out
and spilling the cold dark ink -
spilling the warm, swirling blood -
spilling the star-spattered poison -
into whatever lies out there.
Everything looks strange through a helmet.
And I must look strange, in my helmet,
to everything who’s eyes watch me back.
VII. Breathing, part 2
The oxygen no longer tastes sweet.
The red light grows ever dimmer
as the beast forces its tentacle down my throat
and sucks all the air out
of me
The oxygen isn’t sweet.
It tastes like metal and ink.
I once wanted gold and riches
but now the coin is blocking my throat
and that coin used to be earth.
Now it is just a black whole that leeches
my life
away.
VIII. Darkness
The coin landed on tails.
I am within the beast, or-
the beast is within me…
Too late. The ink explodes
in a flurry of supernova
and I am not
falling
Last edited by theleapingleopard (March 7, 2026 19:33:35)
- silverlynx-
-
Scratcher
100+ posts
SWC Megathread ࿔*:ଳ・ March 2026
Weekly 1
2144 words <3
Part 1 - Character Sheet
Selene
Age: Immortal, however looks like she is in her early-mid 20s
Time Period: Ancient Greece
Occupation: The moon goddess - she rides her moon chariot across the sky every night to awaken and end night each day.
Residence: A private palace, nestled high amongst the clouds above Olympus.
Physical Appearance: Long silver hair, pale skin, blue eye, delicate form
Personality: She is a polite and shy girl, as she grew up very isolated in her palace, with only her mother, servants and horses for company. She has a very curious mind and is very creative, always painting on huge canvases or pouring her ideas out through ink and paper. As she grew up away from others, she is quite innocent and extremely gentle.
Strengths: She has a bright mind when it comes to academics and also excels in other creative areas such as cooking and baking. She can play the kithara (an Ancient Greek instrument) extremely well and loves to compose her own music. She is naturally very kind and empathetic, but also has a healthy level of self-respect/
Weaknesses: She loves to please others, and is scared to speak her mind if she thinks others won’t like what she’s saying. She is quite gullible and will believe almost every word spoken to her, and although it is quite endearing, it isn’t useful for when she has to venture out into society - marriage.
Likes: Music, her horses, peace, nature.
Dislikes: Conflict, learning etiquette from her mother, marriage expectations.
Theia: Her mother, goddess of sight. She is generous and loving, but a little overbearing and overprotective of her daughter.
Hyperion: Her father, a cruel and arrogant Titan who never visits his daughter.
Part 2
The top right image shows Selene gazing out wistfully, perhaps a picture of her gazing out at her mortal lover, Endymion, in the Greek myth. In the picture below, she is shown guiding her pegasi through the night sky, conveying how she rides the moon across the sky each night. The middle picture depicts how she controls the moon, holding it in her palm. She is also depicted in flowy and extravagant clothing, reflecting her whimsical nature. The top middle picture depicts a person painting, highlighting her creative pursuits and love for art. In the bottom middle picture you can see a person playing a kithara which is an Ancient Greek instrument similar to a lyre - she was an expert at this instrument and many others. The left middle picture shows piles of papers, conveying her thirst for knowledge and creativity. The pictures of the moon and the night sky depict both where she lives and where her power resides.
Part 3
Thank you so much Dawn for letting me do the character swap with you! <3
I clamber up the rigging, the coarse ropes chafing my calloused palms as I haul myself higher and higher. Up here, nothing can bother me. It's just me and the sky. And the bird poo.
We’ve been at sea for a few weeks now, and have raided a few ships along the way. I allow myself a small smile at the thought of the gold stashed away below deck.
I settle myself in the crow’s nest, wobbling dangerously above the churning ocean. Our ship bobs over the vicious waves, slapping against the sides of the ship. The wind whips up my dark short hair, my lanky body trembling in the cold. I pull my scarlet cloak further around myself, in an attempt to battle the cold. I glance around. All I can see is the endless ocean, the horizon obscured by low fluffy clouds. Not a single dot of land. Just our ship and the unforgiving waves. The isolation comforts me in some strange way. Nobody here can judge me. All of us pirates have the same goal. Sail. Steal. Repeat.
“Oi!”
I startle, and turn around, my gaze landing on a tall girl with tangled dark hair swept up into two simple braids. Cass. We could be mistaken for siblings - we have similar dark hair and the same sun-tanned skin. In fact, she is like a sister to me. I would do anything for her, and I know she would do the same for me.
“Earth to James!” She calls, waving her hands in my face .
I blink. “Got a bit lost in thought there, Cass,” I explain sheepishly.
She grins up at me, her muscular arms gripping onto the ropes below me, swaying her back and forth.
“What is it?” I ask hesitantly, recognising the mischievous glint in her eye. I can’t help smiling back at her.
“Isaac said that he saw some English ships earlier. They were headed east. We’re going to follow them and steal some treasure,” she tells me happily, wiggling her eyebrows.
A rush of adrenaline passes through me.
“How long will it take to get there?” I ask quickly, excitement pulsing through me.
She shrugs. “Not long, hopefully.”
Cass begins to descend towards the deck, and I follow her. There is nothing like the thrill of a theft.
When I reach the ship, the deck is slick with rain and I slip, putting my hands out to stop myself. I can feel the gazes of my crew boring into me and I flush, struggling to get up. When I finally make it to my feet, they aren’t looking at me anymore. I let out a sigh through my frozen lips. Cass squeezes my hand.
“You good?”
I nod silently. I wish that I could be stronger. I’m a pirate - the captain, for goodness sake! I should be the ones helping my crew up, not relying on them for support. I glance down at my too-thin body, my clumsy hands, my-
“The English!”
My head snaps up and immediately any bad thoughts vanish from my head, replaced with tingling anticipation.
I look curiously at the spot in the distance, slowly emerging from the fog. The ship is huge - Sails of navy blue ripple in the wind, cannons stare at us threateningly from the ship’s portside, oars glide rhythmically through the murky water. Our ship may be much smaller, but it is also more nimble. The English are clumsy and rely on their cannons, not their stealth or skill.
I pull on my supple leather boots, moulded perfectly to my legs and pull my sword out of its glittering sheath.
As the ship pulls closer I can feel my whole crew buzzing as we line the sides of the ships, prepare our cannons and grappling hooks.
To battle.
Part 4
A strange sense of contentment runs through me as Phoebe plays with my hair, teasing its tangles into two simple braids that trail past my shoulders. If I close my eyes, then I can pretend that it's my mother whose hands are so gentle and tender on my scalp.
“Done!” Phoebe exclaims proudly. She steps back to admire her handiwork, grinning at me in the mirror.
“Thanks, Phoebe,” I say, squeezing her hand.
Phoebe is technically my “servant.” My mother gifted her to me a few years after I was born. It’s strange to think that most of the Olympians are centuries old, and here’s me with only 20 years so far. With the rest of immortality to go… I’m getting off topic. In short, Phoebe’s my best friend, a water nymph with a sweet disposition and a mischievous twinkle in her eye.
I hear a sigh.
I see Phoebe roll her eyes at me.
“Why are you always so soppy?” She whines, a smile crinkling the corners of her eyes. “What were you saying about a water nymph with a mischievous twinkle in her eye?”
I swallow. “I said that out loud?”
She nods at me solemnly. “Indeed, mistress.”
I turn around to face her.
“Don’t call me that,” I tell her, wagging my finger. “It’s High Queen of the Moon Palace to you.”
“Of course, my lady,” she replies, before bringing a hand to her mouth in pretend horror. “I’m sorry, High Queen of the Moon Palace.”
“That’s more like it.”
A hesitant knock sounds at the door.
“Come in!” I call.
Another ‘servant’ walks in, one of the kitchen staff. Constantina - or Tina, as I like to call her.
“Sorry, but I thought that I should tell you about the pirate.”
______________________________________________________________________
(James)
I blink open my eyes to see several faces peering curiously at me.
“What?” I demand in confusion. “Did they attack? Where’s Cass?”
The faces look at each other and some of them start whispering. I rub my eyes and try to focus on them, but my mind feels full of fog. I strain my ears to hear what they’re saying.
“…thought it was a good idea to bring a pirate to my palace? Of all people, I should be able to trust my own mother!”
I swallow, my mouth dry and papery. I need water. I try to dismiss the thought from mind, and instead haul myself up onto my elbows.
“Who are you?” One of the people asks. She has beautiful lustrous silver hair in two simple braids, wide pale blue eyes and a very confused expression.
“I’m James.” I announce. “A renowned pirate of the high seas, known for my vicious fighting and almighty crew!” I sit myself up further and puff my chest out proudly. I hear a smothered laugh.
“Hey!” I exclaim.
“Phoebe!” The lady hisses.
I clear my throat. “And who… are you? I’m just as clueless as you are. Probably more clueless. I usually am. I don’t remember much apart from there was a really bright light and then a lady whispering to me about my prophetic foresight and now I’m here! Do you have ink and paper? Let me write a letter to my crew. Where do you think they are? Do you think they’re worried about me? Cass will be, anyways, but I don’t think that… I’m ranting, I should stop.”
I pant for a few seconds, trying to get my breath back after my speech.
“I am Selene, the moon goddess. And we are in my palace, above Olympus. My mother said that she found great prophetic potential in you, and decided that would be the perfect reason to drop you off up here. She said she found you shipwrecked. Do you remember anything?”
My eyes widen. The memories come rushing back to me. The storm. The ship shredded to pieces. Cass’s screams…
I gulp and stand up.
“Take me back. What even is this place you speak of… Olympus?” I ask, holding back tears. I have always relied on my sunny personality to hide the broken shell underneath. Now there’s nothing to hide.
“Olympus is the home of the gods,” One of the other ladies, who has a body of shimmering water, fish swimming through her arms and legs. Strange.
“You are tired. I will take you back when you are healed.” Selene informs me, her voice velvety and soothing. “You must rest now. Take him to the spare bedroom.”
I fall asleep.
_____________________________________________________________________
(Selene)
I pad into the spare bedroom and my gaze lands upon the pirate, whose sleeping form is splayed across the king size bed, breathing noisily. I don’t understand why Mother thought that she should bring this poor man here. I’ll simply have to take care of him and send him home - Mother probably won’t give it a second though. I exhale loudly, putting my head in my hands. Tiredness washes over me. I’ve been up all night tending to the man. When he is asleep he thrashes and screams, and I hold a cold towel to his forehead, whispering soothing words to him. When he wakes he is confused all over again and I lull him back to sleep.
“How is he?” Phoebe asks.
I gaze at him, sweat plastering his hair to his forehead, kicking his legs.
“Not too good.” I reply. A bit too loudly.
“Cass!” He shrieks, sitting upright in his bed, his eyes snapping open. He c0cks his head at me and Phoebe, recognition in his eyes.
“She’s gone, isn’t she, moon goddess? She’s gone.” He murmurs, burying his face into his pillow.
I sit at the end of the bed and smile at him sympathetically. Not that it will help.
“I’m sure she’s resting in Elysium now. Where you will meet her one day. Don’t you worry, child.”
I stare down at him, feeling guilty for the hope kindling in his eyes. I shouldn’t give him hope. Yet he won’t survive without it.
“I’m sorry.” I whisper, taking his clammy hands in mine.
He shakes his head sadly. “It’s not your fault. I should have taken better care of her.”
He gives me a small, hopeful smile and rolls over, facing the balcony.
“Take me home.”
2144 words <3
Part 1 - Character Sheet
Selene
Age: Immortal, however looks like she is in her early-mid 20s
Time Period: Ancient Greece
Occupation: The moon goddess - she rides her moon chariot across the sky every night to awaken and end night each day.
Residence: A private palace, nestled high amongst the clouds above Olympus.
Physical Appearance: Long silver hair, pale skin, blue eye, delicate form
Personality: She is a polite and shy girl, as she grew up very isolated in her palace, with only her mother, servants and horses for company. She has a very curious mind and is very creative, always painting on huge canvases or pouring her ideas out through ink and paper. As she grew up away from others, she is quite innocent and extremely gentle.
Strengths: She has a bright mind when it comes to academics and also excels in other creative areas such as cooking and baking. She can play the kithara (an Ancient Greek instrument) extremely well and loves to compose her own music. She is naturally very kind and empathetic, but also has a healthy level of self-respect/
Weaknesses: She loves to please others, and is scared to speak her mind if she thinks others won’t like what she’s saying. She is quite gullible and will believe almost every word spoken to her, and although it is quite endearing, it isn’t useful for when she has to venture out into society - marriage.
Likes: Music, her horses, peace, nature.
Dislikes: Conflict, learning etiquette from her mother, marriage expectations.
Theia: Her mother, goddess of sight. She is generous and loving, but a little overbearing and overprotective of her daughter.
Hyperion: Her father, a cruel and arrogant Titan who never visits his daughter.
Part 2
The top right image shows Selene gazing out wistfully, perhaps a picture of her gazing out at her mortal lover, Endymion, in the Greek myth. In the picture below, she is shown guiding her pegasi through the night sky, conveying how she rides the moon across the sky each night. The middle picture depicts how she controls the moon, holding it in her palm. She is also depicted in flowy and extravagant clothing, reflecting her whimsical nature. The top middle picture depicts a person painting, highlighting her creative pursuits and love for art. In the bottom middle picture you can see a person playing a kithara which is an Ancient Greek instrument similar to a lyre - she was an expert at this instrument and many others. The left middle picture shows piles of papers, conveying her thirst for knowledge and creativity. The pictures of the moon and the night sky depict both where she lives and where her power resides.
Part 3
Thank you so much Dawn for letting me do the character swap with you! <3
I clamber up the rigging, the coarse ropes chafing my calloused palms as I haul myself higher and higher. Up here, nothing can bother me. It's just me and the sky. And the bird poo.
We’ve been at sea for a few weeks now, and have raided a few ships along the way. I allow myself a small smile at the thought of the gold stashed away below deck.
I settle myself in the crow’s nest, wobbling dangerously above the churning ocean. Our ship bobs over the vicious waves, slapping against the sides of the ship. The wind whips up my dark short hair, my lanky body trembling in the cold. I pull my scarlet cloak further around myself, in an attempt to battle the cold. I glance around. All I can see is the endless ocean, the horizon obscured by low fluffy clouds. Not a single dot of land. Just our ship and the unforgiving waves. The isolation comforts me in some strange way. Nobody here can judge me. All of us pirates have the same goal. Sail. Steal. Repeat.
“Oi!”
I startle, and turn around, my gaze landing on a tall girl with tangled dark hair swept up into two simple braids. Cass. We could be mistaken for siblings - we have similar dark hair and the same sun-tanned skin. In fact, she is like a sister to me. I would do anything for her, and I know she would do the same for me.
“Earth to James!” She calls, waving her hands in my face .
I blink. “Got a bit lost in thought there, Cass,” I explain sheepishly.
She grins up at me, her muscular arms gripping onto the ropes below me, swaying her back and forth.
“What is it?” I ask hesitantly, recognising the mischievous glint in her eye. I can’t help smiling back at her.
“Isaac said that he saw some English ships earlier. They were headed east. We’re going to follow them and steal some treasure,” she tells me happily, wiggling her eyebrows.
A rush of adrenaline passes through me.
“How long will it take to get there?” I ask quickly, excitement pulsing through me.
She shrugs. “Not long, hopefully.”
Cass begins to descend towards the deck, and I follow her. There is nothing like the thrill of a theft.
When I reach the ship, the deck is slick with rain and I slip, putting my hands out to stop myself. I can feel the gazes of my crew boring into me and I flush, struggling to get up. When I finally make it to my feet, they aren’t looking at me anymore. I let out a sigh through my frozen lips. Cass squeezes my hand.
“You good?”
I nod silently. I wish that I could be stronger. I’m a pirate - the captain, for goodness sake! I should be the ones helping my crew up, not relying on them for support. I glance down at my too-thin body, my clumsy hands, my-
“The English!”
My head snaps up and immediately any bad thoughts vanish from my head, replaced with tingling anticipation.
I look curiously at the spot in the distance, slowly emerging from the fog. The ship is huge - Sails of navy blue ripple in the wind, cannons stare at us threateningly from the ship’s portside, oars glide rhythmically through the murky water. Our ship may be much smaller, but it is also more nimble. The English are clumsy and rely on their cannons, not their stealth or skill.
I pull on my supple leather boots, moulded perfectly to my legs and pull my sword out of its glittering sheath.
As the ship pulls closer I can feel my whole crew buzzing as we line the sides of the ships, prepare our cannons and grappling hooks.
To battle.
Part 4
A strange sense of contentment runs through me as Phoebe plays with my hair, teasing its tangles into two simple braids that trail past my shoulders. If I close my eyes, then I can pretend that it's my mother whose hands are so gentle and tender on my scalp.
“Done!” Phoebe exclaims proudly. She steps back to admire her handiwork, grinning at me in the mirror.
“Thanks, Phoebe,” I say, squeezing her hand.
Phoebe is technically my “servant.” My mother gifted her to me a few years after I was born. It’s strange to think that most of the Olympians are centuries old, and here’s me with only 20 years so far. With the rest of immortality to go… I’m getting off topic. In short, Phoebe’s my best friend, a water nymph with a sweet disposition and a mischievous twinkle in her eye.
I hear a sigh.
I see Phoebe roll her eyes at me.
“Why are you always so soppy?” She whines, a smile crinkling the corners of her eyes. “What were you saying about a water nymph with a mischievous twinkle in her eye?”
I swallow. “I said that out loud?”
She nods at me solemnly. “Indeed, mistress.”
I turn around to face her.
“Don’t call me that,” I tell her, wagging my finger. “It’s High Queen of the Moon Palace to you.”
“Of course, my lady,” she replies, before bringing a hand to her mouth in pretend horror. “I’m sorry, High Queen of the Moon Palace.”
“That’s more like it.”
A hesitant knock sounds at the door.
“Come in!” I call.
Another ‘servant’ walks in, one of the kitchen staff. Constantina - or Tina, as I like to call her.
“Sorry, but I thought that I should tell you about the pirate.”
______________________________________________________________________
(James)
I blink open my eyes to see several faces peering curiously at me.
“What?” I demand in confusion. “Did they attack? Where’s Cass?”
The faces look at each other and some of them start whispering. I rub my eyes and try to focus on them, but my mind feels full of fog. I strain my ears to hear what they’re saying.
“…thought it was a good idea to bring a pirate to my palace? Of all people, I should be able to trust my own mother!”
I swallow, my mouth dry and papery. I need water. I try to dismiss the thought from mind, and instead haul myself up onto my elbows.
“Who are you?” One of the people asks. She has beautiful lustrous silver hair in two simple braids, wide pale blue eyes and a very confused expression.
“I’m James.” I announce. “A renowned pirate of the high seas, known for my vicious fighting and almighty crew!” I sit myself up further and puff my chest out proudly. I hear a smothered laugh.
“Hey!” I exclaim.
“Phoebe!” The lady hisses.
I clear my throat. “And who… are you? I’m just as clueless as you are. Probably more clueless. I usually am. I don’t remember much apart from there was a really bright light and then a lady whispering to me about my prophetic foresight and now I’m here! Do you have ink and paper? Let me write a letter to my crew. Where do you think they are? Do you think they’re worried about me? Cass will be, anyways, but I don’t think that… I’m ranting, I should stop.”
I pant for a few seconds, trying to get my breath back after my speech.
“I am Selene, the moon goddess. And we are in my palace, above Olympus. My mother said that she found great prophetic potential in you, and decided that would be the perfect reason to drop you off up here. She said she found you shipwrecked. Do you remember anything?”
My eyes widen. The memories come rushing back to me. The storm. The ship shredded to pieces. Cass’s screams…
I gulp and stand up.
“Take me back. What even is this place you speak of… Olympus?” I ask, holding back tears. I have always relied on my sunny personality to hide the broken shell underneath. Now there’s nothing to hide.
“Olympus is the home of the gods,” One of the other ladies, who has a body of shimmering water, fish swimming through her arms and legs. Strange.
“You are tired. I will take you back when you are healed.” Selene informs me, her voice velvety and soothing. “You must rest now. Take him to the spare bedroom.”
I fall asleep.
_____________________________________________________________________
(Selene)
I pad into the spare bedroom and my gaze lands upon the pirate, whose sleeping form is splayed across the king size bed, breathing noisily. I don’t understand why Mother thought that she should bring this poor man here. I’ll simply have to take care of him and send him home - Mother probably won’t give it a second though. I exhale loudly, putting my head in my hands. Tiredness washes over me. I’ve been up all night tending to the man. When he is asleep he thrashes and screams, and I hold a cold towel to his forehead, whispering soothing words to him. When he wakes he is confused all over again and I lull him back to sleep.
“How is he?” Phoebe asks.
I gaze at him, sweat plastering his hair to his forehead, kicking his legs.
“Not too good.” I reply. A bit too loudly.
“Cass!” He shrieks, sitting upright in his bed, his eyes snapping open. He c0cks his head at me and Phoebe, recognition in his eyes.
“She’s gone, isn’t she, moon goddess? She’s gone.” He murmurs, burying his face into his pillow.
I sit at the end of the bed and smile at him sympathetically. Not that it will help.
“I’m sure she’s resting in Elysium now. Where you will meet her one day. Don’t you worry, child.”
I stare down at him, feeling guilty for the hope kindling in his eyes. I shouldn’t give him hope. Yet he won’t survive without it.
“I’m sorry.” I whisper, taking his clammy hands in mine.
He shakes his head sadly. “It’s not your fault. I should have taken better care of her.”
He gives me a small, hopeful smile and rolls over, facing the balcony.
“Take me home.”
Last edited by silverlynx- (March 7, 2026 19:37:45)
- AWritingCheerleader
-
Scratcher
100+ posts
SWC Megathread ࿔*:ଳ・ March 2026
Critique for Elly!
Link to her piece: https://scratch.mit.edu/discuss/topic/869490/?page=5#post-9016351
Words: 364
First of all, wow! This is so good! I don't really read or write much fanfiction, but The Outsiders is so good and I think you really captured the characters in this piece. Just a fair warning, I haven't read The Outsiders in at least three years so if I say you could explain something more but it's something that is explained in the book, just let me know, sorry!
Just me being a little nitpicky to start off, I think there should be a new paragraph after the dialogue here:
Also, how did he just get up and leave the hospital? Wouldn't there be like… paperwork? Or like he would have to tell the doctor? Or did he just run away before the doctor could get him? Maybe if you show Cherry's concern for him because he is injured or her asking him to stay or tell the doctor he is leaving, it could clear some things up?
Finally, at the end, you're trying to show how Dally has died and she can't date him, right? Maybe adding another line about that could help complete Cherry's (short) emotional journey and bring more closure.
I really like the first and last line parallels, not just because it was part of the daily but because it makes it so much more impactful! I definitely think you should keep that.
Overall, it was super well written and I think it fits the vibe, characters and time period of The Outsiders amazingly. To add a bit more, I’d love more dialogue and explanations (though that just may be because I forgot the story of The Outsiders). Great job!!
Link to her piece: https://scratch.mit.edu/discuss/topic/869490/?page=5#post-9016351
Words: 364
First of all, wow! This is so good! I don't really read or write much fanfiction, but The Outsiders is so good and I think you really captured the characters in this piece. Just a fair warning, I haven't read The Outsiders in at least three years so if I say you could explain something more but it's something that is explained in the book, just let me know, sorry!
Just me being a little nitpicky to start off, I think there should be a new paragraph after the dialogue here:
“C'mon… I would never, ever date Dallas Winston,” I told Marcia the moment we climbed out of Randy's car. It was a blue Mustang, and a real classy one too. He had gotten it about four months ago, and we've been cruising around ever since. Marcia sighed contentedly as we watched it swerve away through the cool night air.I'd also love to hear a bit more of her conversation with Dally to really take another look into what's going on and the dynamics between them when she goes to visit him, maybe show her asking how he's been. I imagined this scene like the scene in A Ballad of Songbirds and Snakes where Lucy Gray is smiling but she's scared of Coriolanus, even though I haven't seen that movie ever. I think the emotions were very good but I'd love to see the scene play out more.
Also, how did he just get up and leave the hospital? Wouldn't there be like… paperwork? Or like he would have to tell the doctor? Or did he just run away before the doctor could get him? Maybe if you show Cherry's concern for him because he is injured or her asking him to stay or tell the doctor he is leaving, it could clear some things up?
Finally, at the end, you're trying to show how Dally has died and she can't date him, right? Maybe adding another line about that could help complete Cherry's (short) emotional journey and bring more closure.
I really like the first and last line parallels, not just because it was part of the daily but because it makes it so much more impactful! I definitely think you should keep that.
Overall, it was super well written and I think it fits the vibe, characters and time period of The Outsiders amazingly. To add a bit more, I’d love more dialogue and explanations (though that just may be because I forgot the story of The Outsiders). Great job!!
- AWritingCheerleader
-
Scratcher
100+ posts
SWC Megathread ࿔*:ଳ・ March 2026
Weekly 1
Words: 2586
Part 1
Words: 231
Name: Cecelia Thornefield (often called Cee for short)
Age: Fifteen
Physical description: Pale blonde, wavy, wild hair, pale blue eyes, tan skin, tall, lanky, not super physically strong, freckles and acne on her face
Residence: She lives on an island nation called Morforwyn where she is forbidden from swimming, but Cee is not one to follow the rules.
Strengths: Cee is strong-willed, determined, brave, intelligent, rebellious (in a good way), loyal and creative. She is also very independent and self-reliant, which could be bad or good.
Weaknesses: Disrespect for authority (even when it is good), troublemaker, overly independent and doesn’t seek help even when she needs it leading to overwork and being overwhelmed, feels a need to be in control or in charge, controlling
Likes: She likes swimming and being creative such as weaving tapestries, but is often not allowed to and is forced to do other things
Dislikes: Being told what to do, rules and authority,
Family: She has a younger brother who gets all the attention. Her father almost exclusively talks to him. Her mother mostly concerns herself with him but talks to Cee to tell her to do things which Cee usually tries her best to ignore while still respecting her mother. While she wants to disrespect authority, she knows going against her mother is more trouble than it’s worth and usually rebels quietly. Not a good relationship.
Part 2
Words: 143
Moodboard in this project.
I chose the quote in the center to represent Cee’s disregard for authority and rules as she prefers to pave her own path and have fun. I chose the two photos of people, one to represent her work and what she is currently doing and the other to represent her longing to swim and for the ocean. I chose the bottom left photo to represent her fishing island town. I chose the center bottom image to represent the tapestries she likes to weave depicting mermaids and the top image to represent, again, her town’s business in fishing and her longing for the sea. The bottom right image represents three things: her intelligence, since it requires intelligence to make and read maps, her longing for the sea and a more vast world and finally her creativity since she could’ve made a map like this.
Part 3
Words: 1599 (I may have gone a little overboard xD)
I'm using this amazing character from Waterfall!
V looked up, her long dark hair blowing around her. Sand was stirring from the wind and she needed to find shelter before the storm began. She began to walk back into town, her beige boots helping her come down from the sand dune without slipping.
Just as the wind began to pick up, she made her way to the tavern she usually frequented. She wasn’t particularly thirsty, but her water canteen was empty and she knew she would get dehydrated soon if she didn’t drink now. She hadn’t had anything since she woke at dawn.
“I’ll have a water,” she said to the barkeep, voice detached and eyes intense. “Here is my canteen.”
“Of course you will, V,” he said.
His name was Jasper and she wasn’t very fond of him. He was always trying to talk to her. He slid her canteen back across the counter to her just as someone else came into the dark, candlelit tavern and sat down beside her. V’s eyes shot to the door, checking that it was still open.
“Are you V?” the stranger asked.
His eyes were intense like hers. She quickly scanned him, her hands toying subconsciously with her jade bracelet. Beige outfit to blend in with the sand. A cover over his face. More sand protection or anonymity?
“Who’s asking?” she said just as Jasper said, “She sure is.”
If looks could kill, Jasper was a dead man.
“I’ve heard so much about you,” the stranger said, something hiding and waiting to pounce beneath his words.
V slipped her bracelet back onto her wrist and moved her hands to the leatherbound hilt of the sword in the sheath strung on her belt.
“I said, who’s asking,” V repeated, voice measured and smooth.
“My name is Hugo.”
“Why are you looking for me?”
“You’re a real ball of sunshine, eh?”
“We’re going to get on quite well,” Jasper cut in.
“Do you not like questions?” V asked.
“Calm down. I heard you know your way around town. Is that true? I’m from the next town over, but I’m looking to get a job done over here,” Hugo explained.
“What kind of job?”
“Do you know Emalyn?”
“Yes.”
A snobby girl who lived in the biggest house in town with her father and mother. She was V’s age. Always had the nicest clothes. Never had to eat desert tomatoes when she couldn’t find something to eat for dinner.
“She has something that belonged to my father. I need it back.”
“We should move this discussion. She comes to this tavern sometimes, and has many friends throughout the village. Where else can we meet?”
“Your house? I’m not from around here, I don’t know where else.”
“Not an option. Find another place and let me know.”
Hugo rolled his eyes, “don’t you know anywhere else that would work?”
“Fine,” she glanced up at Jasper, but he appeared to be deep in conversation with a pretty girl across the room. “Come back here tonight. Midnight. I’ll let you in.”
“But—”
“I’ll work with you on one condition. No questions.”
“Right. I’ll see you later, then, V.”
He stood and walked out, sand blowing harder outside. He would need to hurry somewhere else before the conditions became dangerous, but he didn’t seem to have a place to stay.
For the rest of the day, she stayed in the tavern’s corner and tried to avoid talking to anyone, eyes on the door the whole time pretending to watch the wind and sand. Eventually, night fell.
“You leaving?” Jasper asked, wiping a rag across the counter. “We closed half an hour ago. The storm’s died down. It’s safe out there.”
“It’s never safe out there. I’m staying here tonight.”
“Okay, just don’t wreck the place.”
“Thanks. I won’t.”
With that, Jasper tossed her a shiny set of keys and left into the sandy night. V stayed alert, not allowing herself to sleep. To keep awake, she counted the pieces of sandstone making up the floor over and over again. 110, on the dot. Just as she finished counting, the door shook.
Her head snapped up. Hugo was fidgeting with the door, but Jasper had locked it behind him. V stood from her comfortable stool and unlocked it for him.
“So, what do you want?” she asked.
“Thanks for the warm welcome again,” Hugo took off his face mask and shook out his dirty blonde hair, matching sand shaking onto the floor.
V didn’t reply. She raised her eyebrows at him.
“I already told you what I want. I need to steal something from Emalyn.”
“What?”
“I won’t ask you any questions, but can you please give me a break? I’m half asleep and I just got here.”
“Do you want my help or not?”
“Yes. Right. It’s a book. A very important one. Written by my father, and it’s the last copy.”
“Did she steal it?”
He glanced at the floor, “Yes.”
“I see. How are you planning on getting it back?”
“That’s where I was hoping you could help. I don’t know my way around this town, you probably know that. Then again, you probably don’t care, considering you let me go out in a sandstorm and almost die earlier. Anyways, I don’t know where Emalyn lives. I don’t know her habits. I don’t even know where she keeps the book.”
“So you want me to do all the work.”
“I’ll pay you for it.”
“I wouldn’t have agreed to this meeting if I didn’t think you’d pay me for it. When do you want this done?”
“As soon as possible. Just let me know what I’ll have to do and I’ll do it.”
“Tomorrow, noon? She usually goes to visit her friends around then. Meet here. I’ll have a plan and I’ll take you to her house.”
“I don’t have anywhere to stay, though. What do I do tonight?”
“Not my business. You didn’t think to book a hotel room when you knew you would be travelling?”
“It… came up unexpectedly.”
“Well you can’t stay here. Goodnight and I’ll see you tomorrow.”
“Wow, you really don’t care. You don’t even want to get paid, I bet.”
“Fine. Stay here. Go… curl up on the floor or on a bench or something. But you better be out of her before sunrise or Jasper is going to kill me. And you.”
“Got it. Less than six hours of sleep.”
“Now be quiet, I’ll be trying to sleep too,” the lie rolled easily off her tongue.
She stayed in the tavern often enough, but usually crashed at a friend’s house ever since her parents decided she was no longer welcome. Now, she decided to stay on a chair near the door, hugging the wall. She sat pin-straight and could hear the exact moment Hugo’s breathing slowed to a dull rhythm, asleep. She spent the whole night carefully crafting a plan, every little detail coming together in her mind. As the sun rose, she kicked a groggy, half-asleep Hugo out and waited for Jasper.
She gave him back his keys and left for her sand dunes without a word. The day passed as it always did, excruciatingly slow as she got food from the village and searched for minerals in the sand, the only semblance of a job she had recently. Finally, with the sun high in the sky, she made her way back to the tavern. Outside, Hugo was waiting.
She greeted him and began to make her way through the crumbling streets of the beige town, bleeding into the more expensive part made with real red brick and imported wood.
She led the way to Emalyn’s house, the tall red house with a cozy porch and balcony overlooking the town.
“What’s the book title?” V asked.
“It should be called ‘The Memory Orchard’ by Atlas Grant.”
V nodded sharply, filing the information away in her mind.
“Go knock,” V instructed. “Pretend you’re selling something. Keep whoever’s there talking for as long as you can. I’ll sneak in and find the book, then I’ll meet you around the back.”
“Are you sure?”
“No questions.”
“Right,” he said, mostly to himself as V approached the house and stood to the side of the door.
Hugo followed, knocking on the door. Soon enough, Emalyn’s father came to the door.
“Hello sir, I am here to talk to you about something really important. I’m from out of town, and I’m here to sell…”
V stopped listening as she slipped into the house once Emalyn’s father had stepped out. Her mother had an event, she had overheard her talking about it in the tavern the day before. With confidence, she climbed their stairs and entered the first bedroom she saw. It wasn’t on the bookshelf or in any of the drawers. She went into the next bedroom and found it laying on the desk. She felt only a little guilty to be stealing from Emalyn. The money outweighed the guilt, though, so she took the leatherbound book and slipped out the back door.
She heard Hugo dragging on the conversation about selling furniture so she waited until she heard his spiel finish and Emalyn’s father withdraw inside before making her way back around the house.
“Here’s your book,” she handed him the brown book.
“Thank you. You have no idea how much this means to me.”
“No problem. If you’re ever in town again, give me a call. You’re an okay guy.”
“Thanks V. You’re a real ball of sunshine.”
With that, he paid her and retreated down the street.
Part 4
Words: 613
Cee was so happy she had finally stolen her brother’s boat. The suppressive, evil island of her childhood was a thing of the past now that she was free. As she drifted her fingers through the water and felt the salt spray in her hair, she felt happy for the first time in as long as she could remember.
She was off to anywhere that would have her. She eyed the map sprawled out across the deck, held in place by a rock. The small fishing sailboat wasn’t exactly ideal for the amount of storms she encountered, but at least it was something.
She had been sailing for a little over a day and desperately wanted to find somewhere to sleep. She expected, according to her map, to hit land in a little over an hour. She chewed on some dry beef that she had packed when she left in the night. It was almost her last pack.
The sun was high in the sky, bearing down on her golden hair and tan skin. There was not a cloud in sight. It was perfect.
She adjusted her white button down shirt and rolled the cuffs of her brown pants higher so she could dangle her legs in the water.
After another spent in quiet happiness, she spotted land on the horizon and scrambled to prepare the boat to land.
As she approached, she didn’t see any green, only tall beige mountains. It appeared to be an island made only of sand.
When she finally reached the shore, she pulled the boat up onto the sand as she had done so many times when her brother and father came in from fishing. She let out a breath she hadn’t realized she had been holding. This was it. She stepped onto the sun-baked hot sand and smiled. She had made it; she was free.
She trekked further into the island, determined to find some kind of life. She spotted, up on the sand dune, a figure who almost blended in with her beige outfit. The only thing that made her stand out was her glinting silver sword and long, blowing dark hair.
Cee grew closer and closer until eventually she was within a shout’s distance.
“Hello?” she yelled in as bright a tone as she could muster.
“Who are you,” came the response, clipped and cold in the warm desert.
“Cee,” she replied, lifting her chin towards the stranger. “And you?”
As Cee approached, she saw the stranger’s dark green eyes.
“V.”
“Do you live around here?”
“Don’t tell me this is another job from a neighbouring town.”
“What’s that supposed to mean?”
“Long story.”
For the first time, the girl smiled.
“I actually come from Morforwyn.”
“Morforwyn? Aren’t they cut off from the outside world?”
“I escaped. Stole my brother’s boat. Long story.”
The girl’s expression changed, her eyes glinting with respect.
“There’s a storm brewing. Let’s go talk in the tavern.”
“Thank you,” Cee said, following the girl back to town.
She led Cee to a homey little building, dimly lit inside with a tall boy wiping the counters. He smiled with dimples when they walked in.
“What’s this, V? You never talk to anyone and now you’ve brought two friends through the tavern in as many days?”
“Jasper, Cee. Cee, Jasper.”
“Ha! Your names spell Cee and V!”
“Very astute,” V told him, sitting and motioning for Cee to sit beside her. “What brings you by?”
“I’m just looking for anything to do after I left Morforwyn. I can work. Do you have work for me? I don’t need to make much.”
V’s eyes sparkled. “I think I have just the thing.”
Words: 2586
Part 1
Words: 231
Name: Cecelia Thornefield (often called Cee for short)
Age: Fifteen
Physical description: Pale blonde, wavy, wild hair, pale blue eyes, tan skin, tall, lanky, not super physically strong, freckles and acne on her face
Residence: She lives on an island nation called Morforwyn where she is forbidden from swimming, but Cee is not one to follow the rules.
Strengths: Cee is strong-willed, determined, brave, intelligent, rebellious (in a good way), loyal and creative. She is also very independent and self-reliant, which could be bad or good.
Weaknesses: Disrespect for authority (even when it is good), troublemaker, overly independent and doesn’t seek help even when she needs it leading to overwork and being overwhelmed, feels a need to be in control or in charge, controlling
Likes: She likes swimming and being creative such as weaving tapestries, but is often not allowed to and is forced to do other things
Dislikes: Being told what to do, rules and authority,
Family: She has a younger brother who gets all the attention. Her father almost exclusively talks to him. Her mother mostly concerns herself with him but talks to Cee to tell her to do things which Cee usually tries her best to ignore while still respecting her mother. While she wants to disrespect authority, she knows going against her mother is more trouble than it’s worth and usually rebels quietly. Not a good relationship.
Part 2
Words: 143
Moodboard in this project.
I chose the quote in the center to represent Cee’s disregard for authority and rules as she prefers to pave her own path and have fun. I chose the two photos of people, one to represent her work and what she is currently doing and the other to represent her longing to swim and for the ocean. I chose the bottom left photo to represent her fishing island town. I chose the center bottom image to represent the tapestries she likes to weave depicting mermaids and the top image to represent, again, her town’s business in fishing and her longing for the sea. The bottom right image represents three things: her intelligence, since it requires intelligence to make and read maps, her longing for the sea and a more vast world and finally her creativity since she could’ve made a map like this.
Part 3
Words: 1599 (I may have gone a little overboard xD)
I'm using this amazing character from Waterfall!
V looked up, her long dark hair blowing around her. Sand was stirring from the wind and she needed to find shelter before the storm began. She began to walk back into town, her beige boots helping her come down from the sand dune without slipping.
Just as the wind began to pick up, she made her way to the tavern she usually frequented. She wasn’t particularly thirsty, but her water canteen was empty and she knew she would get dehydrated soon if she didn’t drink now. She hadn’t had anything since she woke at dawn.
“I’ll have a water,” she said to the barkeep, voice detached and eyes intense. “Here is my canteen.”
“Of course you will, V,” he said.
His name was Jasper and she wasn’t very fond of him. He was always trying to talk to her. He slid her canteen back across the counter to her just as someone else came into the dark, candlelit tavern and sat down beside her. V’s eyes shot to the door, checking that it was still open.
“Are you V?” the stranger asked.
His eyes were intense like hers. She quickly scanned him, her hands toying subconsciously with her jade bracelet. Beige outfit to blend in with the sand. A cover over his face. More sand protection or anonymity?
“Who’s asking?” she said just as Jasper said, “She sure is.”
If looks could kill, Jasper was a dead man.
“I’ve heard so much about you,” the stranger said, something hiding and waiting to pounce beneath his words.
V slipped her bracelet back onto her wrist and moved her hands to the leatherbound hilt of the sword in the sheath strung on her belt.
“I said, who’s asking,” V repeated, voice measured and smooth.
“My name is Hugo.”
“Why are you looking for me?”
“You’re a real ball of sunshine, eh?”
“We’re going to get on quite well,” Jasper cut in.
“Do you not like questions?” V asked.
“Calm down. I heard you know your way around town. Is that true? I’m from the next town over, but I’m looking to get a job done over here,” Hugo explained.
“What kind of job?”
“Do you know Emalyn?”
“Yes.”
A snobby girl who lived in the biggest house in town with her father and mother. She was V’s age. Always had the nicest clothes. Never had to eat desert tomatoes when she couldn’t find something to eat for dinner.
“She has something that belonged to my father. I need it back.”
“We should move this discussion. She comes to this tavern sometimes, and has many friends throughout the village. Where else can we meet?”
“Your house? I’m not from around here, I don’t know where else.”
“Not an option. Find another place and let me know.”
Hugo rolled his eyes, “don’t you know anywhere else that would work?”
“Fine,” she glanced up at Jasper, but he appeared to be deep in conversation with a pretty girl across the room. “Come back here tonight. Midnight. I’ll let you in.”
“But—”
“I’ll work with you on one condition. No questions.”
“Right. I’ll see you later, then, V.”
He stood and walked out, sand blowing harder outside. He would need to hurry somewhere else before the conditions became dangerous, but he didn’t seem to have a place to stay.
For the rest of the day, she stayed in the tavern’s corner and tried to avoid talking to anyone, eyes on the door the whole time pretending to watch the wind and sand. Eventually, night fell.
“You leaving?” Jasper asked, wiping a rag across the counter. “We closed half an hour ago. The storm’s died down. It’s safe out there.”
“It’s never safe out there. I’m staying here tonight.”
“Okay, just don’t wreck the place.”
“Thanks. I won’t.”
With that, Jasper tossed her a shiny set of keys and left into the sandy night. V stayed alert, not allowing herself to sleep. To keep awake, she counted the pieces of sandstone making up the floor over and over again. 110, on the dot. Just as she finished counting, the door shook.
Her head snapped up. Hugo was fidgeting with the door, but Jasper had locked it behind him. V stood from her comfortable stool and unlocked it for him.
“So, what do you want?” she asked.
“Thanks for the warm welcome again,” Hugo took off his face mask and shook out his dirty blonde hair, matching sand shaking onto the floor.
V didn’t reply. She raised her eyebrows at him.
“I already told you what I want. I need to steal something from Emalyn.”
“What?”
“I won’t ask you any questions, but can you please give me a break? I’m half asleep and I just got here.”
“Do you want my help or not?”
“Yes. Right. It’s a book. A very important one. Written by my father, and it’s the last copy.”
“Did she steal it?”
He glanced at the floor, “Yes.”
“I see. How are you planning on getting it back?”
“That’s where I was hoping you could help. I don’t know my way around this town, you probably know that. Then again, you probably don’t care, considering you let me go out in a sandstorm and almost die earlier. Anyways, I don’t know where Emalyn lives. I don’t know her habits. I don’t even know where she keeps the book.”
“So you want me to do all the work.”
“I’ll pay you for it.”
“I wouldn’t have agreed to this meeting if I didn’t think you’d pay me for it. When do you want this done?”
“As soon as possible. Just let me know what I’ll have to do and I’ll do it.”
“Tomorrow, noon? She usually goes to visit her friends around then. Meet here. I’ll have a plan and I’ll take you to her house.”
“I don’t have anywhere to stay, though. What do I do tonight?”
“Not my business. You didn’t think to book a hotel room when you knew you would be travelling?”
“It… came up unexpectedly.”
“Well you can’t stay here. Goodnight and I’ll see you tomorrow.”
“Wow, you really don’t care. You don’t even want to get paid, I bet.”
“Fine. Stay here. Go… curl up on the floor or on a bench or something. But you better be out of her before sunrise or Jasper is going to kill me. And you.”
“Got it. Less than six hours of sleep.”
“Now be quiet, I’ll be trying to sleep too,” the lie rolled easily off her tongue.
She stayed in the tavern often enough, but usually crashed at a friend’s house ever since her parents decided she was no longer welcome. Now, she decided to stay on a chair near the door, hugging the wall. She sat pin-straight and could hear the exact moment Hugo’s breathing slowed to a dull rhythm, asleep. She spent the whole night carefully crafting a plan, every little detail coming together in her mind. As the sun rose, she kicked a groggy, half-asleep Hugo out and waited for Jasper.
She gave him back his keys and left for her sand dunes without a word. The day passed as it always did, excruciatingly slow as she got food from the village and searched for minerals in the sand, the only semblance of a job she had recently. Finally, with the sun high in the sky, she made her way back to the tavern. Outside, Hugo was waiting.
She greeted him and began to make her way through the crumbling streets of the beige town, bleeding into the more expensive part made with real red brick and imported wood.
She led the way to Emalyn’s house, the tall red house with a cozy porch and balcony overlooking the town.
“What’s the book title?” V asked.
“It should be called ‘The Memory Orchard’ by Atlas Grant.”
V nodded sharply, filing the information away in her mind.
“Go knock,” V instructed. “Pretend you’re selling something. Keep whoever’s there talking for as long as you can. I’ll sneak in and find the book, then I’ll meet you around the back.”
“Are you sure?”
“No questions.”
“Right,” he said, mostly to himself as V approached the house and stood to the side of the door.
Hugo followed, knocking on the door. Soon enough, Emalyn’s father came to the door.
“Hello sir, I am here to talk to you about something really important. I’m from out of town, and I’m here to sell…”
V stopped listening as she slipped into the house once Emalyn’s father had stepped out. Her mother had an event, she had overheard her talking about it in the tavern the day before. With confidence, she climbed their stairs and entered the first bedroom she saw. It wasn’t on the bookshelf or in any of the drawers. She went into the next bedroom and found it laying on the desk. She felt only a little guilty to be stealing from Emalyn. The money outweighed the guilt, though, so she took the leatherbound book and slipped out the back door.
She heard Hugo dragging on the conversation about selling furniture so she waited until she heard his spiel finish and Emalyn’s father withdraw inside before making her way back around the house.
“Here’s your book,” she handed him the brown book.
“Thank you. You have no idea how much this means to me.”
“No problem. If you’re ever in town again, give me a call. You’re an okay guy.”
“Thanks V. You’re a real ball of sunshine.”
With that, he paid her and retreated down the street.
Part 4
Words: 613
Cee was so happy she had finally stolen her brother’s boat. The suppressive, evil island of her childhood was a thing of the past now that she was free. As she drifted her fingers through the water and felt the salt spray in her hair, she felt happy for the first time in as long as she could remember.
She was off to anywhere that would have her. She eyed the map sprawled out across the deck, held in place by a rock. The small fishing sailboat wasn’t exactly ideal for the amount of storms she encountered, but at least it was something.
She had been sailing for a little over a day and desperately wanted to find somewhere to sleep. She expected, according to her map, to hit land in a little over an hour. She chewed on some dry beef that she had packed when she left in the night. It was almost her last pack.
The sun was high in the sky, bearing down on her golden hair and tan skin. There was not a cloud in sight. It was perfect.
She adjusted her white button down shirt and rolled the cuffs of her brown pants higher so she could dangle her legs in the water.
After another spent in quiet happiness, she spotted land on the horizon and scrambled to prepare the boat to land.
As she approached, she didn’t see any green, only tall beige mountains. It appeared to be an island made only of sand.
When she finally reached the shore, she pulled the boat up onto the sand as she had done so many times when her brother and father came in from fishing. She let out a breath she hadn’t realized she had been holding. This was it. She stepped onto the sun-baked hot sand and smiled. She had made it; she was free.
She trekked further into the island, determined to find some kind of life. She spotted, up on the sand dune, a figure who almost blended in with her beige outfit. The only thing that made her stand out was her glinting silver sword and long, blowing dark hair.
Cee grew closer and closer until eventually she was within a shout’s distance.
“Hello?” she yelled in as bright a tone as she could muster.
“Who are you,” came the response, clipped and cold in the warm desert.
“Cee,” she replied, lifting her chin towards the stranger. “And you?”
As Cee approached, she saw the stranger’s dark green eyes.
“V.”
“Do you live around here?”
“Don’t tell me this is another job from a neighbouring town.”
“What’s that supposed to mean?”
“Long story.”
For the first time, the girl smiled.
“I actually come from Morforwyn.”
“Morforwyn? Aren’t they cut off from the outside world?”
“I escaped. Stole my brother’s boat. Long story.”
The girl’s expression changed, her eyes glinting with respect.
“There’s a storm brewing. Let’s go talk in the tavern.”
“Thank you,” Cee said, following the girl back to town.
She led Cee to a homey little building, dimly lit inside with a tall boy wiping the counters. He smiled with dimples when they walked in.
“What’s this, V? You never talk to anyone and now you’ve brought two friends through the tavern in as many days?”
“Jasper, Cee. Cee, Jasper.”
“Ha! Your names spell Cee and V!”
“Very astute,” V told him, sitting and motioning for Cee to sit beside her. “What brings you by?”
“I’m just looking for anything to do after I left Morforwyn. I can work. Do you have work for me? I don’t need to make much.”
V’s eyes sparkled. “I think I have just the thing.”
Last edited by AWritingCheerleader (March 10, 2026 01:23:24)
- opheliio
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Scratcher
100+ posts
SWC Megathread ࿔*:ଳ・ March 2026
crit for elly :)
great use of action and dialogue to get the story going right out the gate, and i like the bits of characterization and relationship they give as well. the first two sentences are particularly effective, introducing four characters and hinting at how they interact with one another. it feels like the reader is dropped into the middle of the conversation, but with the characters moving from inside the car to outside of it there is a clear justification to start the story there.
i would suggest clarifying “the moment we climbed out of” — is this as they are getting out of the car, or after they’ve closed the doors behind them? the former implies randy was more involved in the conversation, while the latter could suggest the narrator doesn’t want randy to overhear.
have they turned to face each other, or are they continuing to stare after randy’s car? is marcia really paying attention to this interaction, or is her mind off in the clouds?
interesting introspection on the narrator’s social position and the other characters/groups. i like that it’s not over-explained, even if that means i don’t quite understand all the context the characters do, because knowing the groups hate each other but characters from each are interacting with one another is enough, and i prefer piecing together things on my own to exposition dumps. (given this is fanfic, i don’t expect that would be an issue for your target audience lol)
here, giving more description of the character’s poses previously would pay off, as whether marcia is continuing to stare off or has returned to doing so reveal different emotions. love the detail that her hands are in her pockets. marcia is clearly deep in thought, just like the narrator, so i wonder whether the narrator’s posture, pose, and gaze reflect this at all.
flashback time! the “i know what you’re thinking” confuses me a little — is the narrator telling all this to someone aloud, or writing it down somewhere, or something else, and who is the “you” the narrator is addressing?
some more interesting identity and group dynamics stuff. i like the use of “greeted with” in contrast with the weapon and how just before, dally is referred to as a friend, really conveys the complicated nature of their relationship and dally’s bad state of mind.
good back and forth. this is the most we’ve got so far of the narrator talking to someone else, and i like how much the voice in dialogue contrasts with the inner thoughts/narration.
i think adding more of their conversation, or giving more detail about what they discussed, even if its something like “our conversation was easy, sticking to dumb stuff, i don’t even remember” and letting more of the later melancholy leak into the narration here.
again, the difference between the narrator’s speech and their inner thoughts is very nicely done! and definitely shows an understanding of motivation and the relationship dynamic with dally. feigned ignorance is a really interesting bit of characterization!
there’s that line again, now with a different flavor in context! i do wish the end returned to the initial scene with marcia somehow, with the flashback in the middle serving to recontextualize the final sentence, because as it is the structure of the excerpt seems unbalanced. i would add a brief return to the present after “then, just like that, he was gone,” showing how the narrator is reacting to reliving those final moments with him in a short interaction with marcia, after which the final two paragraphs with the reveal that the narrator never saw him again would follow.
overall, this is a strong excerpt so far with interesting characterization and interpersonal dynamics, even to someone unfamiliar with the source material. really consider why and to what audience the narrator is telling the story. the fact that the first sentence is changed by the reveal of something that happened before it is really interesting, and i think foreshadowing or hints at repressed grief from the narrator could hint towards the reveal. thank you for letting me take a look at your work and i hope my feedback is helpful <3
“C'mon… I would never, ever date Dallas Winston,” I told Marcia the moment we climbed out of Randy's car. It was a blue Mustang, and a real classy one too. He had gotten it about four months ago, and we've been cruising around ever since. Marcia sighed contentedly as we watched it swerve away through the cool night air.
great use of action and dialogue to get the story going right out the gate, and i like the bits of characterization and relationship they give as well. the first two sentences are particularly effective, introducing four characters and hinting at how they interact with one another. it feels like the reader is dropped into the middle of the conversation, but with the characters moving from inside the car to outside of it there is a clear justification to start the story there.
i would suggest clarifying “the moment we climbed out of” — is this as they are getting out of the car, or after they’ve closed the doors behind them? the former implies randy was more involved in the conversation, while the latter could suggest the narrator doesn’t want randy to overhear.
“I know that, Cherry.” She raised her eyebrows. “You don't like Coca Cola, anyway.”
I half-smiled at that. Marcia was a real good friend, and she was right. I wouldn't have taken the drink even if I had wanted to.
have they turned to face each other, or are they continuing to stare after randy’s car? is marcia really paying attention to this interaction, or is her mind off in the clouds?
I mean, I knew it wasn't my fault that the Socs and the Greasers hated each other. I just didn't get why. That kid I talked to - Ponyboy - we weren't much different. And Bob and Dally were just two sides of the same coin!
At my side, Marcia was staring off into the distance, hands in her pockets. She had given her number to Two Bit earlier, and I could tell she was thinking of him. It was just a matter of waiting, though I didn't see much changing anytime soon. I mean, as if a Greaser would go for a Soc like us- why did things have to be so complicated?
interesting introspection on the narrator’s social position and the other characters/groups. i like that it’s not over-explained, even if that means i don’t quite understand all the context the characters do, because knowing the groups hate each other but characters from each are interacting with one another is enough, and i prefer piecing together things on my own to exposition dumps. (given this is fanfic, i don’t expect that would be an issue for your target audience lol)
here, giving more description of the character’s poses previously would pay off, as whether marcia is continuing to stare off or has returned to doing so reveal different emotions. love the detail that her hands are in her pockets. marcia is clearly deep in thought, just like the narrator, so i wonder whether the narrator’s posture, pose, and gaze reflect this at all.
The same thing was on my mind a week later, although the situation was really very different. Whatever turn of events that had led me to being a “spy” for the Greasers would be too much to go through, but, somehow, I found myself spending my Saturday night driving to the hospital.
Now, I know what you're thinking. What was I doing at the hospital when I had just told Ponyboy that I wasn't gonna go visit Johnny? Thing is, I hadn't forgotten that Dally was injured too. And I guess that when I read the local paper, some part of me realised that just because someone's mostly dangerous doesn't mean that they're fully bad. So yes, Dally was a criminal, but he sure had a heart of gold.
flashback time! the “i know what you’re thinking” confuses me a little — is the narrator telling all this to someone aloud, or writing it down somewhere, or something else, and who is the “you” the narrator is addressing?
I felt like a bit of an outsider, walking into his room. Not a full Greaser, but not a full Soc either. Just a person, really. A person visiting a friend.
I was greeted with the glint of a blade as Dally shot up in his bed.
some more interesting identity and group dynamics stuff. i like the use of “greeted with” in contrast with the weapon and how just before, dally is referred to as a friend, really conveys the complicated nature of their relationship and dally’s bad state of mind.
“Goodness! Dally, where on earth did you get that knife from?”
“Uh… Two Bit?” came the cautious reply, and, irritatingly enough, he grinned. “Why, you scared?”
I was a little, but shook my head. “No! Of course not… I just wanted to see how you're doing, being burnt and all.”
“Jesus, I'm doing fine. No need to come visit, Soc.”
I knew he was joking by then because of the way that he spoke, and we went into an easy conversation from there. It was slightly guarded, slightly offensive, but still nice enough. It seemed almost too soon when he sprang out of bed and started to head for the door.
good back and forth. this is the most we’ve got so far of the narrator talking to someone else, and i like how much the voice in dialogue contrasts with the inner thoughts/narration.
i think adding more of their conversation, or giving more detail about what they discussed, even if its something like “our conversation was easy, sticking to dumb stuff, i don’t even remember” and letting more of the later melancholy leak into the narration here.
“Hey, where you going?” I asked, hoping he wasn't off to that dreadful fight.
“You seriously don't know that there's a rumble going on today?” Then, just like that, he was gone.
again, the difference between the narrator’s speech and their inner thoughts is very nicely done! and definitely shows an understanding of motivation and the relationship dynamic with dally. feigned ignorance is a really interesting bit of characterization!
I didn't see Dally again after that, though I definitely still thought of him. And it's been rough, but things are rough all over, and at least I now know one thing for sure:
I will never, ever date Dallas Winston.
there’s that line again, now with a different flavor in context! i do wish the end returned to the initial scene with marcia somehow, with the flashback in the middle serving to recontextualize the final sentence, because as it is the structure of the excerpt seems unbalanced. i would add a brief return to the present after “then, just like that, he was gone,” showing how the narrator is reacting to reliving those final moments with him in a short interaction with marcia, after which the final two paragraphs with the reveal that the narrator never saw him again would follow.
overall, this is a strong excerpt so far with interesting characterization and interpersonal dynamics, even to someone unfamiliar with the source material. really consider why and to what audience the narrator is telling the story. the fact that the first sentence is changed by the reveal of something that happened before it is really interesting, and i think foreshadowing or hints at repressed grief from the narrator could hint towards the reveal. thank you for letting me take a look at your work and i hope my feedback is helpful <3
- -NightGlow-
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Scratcher
1000+ posts
SWC Megathread ࿔*:ଳ・ March 2026
Critique
word count - 604 words
General Thoughts
Hey! Obviously a graduation speech is meant to be personal and reflect your personality/specific diction so I'll try my best to provide some critiques here in there. I love the humour aspect you've included subtly, definitely brings the speech to life. This aside, however, I think there are a few things that we can change (eg: word choice, phrasing, etc.) in order to further captivate the audience and maintain consistent engagement from them as you present. I'm also not really sure if you have a time limit of sorts for this speech so feel free to ignore any suggestions I provide as at the end of the day, this speech is meant to reflect you. With that being said, good luck and thanks for letting me critique your speech.
Personally the bit about “this is my very amazing speech about my first year of…” seems unnecessary to me. If you'd like to still use it though maybe combine the sentence where you introduce your name using a something like “and”, for example. This will definitely help with the flow of your speech.
reword idea: When I first arrived here, I was incredibly nervous. I didn't really know anybody and wasn't sure if I would be able to make such close friends. Little did I know that this was just the beginning. After a few days, I became closer with more people than I had initiall expected. I had friends, and they were beyond incredible.
I love the whole “not amazing as me” bits - that's definitely be a great addition in my opinion ;D
Overall, a lot of the things I've said are personal preference. I know you're going to do a great job regardless though.
Congrats on graduating <3
word count - 604 words
General Thoughts
Hey! Obviously a graduation speech is meant to be personal and reflect your personality/specific diction so I'll try my best to provide some critiques here in there. I love the humour aspect you've included subtly, definitely brings the speech to life. This aside, however, I think there are a few things that we can change (eg: word choice, phrasing, etc.) in order to further captivate the audience and maintain consistent engagement from them as you present. I'm also not really sure if you have a time limit of sorts for this speech so feel free to ignore any suggestions I provide as at the end of the day, this speech is meant to reflect you. With that being said, good luck and thanks for letting me critique your speech.
good morning/afternoon parents, teachers, friends and other people. its an honor to stand here today, but i know i didn’t get here by myself. my name is ari. this is my very amazing speech about my first year of .Ok! I like how you address your audience right from the start. This is definitely a personal preference, however, I don't really like the usage of “and other people” because it takes a way from your starting momentum. It'll definitely depend on how you deliver it but obviously if there's a little chuckle/laugh as you say it, it should be fine. If that's no the case, I'd recommend replacing it with peers or leaving it out entirely.
Personally the bit about “this is my very amazing speech about my first year of…” seems unnecessary to me. If you'd like to still use it though maybe combine the sentence where you introduce your name using a something like “and”, for example. This will definitely help with the flow of your speech.
when i first arrived here, i was really nervous, i didnt really know a lot of people here at first, however, after a few days, i became friends with more people than i expected and i felt more comfortable than before.This is just me being picky, however, the overall sentence feels like it's essentially repeating the same idea. While this is definitely important in order to convey a clear and concise message, I feel like you have room to add more depth and personality to paint a clearer picture for the listeners. This will also help you better connect with the audience! Something to consider is also the repetition of words. I did suggest a little reword example so you have a more clearer idea as to what I'm hinting at, however, something as simple as changing one of the “first”'s you have listed in this sentence to a synonym could go a long way.
reword idea: When I first arrived here, I was incredibly nervous. I didn't really know anybody and wasn't sure if I would be able to make such close friends. Little did I know that this was just the beginning. After a few days, I became closer with more people than I had initiall expected. I had friends, and they were beyond incredible.
i would like to thank all of my friends for being amazing, my teachers for being amazing, and me for being the most amazing person in this school.Coming back to that idea of word choice, I find that you're kind of overusing the word “amazing” here. While it is nice for one of the sections, and some point it does become a tad bit repetitive. If you're using this a humour convention then I'm all for keeping it! If not, I'd definitely recommend finding synonyms in order to also again, connect with your audience.
but seriously, im very thankful for everyone that has helped me in this school.
you guys were amazing (but not as amazing as me) and thank you for existing and helping me.
I love the whole “not amazing as me” bits - that's definitely be a great addition in my opinion ;D
i’ve met really kind and cool people, and they all made me laugh, smile, and other emotions.I feel like changing the other emotions to a specific anecdote would make your speech stronger! Maybe talk about a fun memory that you have, a school event that had an impact on you, etc. Aside from that, I love this addition as you segment towards the end of your speech
to my fellow classmates, thank you for everything, no matter if you change schools, or stay in , i’ll always remember you. i know theres some of you who i have had really good relationships with, and i wish you all the best next school year.Love this!
Overall, a lot of the things I've said are personal preference. I know you're going to do a great job regardless though.
Congrats on graduating <3
- taylorsversion--
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Scratcher
500+ posts
SWC Megathread ࿔*:ଳ・ March 2026
critique for lio ⋅ 358 words
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hi lio! i really liked reading your piece- i found the character dynamics and setting really interesting! here's some feedback/suggestions:
───── ⋅★⋅ ─────
hi lio! i really liked reading your piece- i found the character dynamics and setting really interesting! here's some feedback/suggestions:
the jays loved rejean. he had a gross habit of leaving his crusts on his windowsill, sometimes scattered with stolen seeds or nuts intended for the court’s caged menagerie. he invited them into his life, sketching their delicate feathers and energetic movements as he watched them play and eat from his windowseat.i loved the opening sentence!! your writing style makes the storytelling feel super natural.
olivia used to laugh at the sight of him, haloed by wings and chirping beaks. that was years ago, and she is olivia no longer, and far too concerned with a facade of seriousness to take part in his antics.i love the reminiscence (and reality) of this, but i’m a bit confused as to what “she is olivia no longer” means - maybe rephrasing to something like “she isn’t that olivia any longer” could work?
torlin’s eyes would sparkle at how a jay would so often swoop down to greet rejean, as together they wandered campus during a lesson. rejean read once that a defunct sect of divinity had cherished corvids as particularly sensitive to the currents of the spirits. he never got the chance to ask torlin about that.i like how you’re introducing different characters- it makes the reader feel like they want to learn more about them! would rejean be wandering campus while in a lesson though? not sure if this is foreshadowing or just setting a theme, but i also like how you included the spirits part
frey, foolish, headstrong frey, was terrified of small birds. nevermind she spent so much time in the falconry, nevermind she had hand-raised several of the university’s finest birds of prey. if a jay approached rejean while she was around, she jumped and screeched and huffed at the laughter of their companions.i like the lore drop, and how her reaction to jays teaches you about her personality a little bit, as well as how they all interacted with each other! maybe change “she jumped and screeched” to “frey jumped and screeched” or replace on of the other “she”s to avoid repetition!
hugo. hugo, stop this. hugo, let me rest. hugo, this is not rig—ooh, nice :0 i like how this brings up questions of who the narrator is directing this to, and how they're doing so - writing? speaking? and who's hugo?
he set out crusts and nuts and attracted only squirrels. everybody knows anyone can get the attention of squirrels, they have horrible judgment.i think it would make more sense to replace ‘and’ with ‘but’ here - the side comment is funny though! makes you wonder who's writing this, and how they know how everyone's like.
as a gift at new year’s shortly before his disappearance, they had a sigil created in his honor, a joyous jay midflight, beak clutching a jewel. it was engraved in the university archives, taking its place next to the lord charles’ sturdy buck, and a gold ring was cast for rejean’s pinkie finger. it was beautiful, just as he was.ooh mysterious! to help the first sentence flow better, it could help to change “created in his honor, a joyous jay” to “created in his honor: a joyous jay” :)
not how it ha—these comments really make me want to get more context - in a good way!
to him, the jays were a manifestation of this. certainly the spirits moved with his overwhelming affection, leading the jays right to him.to make it clearer over which ‘him’ is being specified - rejean or hugo (also hugo mentioned!!) - you could change “to him, the jays” to “to hugo, the jays”!
(i matter. he matters. the love does not evaporate. my work will make it true.)i'm a little confused- is hugo writing this and talking to himself? the relationship between rejean and hugo is really sweet yet sad :,D
hugo loved on, despite the pain, and the birds followed him on his pilgrimage across the continent.aww i loved the ending! it was super impactful! i may have misunderstood a part of the storyline, but assuming this wasn't on purpose, it seems like there's a typo in rejean <3
the jays love rojan.
Last edited by taylorsversion-- (March 7, 2026 23:48:21)
- theleapingleopard
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Scratcher
500+ posts
SWC Megathread ࿔*:ଳ・ March 2026
critique for Zai // 536 words
Hi Zy! Super excited to critique your writing because its always fabulous - as you know, I've got to do the customary it's only suggestions you don't have to listen to them thing… Now onto the critique!!
Because it's relatively short I will go through it almost sentence by sentence for you, maybe, we'll see.
The first sentence I feel a dramatic one, and a really nice opener. I would consider giving it its own line just to make it stand out a bit more and add more effect?
Then the second sentence which sets the scene, I like, but something about the list feels jarring. Can't quite put my finger on why, I think maybe that it feels a bit jumpy, or maybe just the use of the list feels clunky with the ‘and’ at the end. So I would play around with the phrasing of that sentence to make it flow a little more.
I love the description of the dancers - it captures the beauty but keeps the uneasy undertones with the ‘nothing’ at the end.
I personally don't like the 2 short sentences next to each other, I think it takes away each's individual impact and it almost becomes read as 2 clauses of one sentence instead. But again, the building of tension is really good.
I feel like in this paragraph there's quite a lot of commas and clauses - obviously not a bad thing but it disrupts the flow a bit. Then there's a few phrasings which just jump out at me for whatever reason - ‘its magical performers’ just seems a bit strange, makes me think of a circus or magic show in a slightly odd way… Might just be me though!
I would change ‘that hangs’ to ‘hanging’ personally just for flow. Then I don't necessarily like the bit about the glow of the chandelier, but I'll leave that with you to have a look at
The phrasing seems a little off, with the repetition of star of the show and then ‘the performer Angelica Maria’ just doesn't feel like a natural way to introduce someone. Also, is she another dancer? If so, I don't think she would ‘skip’ onto stage. I mean just from my imagination, she can do what you want-
Ooh I love the tension and description of the crash!! ‘To make people disappear’ is such a good line
With the dialogue, I might change a couple of things just to make it sound more natural speech - it helps if you read it aloud/in your head as if someone is speaking - that is, if you're trying to go for natural conversational, you don't have to! So maybe ‘her family’s furious'. I love the one is an accident etc etc that's so good!!
Maybe consider adding some description of the guy when he accuses Tomason of being a murder? I feel like that's obviously a big moment and it kind of gets lost a little bit in the dialogue without any reaction from either of them.
I love the end - nothing to change there!!
I loved reading this Zy, so creative and the way you write is amazing, especially the way you've used tone and tension! <33
Hi Zy! Super excited to critique your writing because its always fabulous - as you know, I've got to do the customary it's only suggestions you don't have to listen to them thing… Now onto the critique!!
Because it's relatively short I will go through it almost sentence by sentence for you, maybe, we'll see.It’s time for the end. The curtain lifts, the audience is electric with energy surging through the entire building, and the final song plays out. The dancers leap across the stage, feet barely skimming the floor before they’re in the air again, effortlessly spinning towards everything and nothing at all.
The first sentence I feel a dramatic one, and a really nice opener. I would consider giving it its own line just to make it stand out a bit more and add more effect?
Then the second sentence which sets the scene, I like, but something about the list feels jarring. Can't quite put my finger on why, I think maybe that it feels a bit jumpy, or maybe just the use of the list feels clunky with the ‘and’ at the end. So I would play around with the phrasing of that sentence to make it flow a little more.
I love the description of the dancers - it captures the beauty but keeps the uneasy undertones with the ‘nothing’ at the end.
It’s a beautiful sight. But I have a job to do. So as the dancers rise again and the song continues, I flicker the lights, watching them pace across the building, shining on faces and bodies. The star of the show, ignoring its magical performers, is the chandelier that hangs above the center of the stage, ancient and antique, glowing with flames under the spotlight’s beam.
I personally don't like the 2 short sentences next to each other, I think it takes away each's individual impact and it almost becomes read as 2 clauses of one sentence instead. But again, the building of tension is really good.
I feel like in this paragraph there's quite a lot of commas and clauses - obviously not a bad thing but it disrupts the flow a bit. Then there's a few phrasings which just jump out at me for whatever reason - ‘its magical performers’ just seems a bit strange, makes me think of a circus or magic show in a slightly odd way… Might just be me though!
I would change ‘that hangs’ to ‘hanging’ personally just for flow. Then I don't necessarily like the bit about the glow of the chandelier, but I'll leave that with you to have a look at

The real star of the show, the performer Angelica Maria, skips across the golden wood until she is directly under the chandelier.
The moment has come.
The phrasing seems a little off, with the repetition of star of the show and then ‘the performer Angelica Maria’ just doesn't feel like a natural way to introduce someone. Also, is she another dancer? If so, I don't think she would ‘skip’ onto stage. I mean just from my imagination, she can do what you want-
Ooh I love the tension and description of the crash!! ‘To make people disappear’ is such a good line

“You’ve had your last laugh this time, Tomason. Her family is furious—one accident is an accident, two is a cooincedence, three is extremely strange, and four is undoubtedly intentional. What do you have to say for yourself?”
I shrugged my shoulders, thinking of the four and the places they must be now. “We are too poor to afford quality materials.”
“I was in the audience, Tomason. It was full to the brim. I paid good money for my ticket, as did all of the fine folk in the audience. Where is it going if not to pay for quality materials?”
I shrugged again. The truth was to help the four in their new lives, wherever they may be. “The building is expensive.”
“That was given to you. I think the truth is this: you’re a murderer. There has never been an accident in Elegieria Hall.”
With the dialogue, I might change a couple of things just to make it sound more natural speech - it helps if you read it aloud/in your head as if someone is speaking - that is, if you're trying to go for natural conversational, you don't have to! So maybe ‘her family’s furious'. I love the one is an accident etc etc that's so good!!
Maybe consider adding some description of the guy when he accuses Tomason of being a murder? I feel like that's obviously a big moment and it kind of gets lost a little bit in the dialogue without any reaction from either of them.
I love the end - nothing to change there!!
I loved reading this Zy, so creative and the way you write is amazing, especially the way you've used tone and tension! <33
- taylorsversion--
-
Scratcher
500+ posts
SWC Megathread ࿔*:ଳ・ March 2026
Word War 1 ★ 161 words
Duration: 3 minutes
Against: Alana - Lyric
Prompt: “I told you we needed more glitter.”
Outcome: Lost
We glanced apprehensively at the neighbouring entries. Moving waterfalls, flying saucers. Yep. We definitely should have added more glitter to our cake. It looked really sad, sitting there on the judging table. Next to all the special cupcakes and brownies that looked like they had just come out of Mr Wonka's Chocolate Factory, our strawberry and cream cake looked a little… pathetic. The only nice thing about it was the edible glitter that we had dotted around the rim for fun - we had thought that would be too much to add even then, but it turns out it was not. Yeah. Definitely. Looking back, it just made the cake look too tacky. Or maybe that's just me making too many comparisons. The grass is always greener, or whatever they say. But it's not my fault that we didn't have enough glitter. I had wanted to add the whole lot. Make it a glittery mystery. I had made a poster for it
Duration: 3 minutes
Against: Alana - Lyric
Prompt: “I told you we needed more glitter.”
Outcome: Lost
We glanced apprehensively at the neighbouring entries. Moving waterfalls, flying saucers. Yep. We definitely should have added more glitter to our cake. It looked really sad, sitting there on the judging table. Next to all the special cupcakes and brownies that looked like they had just come out of Mr Wonka's Chocolate Factory, our strawberry and cream cake looked a little… pathetic. The only nice thing about it was the edible glitter that we had dotted around the rim for fun - we had thought that would be too much to add even then, but it turns out it was not. Yeah. Definitely. Looking back, it just made the cake look too tacky. Or maybe that's just me making too many comparisons. The grass is always greener, or whatever they say. But it's not my fault that we didn't have enough glitter. I had wanted to add the whole lot. Make it a glittery mystery. I had made a poster for it
Last edited by taylorsversion-- (March 7, 2026 23:16:02)
- Zyzeryko
-
Scratcher
100+ posts
SWC Megathread ࿔*:ଳ・ March 2026
critique for theleapingleopard!!
620 words
I. Floating
I am not falling. There’s no way down.
Instead, I am hanging in midair
except the air was extracted under anaesthetic.
And I am motionless as if its etherised patient.
Time and space loosen its grip, my grip is
reaching, reaching and my gloves brush -
nothing. They should be full
of elements and riches, but they are empty.
II. Below
Earth is a coin far below dropped
into the deep, swirling well
in the belly of the beast.
I am tethered to it too, you know…
Tethered only to life by one rope -
an umbilical chord I leech off of.
I swim and squirm through the black depths of the universe
without resistance.
I gulp life from the tube.
Where did it come from, I always wondered?
Life, I mean. What a strange type of currency.
The least important, no doubt.
And the coin flips slowly. Maybe it’ll land,
eventually. Heads or tails?
Heads, we live. Tails, we die…
After all, the creatures deserve that.
III. Inside
Everything looks strange through a helmet.
The perspective warps and twists
and all you can hear is your breathing
and… and the warning, beeping.
And I’m floating, flying, falling… away. Or maybe not.
I’ve been birthed from the beast
and now I’m in the darkness,
the organ that sustained me discarded, like always.
IV. The Other Voice?
You reached to the stars.
But they were pulsing deep in my chest.
The stars have always been inside of me.
Your hand, clamped around my heart and pulled it - out,
greedy fingers grasping so tight to secure what you wanted.
But the stars were gone, as was my heart.
Exploded in a flurry of supernova.
So you reached your heart back out,
thinking the blood was elixir, and went
searching somewhere else. And then…
No stars in my heart, only darkness now
only darkness
maybe you’ll see it in a thousand years.
V. Breathing
For now, oxygen fills my lungs
I never remember it being quite this sweet…
I think they’ve substituted it for tear gas.
And the view out of my helmet looks really strange,
The red tinges my vision of darkness. So strange, so alien…
Especially Earth. Especially Earth
which I am full of-
Earth and Darkness. Earth. Darkness.
I always wondered,
What was at the centre of the Earth?
But then again, I always wondered
What it was like to be in space.
Everything looks strange through a helmet.
The swirling tentacles reach out to ensnare me,
reaching for my heart to grab it
and stop it beating.
My blood is its ink
I can see the tentacles leeching it out
and spilling the cold dark ink -
spilling the warm, swirling blood -
spilling the star-spattered poison -
into whatever lies out there.
Everything looks strange through a helmet.
And I must look strange, in my helmet,
to everything who’s eyes watch me back.
VII. Breathing, part 2
The oxygen no longer tastes sweet.
The red light grows ever dimmer
as the beast forces its tentacle down my throat
and sucks all the air out
of me
The oxygen isn’t sweet.
It tastes like metal and ink.
I once wanted gold and riches
but now the coin is blocking my throat
and that coin used to be earth.
Now it is just a black whole that leeches
my life
Away.
VIII. Darkness
The coin landed on tails.
I am within the beast, or-
the beast is within me…
Too late. The ink explodes
in a flurry of supernova
and I am not
falling
620 words
Hello!! Im am super exciting to critique this since i love poems but as a bit of a reminder take my advice with a grain of salt since i am not great with poetry <3
I. Floating
I am not falling. There’s no way down.
Instead, I am hanging in midair
except the air was extracted under anaesthetic.
And I am motionless as if its etherised patient.
Time and space loosen its grip, my grip is
reaching, reaching and my gloves brush -
nothing. They should be full
of elements and riches, but they are empty.
Oooo this has a super cool vibe to it!!! I love the descriptions and how vivid the imagery is. One thing is a bit confusing to me, and thats the use of the word anasethetic in the third line, since its making me think of a medical ennviorment rather than someone who is in space, which clashes the two vibes a bit.
II. Below
Earth is a coin far below dropped
into the deep, swirling well
in the belly of the beast.
I am tethered to it too, you know…
Tethered only to life by one rope -
an umbilical chord I leech off of.
I swim and squirm through the black depths of the universe
without resistance.
I gulp life from the tube.
Where did it come from, I always wondered?
Life, I mean. What a strange type of currency.
The least important, no doubt.
And the coin flips slowly. Maybe it’ll land,
eventually. Heads or tails?
Heads, we live. Tails, we die…
After all, the creatures deserve that.
I like this part a lot!! I dont really have any critique for it, if you wanted a descriptor for the emotions and feeling it invokes i’d go with like a slowness, like we can see the desperation from the use oft he words gulp and swim, but you do a really nice job of keeping the pace still slow despite that which is really cool to read
III. Inside
Everything looks strange through a helmet.
The perspective warps and twists
and all you can hear is your breathing
and… and the warning, beeping.
And I’m floating, flying, falling… away. Or maybe not.
I’ve been birthed from the beast
and now I’m in the darkness,
the organ that sustained me discarded, like always.
I like this a lot too!! Personally im not a huge fan of the ending of the last line here, it might be just me but the “like always” seems to invoke something different than the rest of this part. I dont feel like im getting a sense for what “like always” means in this context, which makes it slightly confusing to read!
IV. The Other Voice?
You reached to the stars.
But they were pulsing deep in my chest.
The stars have always been inside of me.
Your hand, clamped around my heart and pulled it - out,
greedy fingers grasping so tight to secure what you wanted.
But the stars were gone, as was my heart.
Exploded in a flurry of supernova.
So you reached your heart back out,
thinking the blood was elixir, and went
searching somewhere else. And then…
No stars in my heart, only darkness now
only darkness
maybe you’ll see it in a thousand years.
Ooooo i love this part!! This is my favorite part so far and again i really love the contrast of the words, of trying to save someone whilst “ripping their heart out.” similarly to the last part, im not a huge fan of the last two lines since they have a very different feel from the rest of the stanza (sorry if thats not what its called lol!). Like i understand whats going on but i feel like the last line about seeing it in a thousand years could have more punch to it, if you get what i mean!
V. Breathing
For now, oxygen fills my lungs
I never remember it being quite this sweet…
I think they’ve substituted it for tear gas.
And the view out of my helmet looks really strange,
The red tinges my vision of darkness. So strange, so alien…
Especially Earth. Especially Earth
which I am full of-
Earth and Darkness. Earth. Darkness.
I always wondered,
What was at the centre of the Earth?
But then again, I always wondered
What it was like to be in space.
I dont think i have any feedback for this part! You mentioned that the astronaut was losing oxygen, and i cant quite tell if this is meant to be them getting oxygen again or if theyre just hallucinating it.VI. Outside
Everything looks strange through a helmet.
The swirling tentacles reach out to ensnare me,
reaching for my heart to grab it
and stop it beating.
My blood is its ink
I can see the tentacles leeching it out
and spilling the cold dark ink -
spilling the warm, swirling blood -
spilling the star-spattered poison -
into whatever lies out there.
Everything looks strange through a helmet.
And I must look strange, in my helmet,
to everything who’s eyes watch me back.
I LOVE the last part of this, it feels really satisfying to read if that makes sense. The only thing that i would maaaaybe change is adding another mention of eyes somewhere in this part to draw it together, but its not necessary at all!
VII. Breathing, part 2
The oxygen no longer tastes sweet.
The red light grows ever dimmer
as the beast forces its tentacle down my throat
and sucks all the air out
of me
The oxygen isn’t sweet.
It tastes like metal and ink.
I once wanted gold and riches
but now the coin is blocking my throat
and that coin used to be earth.
Now it is just a black whole that leeches
my life
Away.
Im running out of ways to say i really like this part!! Maybe its just me but its a little confusing to read the second stanza from the last, and the ending “and that coin used to be earth” just feels a little clunky to me. Maybe something like “but now the coin that used to be earth is blocking my throat.” just to give it a restructuring to make it flow a tiny bit better!!
VIII. Darkness
The coin landed on tails.
I am within the beast, or-
the beast is within me…
Too late. The ink explodes
in a flurry of supernova
and I am not
falling
Ooooooo i like this a lot!! I especially like that it starts and end with the same line. I dont think i have any feedback for this part!! To answer your questions, yes i think it makes sense structurally, i like the parts a lot though i think it could be interesting to see them all kept to one word, because IV and VII feel like outliers for not being one word like the others!! I think it does make sense as a whole!! I dont know if this is helpful but i like that the first and only mention of actually being in space isnt at the beginning. Again this is super good and i love the vivid imagery!!! Great job and sorry if this critiques aren’t suited for poetry <3
Last edited by Zyzeryko (March 8, 2026 00:26:51)
- starryy-silk
-
Scratcher
100+ posts
SWC Megathread ࿔*:ଳ・ March 2026
♪ ₊˚ weekly #1 .ᐟ ♡
part 1
part 1
character: azalea ?????
age: ???
description: a playful, bubbly, and cheerful individual who works for a mysterious goverment organization called “y”
appearance: blonde, with pink hair as short bangs. clips her hair up with a golden clip embedded with pearls. also doubles as a weapon. she has light green eyes, with ivory skin. you can never see her without pale, white gloves.
occupation: works at “y” as ?????
strenghts: getting along well with people, incredible deduction and observation skills, is easily motivated.
weaknesses: perfectionist, indecisive and is a terrible negotiator. rarely shares her opinions on most things, and has a terrible memory (must write everything she observes down).
acquantices:
- lisianthus: her cousin who's a famous and well-known fashion designer. knows about what she does at “y” and often designs clothes for her job and provides cover for her. despite not meeting much when they were younger, azalea supported lisianthus because despite the family ostracizing lisianthus. over time, the two have bonded after azalea left the family to work at “y”, leaving behind a pure and supportive friendship between the two of them.
- othera: her friend and queen of the lands. despite their interactions starting because of “y”, they are close friends. although azalea would never admit it out loud, she secretly feels intimidated by her and hopes she never does something that displeases othera.
225 words
-
part 2
for my character's mood board, i added a multitude of specific things that i think can reflect my character
- bubbles: i think bubbles are a perfect symbol of my character's playful and a little bit childish personality. as a kid, i'd often blow bubbles, and i was quite the energetic child, so i think that my character's personality would resemble child me.
- glasses: these glasses shows my character's keen eye and how she can notice many things, all at once.
- the slightly cold image of the strawberries: used to show my character's job at “y”
- the reflection of a tree: to show perfection, as the image is symmetrical when flipped. it represents how my character wishes her work to be perfect.
- pink paper: i chose this to show my character's less-than-perfect memory, and how she always has to jot stuff down.
- dress: highlights my character's friendship with lisianthus. lisianthus is a fashion designer, and the dress can be something that she gifted azalea.
- paints: the paints illustrates my character's motivation. it requires a lot of motivation to finish an art piece, and motivation is something that azalea has plenty of.
- lolipops: the multitude of lolipops symbolizes how azalea is able to connect with people and how most people enjoy seeing her.
210 words
-
part 3
swap with @hermionevoiceactress
she stared at the waters beneath her, filled with plenty of people swimming and lousing around. yet, despite all that excitement and cheer, there was still the small, small tiny chance that one of them might drown.
just like her best friend when they were little.
it was a good thing that lily was able to save them. but so close, perhaps one second late and she would've…
how her friend had seeped underneath the water and flalied, unable to get back up, and how lily had to pull her up, using all her non-existant strength, and how it almost been too late, too late, because she was underwater and her lungs had almost ran out of oxygen.
but that was all in the past now. surely, maybe surely, she could save someone now if they decide to submerge underwater once again.
yes, she was stronger now. she was braver, she learned so much more. if someone were to drown, she could save them. she had to save them!
yes, yes, lily was better. and she shouldn't dwell on the past. look forward to the summer.
but, oh dear…the loom of school on the horizon when summer ends.
no, no. best not to think about it now.
“are you okay, lily?” said the little voice of juliana watching her from below lily's lifeguard seats.
“yes. just remeniscing…” replied the lifeguard. it was best not to tell her what had she'd been thinking so far. she didn't want her younger cousin to think of her as incapable.
“can you swim with me?” pleaded the little girl, eyes shaped into that of a puppy.
“no, i have a job to do. stay with me, okay?”
the little girl pouted. lily tried smiling back. in truth, the latter was worried. what happens if juliana submerges under water, just like her best friend when they were younger?
the risk was too high. better to let her stay here, with her, then to swim. despite swimming being a wonderful and enjoyable thing that lily liked as well.
“why are you always so busy??” pouted juliana. “first it was school, and then your job. when will you play with me?”
“soon, soon. soon i promise.”
“you've promised that 3 weeks ago!”
“listen, i'm sorry, alright. i do try my best, its just that life's getting in the way.”
speaking of getting in the way, what will she do about those pirates?
and what if…what if they've managed to kidnap her little cousin? what would she do then?
no…likely won't happen. hopefully not. they surely can't get here…right?
“when is your job doneee?” asked juliana, poking the lifeguard chair multiple times.
“soon. be patient.”
the little girl pouted again, poking the chair multiple times. “i want to leave. its too sunny.”
“i thought you enjoyed swimming?” said lily.
“you're not letting me swimm!” exclaimed the girl. “i want to play in the sand too, but no one will play with me.”
“my shift ends at 5. it's in 30 minutes, alright?”
juliana scowled. “finee.”
511 words
-
part 5
azalea walked around the park, her eyes bouncing around everywhere. the grass was emerald, healthy. nothing to worry about, hopefully.
all the sudden, she saw a person with light brown hair, tied up in a ponytail. odd. she'd never seen them before, not usually here anyways.
“curious, curious indeed…” she said to herself. usually, people visited this park in a routine. after all, this park wasn't known for being a tourist attraction. and she hadn't remembered any new citizens moving to the area near here.
azalea checked her paper crumbled in her pocket. nothing of note. it wouldn't hurt to initiate a conversation with them.
and so, azalea approached the mystery person and asked, “hello! are you new here? i haven't seen you around.”
“oh hello there! i'm just searching for a spot to read…”
“read? oh, i see,” said azalea, noticing the book that the girl held in her arm. “20000 leagues underneath the sea?”
“yes. it's an excellent book, and i really want to finish it.”
“interesting!” azalea clapped her hands, beaming. “what it's about?”
“it's a science fiction novel about a yearlong journey on the sea.”
“interesting indeed! do you enjoy swimming?” asked azalea, ever so curious.
“yes, it's one of my favorite hobbies.” replied the person.
“i would love to get to know you better! what's your name?”
“lily. lily marcet.” replied lily. “do you enjoy reading?”
“a little bit. it's not one of my favorites. i prefer writing more.”
frankly, what azalea had to write were reports. nothing but reports of recent activities and suspicious individuals. it likely wasn't what lily had in mind, but it certaintly wasn't lying either.
“cool!” the women exclaimed.
“certainly!” replied azalea. “do you need any recommendations for reading spots?”
“oh yes, definitely. i want somewhere near my job, as a lifeguard near the beach.”
aha! now that was why azalea never met saw lily before. the area near the beach wasn't where she was ever assigned. who was tasked with that area again….?
“ooh, well there's the cafe around a mile from the beach. the owner there is incredibly generous, and the drinks are delicious.” replied azalea.
“i'll certainly visit there sometimes!”
“do you enjoy your job?” asked azalea. “whenever i'm at the beach, i'm always quite scared of the lifeguards.”
“really? hah, i promise you we aren't that serious,” joked lily. “and i do quite like it. it's just that i'm always…ah nevermind.”
now that's curious. there's something that makes this new person uncertain. interesting. better not to push for it to avoid suspicion.
“oh don't worry. i'm sure you're a great lifeguard,” azalea assured lily.
“thank you.” responded lily. “perhaps we should go to the beach tommorow? you can see me work.”
“of course!”
and the two exchanged contacts, then left their seperate ways.
azalea quickly wrote down what she've learned from this encounter and sent it to “y”.
***
the next day, azalea met up with lily up on the beach. the latter was already up on the lifeguard chair, staring at the waters down below.
“do you…ah…sit up here all day?”
“yes. and when i spot someone breaking the rules, or anything else, i blow my whistle.”
“what happens when someone drowns?”
“let's hope it never comes to that.” lily shivered. “but in the rare case that it does…i swim towards them, and try to rescue with the best of my abilities.”
hmm. the mention of drowning caused a clear discomfort in lily. perhaps a traumatic past involving drowning?
“oh…i see.”
“mhm. perhaps later, we can go swimming together?”
“yes, that would be amazing,” said azalea, smiling.
606 words
-
total: 1,572 words
Last edited by starryy-silk (March 9, 2026 00:15:13)
- 129waterfall
-
Scratcher
1000+ posts
SWC Megathread ࿔*:ଳ・ March 2026
running rp doc so i can count up all the words at the end
Waterfall re-enters the main cabin. “It feels weird talking in roleplay because I'm still working on cabin wars, but…”
“ALANA WHAT IS THIS MADNESS” waterfall's brain hurts, partially because she has a headache from staring at the screen, and partially because she is busy decoding alana's latest description shenanigans.
“+25 fantasy for the describing a setting extra challenge!” waterfall gleefully shouts. “not self added, by the way - thank you in advance to whoever does!” waterfall finds this moment quite interesting, as she is actively participating in one daily while also working towards and claiming points towards another. What a curious event.
waterfall giggles as she comes up behind chocolate. “just so you know, I asked for funny stats on invalid wars sent, and you were the winner by a landslide, we could tell you were on that war spamming grind” waterfall cackles and disappears back into the shadows to finish her weekly and ongoing cabin wars
waterfall materializes at the mention of anything with sugar in it - “OMG does that mean I can have chocolate?? Thank youuuu” waterfall skips off to claim her chocolate for not warring cyberpunk
Waterfall skips back into the main cabin because once again, she has completed a 200 words of setting side quest for fantasy. “+25 points to fantasy!” she grins. Waterfall knows every point counts, which is also why she's writing in roleplay - not just because it's the daily, but because she can add it to her word goal, and every point counts.
waterfall pulls up with her notebook. “Based on the wars they gave, we… despise adventure, chocolate specifically, (/silly no hate to anyone,) like illufi, are hostile but not mortal enemies with paranormal, like cyberpunk, and love lyric the most out of everyone they are the best <3 This mostly aligns with our relationships with the exception of vi from cyberpunk having mercy on us
” waterfall lowers the notebook. “and that's the recap! see you next cabin wars!”
Waterfall re-enters the main cabin. “It feels weird talking in roleplay because I'm still working on cabin wars, but…”
“ALANA WHAT IS THIS MADNESS” waterfall's brain hurts, partially because she has a headache from staring at the screen, and partially because she is busy decoding alana's latest description shenanigans.
“+25 fantasy for the describing a setting extra challenge!” waterfall gleefully shouts. “not self added, by the way - thank you in advance to whoever does!” waterfall finds this moment quite interesting, as she is actively participating in one daily while also working towards and claiming points towards another. What a curious event.
waterfall giggles as she comes up behind chocolate. “just so you know, I asked for funny stats on invalid wars sent, and you were the winner by a landslide, we could tell you were on that war spamming grind” waterfall cackles and disappears back into the shadows to finish her weekly and ongoing cabin wars
waterfall materializes at the mention of anything with sugar in it - “OMG does that mean I can have chocolate?? Thank youuuu” waterfall skips off to claim her chocolate for not warring cyberpunk
Waterfall skips back into the main cabin because once again, she has completed a 200 words of setting side quest for fantasy. “+25 points to fantasy!” she grins. Waterfall knows every point counts, which is also why she's writing in roleplay - not just because it's the daily, but because she can add it to her word goal, and every point counts.
waterfall pulls up with her notebook. “Based on the wars they gave, we… despise adventure, chocolate specifically, (/silly no hate to anyone,) like illufi, are hostile but not mortal enemies with paranormal, like cyberpunk, and love lyric the most out of everyone they are the best <3 This mostly aligns with our relationships with the exception of vi from cyberpunk having mercy on us
” waterfall lowers the notebook. “and that's the recap! see you next cabin wars!”Last edited by 129waterfall (March 8, 2026 04:57:07)
- pyr3ite
-
New Scratcher
26 posts
SWC Megathread ࿔*:ଳ・ March 2026
prompted word war vs. @CaleMoretti! 450 words and a victory
“Can we stay like this for a little bit longer?”
“Yeah. For as long as you want, En.”
A cold-faced man with jarringly white hair stands before us in the quiet, dirty orphanage dining hall. His name is Damian Teraloft, or so the adults say. He's here to take me away, to the Dream Fields. Away from En.
“I don't have all day, Em,” Damian says.
I don't like him. I don't want to be his child.
He scares me. His eyes are soulless, empty glass mirrors that seem like instead of shattering, they would crack your very being into splintered fragments. I don't trust him.
En whimpers in my arms, clearly afraid of Damian. She's always been a better people-reader than I have. I don't know why the adults would give me up to someone so clearly not qualified to raise children. I guess he has a lot of void matter.
A small hummingbird, resting on a nest of white hair, chirps. It's black, with red eyes and fluffy blue wings.
“Nico, shush,” Damian reprimands, seeming more amused than stern. Still, his harsh words send the both of us further away from him, towards a dark corner hidden by stacks of chairs. His eyes never leave our huddled figures, tracking our every motion in their shining amber depths.
The bird cheeps in defiance, fluttering its wings wildly as it struggles to become airborne. It flies crookedly and slowly—painfully so—towards us, and I hear En gasp. She doesn't seem afraid, though.
Nico, presumably, nestles into the small crook between the two of us, rubbing its little face against ours. Its beak emits a warm, soothing flame, a quiet blue that settles our pounding hearts.
I can feel my instinctive fear of Damian creeping away into a small corner of my heart, hiding away for now. Someone who raised a voidpet as cute as Nico surely can't be a bad person. I think. Hopefully.
Reluctantly, I take Damian's outstretched hand. It's pale and callused, rough and hard, but it's not scary. It's a warm kind of toughness, I hope. I wonder what my life would be like in the Dream Fields.
The Ordinal realm isn't so bad. En and I are just peripherals—no numbers, no value, nothing that would drag us into the never-ending conflict between the Numbers. The adults always taught us to stay away from the Numbers—stay far, far away, unless you want to meet a grisly end. Still, we're so far from the capital that I suspect they made the Numbers up to scare us.
Damian says otherwise, though. He thinks that the Dream Fields are much safer for kids like me and En. I don't know why
“Can we stay like this for a little bit longer?”
“Yeah. For as long as you want, En.”
A cold-faced man with jarringly white hair stands before us in the quiet, dirty orphanage dining hall. His name is Damian Teraloft, or so the adults say. He's here to take me away, to the Dream Fields. Away from En.
“I don't have all day, Em,” Damian says.
I don't like him. I don't want to be his child.
He scares me. His eyes are soulless, empty glass mirrors that seem like instead of shattering, they would crack your very being into splintered fragments. I don't trust him.
En whimpers in my arms, clearly afraid of Damian. She's always been a better people-reader than I have. I don't know why the adults would give me up to someone so clearly not qualified to raise children. I guess he has a lot of void matter.
A small hummingbird, resting on a nest of white hair, chirps. It's black, with red eyes and fluffy blue wings.
“Nico, shush,” Damian reprimands, seeming more amused than stern. Still, his harsh words send the both of us further away from him, towards a dark corner hidden by stacks of chairs. His eyes never leave our huddled figures, tracking our every motion in their shining amber depths.
The bird cheeps in defiance, fluttering its wings wildly as it struggles to become airborne. It flies crookedly and slowly—painfully so—towards us, and I hear En gasp. She doesn't seem afraid, though.
Nico, presumably, nestles into the small crook between the two of us, rubbing its little face against ours. Its beak emits a warm, soothing flame, a quiet blue that settles our pounding hearts.
I can feel my instinctive fear of Damian creeping away into a small corner of my heart, hiding away for now. Someone who raised a voidpet as cute as Nico surely can't be a bad person. I think. Hopefully.
Reluctantly, I take Damian's outstretched hand. It's pale and callused, rough and hard, but it's not scary. It's a warm kind of toughness, I hope. I wonder what my life would be like in the Dream Fields.
The Ordinal realm isn't so bad. En and I are just peripherals—no numbers, no value, nothing that would drag us into the never-ending conflict between the Numbers. The adults always taught us to stay away from the Numbers—stay far, far away, unless you want to meet a grisly end. Still, we're so far from the capital that I suspect they made the Numbers up to scare us.
Damian says otherwise, though. He thinks that the Dream Fields are much safer for kids like me and En. I don't know why
- 129waterfall
-
Scratcher
1000+ posts
SWC Megathread ࿔*:ଳ・ March 2026
lets write some setting description for pointssssss
206 words
The wind softly sings of what is beyond, a breeze just light enough to tickle the skin and blow the hair. It blows the sand between the leaves, which sway on steady coconut trees. The mango trees sway as well, occasionally dropping some of their more ripened fruit. The sun sets over the sparkling sea, it's brilliant hues of orange, pink, and blue reflecting in the water below, where the fish dart about, still swimming before their inevitable retreat for the night. The sky is clear, with only a few clouds, darkening as the stars come out. Your feet dig into the sand, becoming buried with the scenery around you. Boats rock in the gentle sea, which pulses, moving to the will of the moon. The ropes holding to the dock pull back and forth, back and forth. In the distance, there is the faint cry of the birds, who are circling the sky, returning home, close to retiring for the night. As the night settles in, the birds quiet down, the crabs can no longer be seen scuttling along, and the fireflies glow brighter than before, filling the air around you. Their light accompanies the sweet scent of the island, on this serene summer evening.
206 words
The wind softly sings of what is beyond, a breeze just light enough to tickle the skin and blow the hair. It blows the sand between the leaves, which sway on steady coconut trees. The mango trees sway as well, occasionally dropping some of their more ripened fruit. The sun sets over the sparkling sea, it's brilliant hues of orange, pink, and blue reflecting in the water below, where the fish dart about, still swimming before their inevitable retreat for the night. The sky is clear, with only a few clouds, darkening as the stars come out. Your feet dig into the sand, becoming buried with the scenery around you. Boats rock in the gentle sea, which pulses, moving to the will of the moon. The ropes holding to the dock pull back and forth, back and forth. In the distance, there is the faint cry of the birds, who are circling the sky, returning home, close to retiring for the night. As the night settles in, the birds quiet down, the crabs can no longer be seen scuttling along, and the fireflies glow brighter than before, filling the air around you. Their light accompanies the sweet scent of the island, on this serene summer evening.
- 129waterfall
-
Scratcher
1000+ posts
SWC Megathread ࿔*:ଳ・ March 2026
LAST SPRINT OF CABIN WARS COLLAB STORY LETS GO 
concept is cool action scene where astrid is some kind of special agent and has to get through this canyon for… some reason idk i just had to make a cool setting lol
363 words
Astrid stands crouched at the entrance to the canyon, hiding behind the rocky terrain. The jagged edge of the orange stone presses against her cheek, rough and warm. There are two paths to the other side - through the canyon, and around it. To pass through a canyon should be easy enough. But this is no ordinary canyon. Astrid notices the oddly placed rocks and small grassy patches that would seem random to the average person. However, Astrid is observant enough to know these conceal landmines, powerful blasts hidden underneath the surface that will activate if anyone gets too close. The flat, open, area makes anyone running through an easier target. Why? Helicopters buzz through the sky, where there is not even a cloud to conceal her movements. She turns her attention to the center of the canyon, also difficult terrain. There, the environment holds much more to hide behind. Large boulders litter the path, and edges create little hiding spots not unlike the one she crouches in now. A bright glint comes from a small hole in the side of the canyon, flashing only for a moment - but Astrid catches it. The canyon holds yet another challenge. The environment may make it easier for her to hide, but she's not the only one hiding there. That glint was the telltale sign of a sniper - most snipers use newer rifles with higher, more up to date scopes, but unlike the old plain iron scopes, they use a piece of glass that is occasionally reflected in the sunlight, making them easier to spot. Astrid glances over to the other side of the canyon, noting multiple other caves where snipers could be hiding. Those would be harder to spot because the sun was behind them, effectively hindering her view and making the scopes undetectable. But Astrid knows she's trained for this, and she's made her decision. She's ready to go, already anxious about staying in the same spot for so long. This is important, she just has to get through this last stretch. Astrid mentally plans out her route and readies herself to run, one hand on the grenade on her belt. She has a plan.

concept is cool action scene where astrid is some kind of special agent and has to get through this canyon for… some reason idk i just had to make a cool setting lol
363 words
Astrid stands crouched at the entrance to the canyon, hiding behind the rocky terrain. The jagged edge of the orange stone presses against her cheek, rough and warm. There are two paths to the other side - through the canyon, and around it. To pass through a canyon should be easy enough. But this is no ordinary canyon. Astrid notices the oddly placed rocks and small grassy patches that would seem random to the average person. However, Astrid is observant enough to know these conceal landmines, powerful blasts hidden underneath the surface that will activate if anyone gets too close. The flat, open, area makes anyone running through an easier target. Why? Helicopters buzz through the sky, where there is not even a cloud to conceal her movements. She turns her attention to the center of the canyon, also difficult terrain. There, the environment holds much more to hide behind. Large boulders litter the path, and edges create little hiding spots not unlike the one she crouches in now. A bright glint comes from a small hole in the side of the canyon, flashing only for a moment - but Astrid catches it. The canyon holds yet another challenge. The environment may make it easier for her to hide, but she's not the only one hiding there. That glint was the telltale sign of a sniper - most snipers use newer rifles with higher, more up to date scopes, but unlike the old plain iron scopes, they use a piece of glass that is occasionally reflected in the sunlight, making them easier to spot. Astrid glances over to the other side of the canyon, noting multiple other caves where snipers could be hiding. Those would be harder to spot because the sun was behind them, effectively hindering her view and making the scopes undetectable. But Astrid knows she's trained for this, and she's made her decision. She's ready to go, already anxious about staying in the same spot for so long. This is important, she just has to get through this last stretch. Astrid mentally plans out her route and readies herself to run, one hand on the grenade on her belt. She has a plan.
- pyr3ite
-
New Scratcher
26 posts
SWC Megathread ࿔*:ଳ・ March 2026
this was gonna be for the cabin war w/ the setting dare but my cabinmates are mega cracked <3 posting it anyway 4 the words, of which there are 588
Murky, greenish-grey water laps at the ancient, hole-riddled supports of the pier, fading to an inky black as my vision sweeps toward the horizon—more due to the thick fog rolling in than the water itself. The comforting, familiar rhythm of the waves, gliding over the black, star-filled sand of the Nightmare coast fills the otherwise empty, eerie twilight air. Distantly, foghorns blare, the intensity of the sound not betraying the true magnitude of the space laying between us.
Through the marine haze, I spot a tamed Estrangement hovering just above the slow, lazy waves. Its pearlescent, serpentine scales gleam under the faint starlight, reflecting a multitude of vivid pinpricks under the ‘stars’ hanging cheerfully in the night sky. Another psychic horn rings out—this time produced by the transport Estrangement at the very edge of the mist—sending ripples through its reflections. Soon enough, its off-white skin fades back into obscurity, hidden by the sable fog of the Nightmare Basin.
The creaky, lopsided planks underfoot angrily let out a chorus of protests as I dash across the wharf, the starry pinpricks of void matter hidden amongst the sand fading in the distance. Wet ocean air brushes against my face, whipping my white hair—the hair that Damian adopted me for—in the wind.
Long, jagged shadows drift slowly through the green water. Feral, corrupted Rejections—Nightmares, as the locals call them—brush against the kelp dancing gently in the currents, their protruding spines searching for prey. They’re both a source of fear and greed amongst the natives of the sixth layer—the Nightmare fuel harvested from their corpses is a valuable source of void matter and the primary export of the Basin. Though unconscious most of the time, accidentally alerting one is a sure death sentence. Not like that’s relevant to me, though.
The pier stretches far into the night, illuminated only by the white glow emanating from One, my Lonely, perched on my shoulder. Green, sparkling waves move steadily westward, their trajectory fixed on the coastline, now completely hidden by the dark, hungry fog. As I run against the movement of the waves, revelling in the sense of unbridled freedom, One chirps nervously into my ear. It’s a soft, almost purring sound, spurred on by the wandering gaze of the behemoth voidpet flying far above us. Nobody quite knows what it is, though not for a lack of guessing. Personally, I think it's an ancient Determination or Wonder, mutated past the usual limit of five stages, just passing through the Basin on its pursuits for something greater.
Silence descends, a grim specter upon the wharf, as my footsteps slow, then stop. The soft sounds of my panting and the gentle splashing of the malachite sea, swirling with dark, serpentine shadows are the only ones audible. A deep chill lays its gelid fingers against my body, the murky marine layer persistently creeping into my sweat.
The twinkling eyes in the sky quickly lose interest in the two of us. They melt into colorful streaks, racing playfully across the sky towards some unknown destination, trailing brilliant rainbow hues behind them.
One, melting into the darkness, slides down my arm, the void matter composing it swirling as it reforms into its fourth stage. Soft, feathered wings sprout from her fluffy body, waving slightly as if mirroring the ocean below. I nestle into the crook between her tail and head, sinking into her silky red fur. Amidst the quiet, undulant sound of the night sea, One flies just above the water, sailing through the sky towards the coast.
Murky, greenish-grey water laps at the ancient, hole-riddled supports of the pier, fading to an inky black as my vision sweeps toward the horizon—more due to the thick fog rolling in than the water itself. The comforting, familiar rhythm of the waves, gliding over the black, star-filled sand of the Nightmare coast fills the otherwise empty, eerie twilight air. Distantly, foghorns blare, the intensity of the sound not betraying the true magnitude of the space laying between us.
Through the marine haze, I spot a tamed Estrangement hovering just above the slow, lazy waves. Its pearlescent, serpentine scales gleam under the faint starlight, reflecting a multitude of vivid pinpricks under the ‘stars’ hanging cheerfully in the night sky. Another psychic horn rings out—this time produced by the transport Estrangement at the very edge of the mist—sending ripples through its reflections. Soon enough, its off-white skin fades back into obscurity, hidden by the sable fog of the Nightmare Basin.
The creaky, lopsided planks underfoot angrily let out a chorus of protests as I dash across the wharf, the starry pinpricks of void matter hidden amongst the sand fading in the distance. Wet ocean air brushes against my face, whipping my white hair—the hair that Damian adopted me for—in the wind.
Long, jagged shadows drift slowly through the green water. Feral, corrupted Rejections—Nightmares, as the locals call them—brush against the kelp dancing gently in the currents, their protruding spines searching for prey. They’re both a source of fear and greed amongst the natives of the sixth layer—the Nightmare fuel harvested from their corpses is a valuable source of void matter and the primary export of the Basin. Though unconscious most of the time, accidentally alerting one is a sure death sentence. Not like that’s relevant to me, though.
The pier stretches far into the night, illuminated only by the white glow emanating from One, my Lonely, perched on my shoulder. Green, sparkling waves move steadily westward, their trajectory fixed on the coastline, now completely hidden by the dark, hungry fog. As I run against the movement of the waves, revelling in the sense of unbridled freedom, One chirps nervously into my ear. It’s a soft, almost purring sound, spurred on by the wandering gaze of the behemoth voidpet flying far above us. Nobody quite knows what it is, though not for a lack of guessing. Personally, I think it's an ancient Determination or Wonder, mutated past the usual limit of five stages, just passing through the Basin on its pursuits for something greater.
Silence descends, a grim specter upon the wharf, as my footsteps slow, then stop. The soft sounds of my panting and the gentle splashing of the malachite sea, swirling with dark, serpentine shadows are the only ones audible. A deep chill lays its gelid fingers against my body, the murky marine layer persistently creeping into my sweat.
The twinkling eyes in the sky quickly lose interest in the two of us. They melt into colorful streaks, racing playfully across the sky towards some unknown destination, trailing brilliant rainbow hues behind them.
One, melting into the darkness, slides down my arm, the void matter composing it swirling as it reforms into its fourth stage. Soft, feathered wings sprout from her fluffy body, waving slightly as if mirroring the ocean below. I nestle into the crook between her tail and head, sinking into her silky red fur. Amidst the quiet, undulant sound of the night sea, One flies just above the water, sailing through the sky towards the coast.
- dreamysolitude
-
Scratcher
500+ posts
SWC Megathread ࿔*:ଳ・ March 2026
continuation of collab story (415 words)
sorry it's lwk trash and i forgot the helicopters existed adslk
Now.
Astrid sprints to a nearby giant boulder even closer to the caves, and hides behind it, her back pressed against the stone as she takes in fast breaths. As expected, her movements do not go undetected, and a sound of boots crunching against the dirt starts getting louder and louder–they'd discovered her. Having successfully lured them out of the quiet unpredictability of the caves, and before the first rifle can go off, Astrid immediately throws her grenade as far as she possibly can. It launches out of her gloved hand and lands near the caves, exploding in a massive booming sound and filling the air with burning dark smoke.
With no time to think and being barely able to see, Astrid takes off. She runs straight through the center of the canyon, dodging a few sidelong shots as the frustrated yelling and coughing of the snipers fades into the smoky distance.
Within a split second, she's made it to the end. In front of her is the small opening in the canyon–an exit. That was easy, Astrid thinks to herself as she takes the remaining few feet and emerges on the other side of the canyon, where she is met with fresh air and an empty, deserted dry land, void of the orange and brown shades of rock she'd grown used to seeing. Almost…too easy.
The thought barely crosses her mind before Astrid glances over at the vehicle waiting a hundred feet. away, and realizes that while it is the same familiar car model, it isn't the usual red color–it's a navy blue. And the masked men inside, who are now getting out of the car, are certainly not the agents assigned to pick her up from the mission.
Astrid immediately whips around, realizing she has only two escape options: turning back to the center of the canyon, where snipers most likely were recovering themselves and would surely catch her, or dealing with the landmines. Astrid looks back at the two men, who are now marching closer and closer to her, peering closer at their gear…they don't have rifles?
Considering her options, Astrid makes the choice in an instant. She starts climbing up the rocky cliff, using the eroded ridges and fissures in the rock to grasp on. She's faster and more agile–height will be her only advantage here.
Suddenly, one of the voices of the men calls from down below, “Come back down, Agent Astrid! We mean no harm.”
“We want to help.”
sorry it's lwk trash and i forgot the helicopters existed adslk
Now.
Astrid sprints to a nearby giant boulder even closer to the caves, and hides behind it, her back pressed against the stone as she takes in fast breaths. As expected, her movements do not go undetected, and a sound of boots crunching against the dirt starts getting louder and louder–they'd discovered her. Having successfully lured them out of the quiet unpredictability of the caves, and before the first rifle can go off, Astrid immediately throws her grenade as far as she possibly can. It launches out of her gloved hand and lands near the caves, exploding in a massive booming sound and filling the air with burning dark smoke.
With no time to think and being barely able to see, Astrid takes off. She runs straight through the center of the canyon, dodging a few sidelong shots as the frustrated yelling and coughing of the snipers fades into the smoky distance.
Within a split second, she's made it to the end. In front of her is the small opening in the canyon–an exit. That was easy, Astrid thinks to herself as she takes the remaining few feet and emerges on the other side of the canyon, where she is met with fresh air and an empty, deserted dry land, void of the orange and brown shades of rock she'd grown used to seeing. Almost…too easy.
The thought barely crosses her mind before Astrid glances over at the vehicle waiting a hundred feet. away, and realizes that while it is the same familiar car model, it isn't the usual red color–it's a navy blue. And the masked men inside, who are now getting out of the car, are certainly not the agents assigned to pick her up from the mission.
Astrid immediately whips around, realizing she has only two escape options: turning back to the center of the canyon, where snipers most likely were recovering themselves and would surely catch her, or dealing with the landmines. Astrid looks back at the two men, who are now marching closer and closer to her, peering closer at their gear…they don't have rifles?
Considering her options, Astrid makes the choice in an instant. She starts climbing up the rocky cliff, using the eroded ridges and fissures in the rock to grasp on. She's faster and more agile–height will be her only advantage here.
Suddenly, one of the voices of the men calls from down below, “Come back down, Agent Astrid! We mean no harm.”
“We want to help.”
Last edited by dreamysolitude (March 8, 2026 07:03:49)
