Discuss Scratch

ChueyTheCat
Scratcher
500+ posts

SWC Megathread ‧₊˚❀༉‧ July 2025

cupid and pysche but i changed a lot whoopsie || 500 words
The thing about Psyche was that she wasn’t actually that beautiful. It was more than how she looked on the outside; it was an inner radiance that lit her features, literally. On dark nights, her heart glowed so brightly it could be seen, shimmering through her skin.
Naturally, the townspeople thought she was special. But Psyche had never wanted to be seen that way. Even her sisters treated her differently. She would have given up the strange light that flowed through her in an instant if it meant that everyone would just look at her normally and treat her like a normal girl, like one of them.
But she hadn’t realized how bad it was getting until she caught wind of the townspeople building a temple for her.
“THEY’RE WHAT!?” Psyche wailed, her radiance spiking. It wasn’t fair. None of this was fair.
Her parents looked equally terrified. “The gods will be so angry,” her mother gasped, pressing her hand to her heart. Her father shook his head, eyes darting to his two (perfectly normal) daughters, and Psyche could feel the longing in eyes like a knife between her ribs. If only all his children were ordinary, unlit by strange fire.
She couldn’t stay. She couldn’t incur the gods’ wrath on their heads.
So she left.
***
“I WON’T STAND FOR IT ANY LONGER,” Aphrodite fumed. “It’s INTOLERABLE. LOOK AT HER. LOOK HOW UGLY SHE IS. THE ONLY SPECIAL THING ABOUT HER IS THAT CURSED HEART, AND WHAT’S SO SPECIAL ABOUT THAT ANYWAY? I’M WAY MORE BEAUTIFUL. LIKE, THREE TIMES AS BEAUTIFUL. NO. ONE HUNDRED TIMES! ONE THOUSAND TIMES!”
“Yes Mom,” Cupid grumbled from the couch, sipping nectar. He was used to her tirades. Wait them out, and she’d cool off. Sometimes.
“…SO THAT’S WHY YOU HAVE TO GO KILL HER RIGHT THIS INSTANT,” Aphrodite said, stamping her foot for good measure. Glossy curls bounced as she whirled on her son.
Cupid was startled out of his reverie. “Uh, what?”
“You have to kill her right this instant,” Aphrodite said, calming considerably now that she’d laid her hands on a solution.
Cupid considered that.
“Nah,” he said. “Too much work.”
“YOU DARE DEFY ME?? I SWEAR, KIDS THESE DAYS ARE IMPOSSIBLE. ALSO, FIX YOUR POSTURE. YOU’RE SLOUCHING AGAIN. UGH, YOU KNOW WHAT? YOU’RE GROUNDED. YOU’RE GROUNDED FOR, LIKE, LIFE. THAT’LL TEACH YOU TO OBEY YOUR MOTHER.”
Cupid popped his godly earbuds in, tuning her out. He didn’t bother pointing out that grounding him for life would mean grounding him for eternity, since gods were immortal. He had learned long ago that the best way to argue with his mother was not to argue.
***
Aphrodite eventually forgot about Psyche, and she found a new town to live in far away from the goddess’s wrath, and somehow managed to live a fairly normal life, although she liked wearing thick, dark fabrics to cover the light from her heart.
And that’s all there is to the story, so now it’s time for the end.
violent-measures
Scratcher
100+ posts

SWC Megathread ‧₊˚❀༉‧ July 2025




hi there! thanks so much for doing a critique exchange with me i love doing these! gonna preface this with letting you know i am completely uninformed about the source material—i literally know nothing. so. if any of my suggestions are inconsistent, that is likely the culprit and feel free to not use them or to change them to fit better! it’s your story.

mango wrote:

“Ha! You look ridiculous!” Vi pointed in Kabbu’s direction, who was wearing a costume that looked similar to herself.
I like opening right into dialogue and action - and seeing some of Vi’s personality! I would probably add a little more of a pause here, as everything seems a bit fast. Maybe try something along these lines:

“Ha! You look ridiculous!” Vi doubled over, giggling, one finger shakily pointed in Kabbu’s direction. Kabbu currently wore a costume that looked much like Vi’s.

mango wrote:

Vi always had that playful, spunky, almost innocent energy.
To be honest, I feel like this sentence could go, or at least be shortened. I think the rest of this part clarifies Vi’s personality quite well that the more direct description is unnecessary.

mango wrote:

Although she was the most annoying creature on the planet, something was fun about her.
I really like this sentence. Very funny. XD

mango wrote:

Maybe it was that we did enjoy that childish energy. Or perhaps we just enjoyed poking fun at her until she went into a fit of rage.

Kabbu’s face became an ever so slightly red tint at Vi’s comment. “I personally don’t think it looks that bad. Right, Leif?” He looks up in our direction, waiting for our reassurance. “Oh, don’t bother. I’m only told to wear it for a few hours… it shouldn’t be that big of a deal.”
This is good! Only thing I might change is the first think Kabbu says, I’d shorten it to “It’s not that bad!” — it just feels a bit smoother and more natural to say, to me. But what you have here is good! I like seeing more of Kabbu’s personality and hints to Leif’s.

mango wrote:

Kabbu had always been the one to ground us. Keep us, and that annoying little bee, on track. Although he had a generally tough and serious looking exterior, he seemed to bewas filled to the brim with kindness, to the point where even if he gave all of Bugaria some, he’d still have more to give. It almost worried us, how gentle of a soul he was.
Ooh, I like the last comment a lot. It reveals a lot about the narrator and their beliefs about the world. I’d love to see you dig into that aspect of their worldview even more if you can!

mango wrote:

“Oh, Kabbu. Don’t listen to her. She can’t be saying anything when she’ll have to wear a Blue Bug Ranger costume herself.”

That was us. Likely the most isolated out of the three. We were the last one welcomed into the team. Being that we somehow continued living despite being from moons past, a generation long gone, and with newly discovered ice magic, we were practically a walking anomaly the entire adventure, one that would’ve almost been better if we had left unquestioned. The conclusion to our questions were eventually answered, and we found out together the hard truth that we weren’t who we previously thought we were. We were some living zombie, controlled by intelligent cordyceps. We had continued living on even through our existential crisis.
This is super interesting and I definitely think this is a point where you want to introduce some about Lief (I was a bit confused about them). However, I think you really don’t need to explain this much—it feels a bit overwhelming. What I’d keep is that zombie part: conflict about being undead and being from so long ago, and also the fact that they’re the newest member of the team. You could shorten it to something like this…
Us: the last one welcomed onto the team. Living despite coming from moons past, an origin that perhaps should have gone unquestioned. Our questions were eventually answered, though. We weren’t who we thought we were. We weren’t alive as we’d thought, but undead.
(Please feel free to rephrase as you see fit, or not use this suggestion at all!)

mango wrote:

Vi’s eyes went wide, antennae straightening out. “I would’ve hoped you would’ve forgotten about that-”

“Come on, Vi, it won’t be that bad.” Kabbu had a clotheshanger in his hand, a set of blue wings with yellow accents in the form of some sort of cloak hung upon it, a complimentary fluffy neckscarf sitting on his other hand.
First of all, hilarious. XD second of all, this seems a bit out of the blue—so I’d just maybe emphasize that or make it clearer, if that makes sense? eg, “Kabbu pulled a clotheshanger from nowhere that held…”

mango wrote:

Vi bolted further away from us the moment she saw it, and just moments later, the camera recording them dropped onto the ground, only Vi's squeals and the sky being recorded.


An alarm rang on our Termapad, pausing the video of our former comrades, shouting at us with a cartoon-ish photo of an ant.
This transition really confused me when I read it the first time. Maybe clarify who was holding the camera in the video…like say “we dropped the camera” since “the camera recording them” is a bit vague?

mango wrote:

“Your grocery order is ready for pickup!” The sound, though we had grown used to it, made us nearly drop the device. That’s just wonderful. Another day having to leave our pit of misery and have to show our face… maybe even socialize if we were unlucky enough.


The shade our house provided was no more. Sure, we weren’t going to be out for any longer than a few minutes, but simply stepping outside made us long to return home.

The journey to the store felt rather long, treacherous in some ways. Every bug staring at us felt nearly as painful as a wasp striking us with their spear. Every step was another second off of our seemingly neverending life that could’ve been for anything else. Generations have seen us walk down this path, and we personally couldn’t wait until our face is only seen by the future generations in a history book. Though Vi and Kabbu (or… at least Kabbu) would’ve probably been devastated over the fact that we would even THINK such a thing. Our internal lamenting over our everlasting “life” came to a halt as we entered the shop. The enthusiastic shopkeeper approached us with a bag as per usual.

“Hey, Leif! Good to see ya! For a moment I thought you weren’t gonna get your order.”

“Mhm…” Whenever they would make small talk with us, we’d always try to avoid encouraging them to continue.

“I packed you some extra mushrooms too. Y’know, your favourite!” They seemed quite pleased with themself for doing this simple gesture.

“That’s very kind of you, but we’d best be leaving now.” We pulled out our sack of spare berries, grabbing the necessary amount for the exchange.

The shopkeeper laughed. “Oh, Leif. You know you don’t have to pay. You’re Bugaria’s-”

“We insist.” Our berry-covered hand was in front of their face, and by the shopkeeper’s change in expression, we were being harsh with our insistence, perhaps almost threatening.

They made a light, nervous laugh-like sound. “O- ok…” They cautiously took the berries from our hand. We proceeded to turn around and leave, desiring to lie in bed for the remainder of the day and play Mite Knight rather than engage in any goodbyes.


Once we returned, we played maybe 10 minutes of Mite Knight before someone stood at our doorframe. A strange creature, seemingly a sentient jumping spider, with antennae. Fake antennae, likely made from old wire and some sort of headband. The fellow seemed excited to meet us.

“We don’t sign autographs.” We looked back down at our game after examining her for a fair amount of time. “If you are here to give gifts of any sort, keep it, and give it to anyone else.” We motioned towards the unopened boxes of past gifts we had received.
This whole section is very solid, I don’t really have any suggestions! I like the timeline jump!

mango wrote:

“Oh… I’m not here for any of that.” The spider sounded young and innocent, though in a way, spunky and playful. We waited for her to continue, though she didn’t say a word.
It would be great if you could show what about the spider appears/sounds spunky and playful—I like the callback though!

mango wrote:

“So… what are you here for?” We prompted her. Although we weren’t a fan of conversation, we felt we needed to get a straight answer before kicking the young spider out.

“Well, the name’s Dart. And, it’s just…” The spider dashed towards us, sliding down onto her 4 knees in front of our bed. “I am SO inspired by your work!” her 4 arms went out to reach us before pulling 2 of them away.

A little startled, and unsure how to react, we decided to play dumb. “…what work?”

She froze, expression stagnant except for some mild twitching. “I- uh… come on… you’re… you’re Leif, right?” She seemed desperate for us to say yes. We stupidly decided to stop the charade quickly.
I’m a little confused by what you mean by charade here; they seem to not be pretending anything? Is it the charade of not caring/distance? Otherwise, I am a big fan of this interaction!

mango wrote:

“Yes… we are…”

Dart bounced around. “Oh my goodness- I can’t believe I’m speaking to a Hero of Legend!” She started dancing around the disaster of a house. She managed to stop herself, a little ashamed of what she had done.
I’d try clarifying what makes Lief pick up on Dart’s shame—maybe “ducking her head in embarrassment” or something along those lines.

mango wrote:

“What would you know about what we did?” We unpaused our game. “Besides, after our greatest accomplishments, we’ve remained hidden here. We don’t think you’d be as interested in us as you’d like to believe.”

“Uh, because you’re in the history books!” Out of a pouch she carried around her waist, she pulled out a book titled “Bugaria: A Complete History, Volume IV - The Explorers’ Way to Victory, very quickly turning to a page with an image of us and the remainder of Team Snakemouth covering a majority of it. “I noticed you were in town, and just HAD to ask questions. Was exploring hard? How are you still here? Were Vi and Kabbu as cool as they said they were? Could you perhaps tea-”

“We’ll have to ask you to stop there.,” wWe state, instinctively creating a ball out of ice thanks to our magic.
some punctuation edits ^^

mango wrote:

“Huh-? But… why-?” Dart backed away, ever so slightly off-put by our accidental threat.

“Because we don’t feel like it.” Our voice was harsh, and was even beginning to scare her off.

“Please-”

“No.” A wall of ice formed between the two of us upon saying that. It wasn’t entirely intentional, although it felt nice being separated from her in the moment. We could hear faint shrieks and cries as she supposedly ran out of our house. While the wall made us relieved, that relief melted away along with it. We had scared a literal child away with our powers. We shut someone out who was simply curious. It felt petty. All for what? So we didn’t have to face the many experiences we had in the past? No, it was more than that. It was to block out the possibility of making another mortal friend. We had lost family, we had lost friends who were practically found family to us. Perhaps we were doing this to reduce the likelihood of facing that kind of loss again. We had always been subconsciously doing that since the beginning of Vi and Kabbu’s eternal slumber all those moons ago.
Nice! I mean…very sad, but nice!

mango wrote:

Sure, loss did hurt, but we were beginning to realize that wallowing in that loss instead of moving on was no less painful.
Maybe try making this less direct? Eg, “Loss hurt, but was this any better?” Or something where they’re starting to realize this, but maybe haven’t gotten all the way around to saying it so bluntly?


mango wrote:

We gave this sudden discovery time to process, which eventually led to a decision we’d never expect to make. We stood up and left the house, the darkening sky feeling mildly more comfortable than the piercingly saturated blue it was earlier.

We found Dart laying on a bench outside of an inn. She appeared to be asleep, or near sleeping. Both because we were ashamed of what had happened earlier, and that she wasn’t sleeping in the most comfortable of places, we tapped her awake. She jolted upwards, antennae falling off of her face, an entire 8 eyes staring up at us. A moment later, 6 of those eyes closed, leaving the two in the centre of her face wide open. She adjusted the headband with her fake antennae so they fit perfectly on her head.

“You plan on sleeping out here?” Wwe asked.

She nodded.

“You do know there’s an inn right behind you.”

“Of course I do. You think I’m rich?” She folded 2 of her arms.

“No. Though it’s only 3 berries to stay the night.”

“Well, la-dee-da, Mister Retired Explorer.”

The area went silent for a brief moment as we tried to formulate some kind of response. “…Wwe have a bunk bed,” we finally stated.

Her eyes widened. “As in… you’d let me stay the night…?”

“We suppose, if that’s the only alternative to sleeping on a bench.”

She jumped up, circling around us, waiting for us to lead her to our home.


Upon returning, she leapt onto the typically unused top bunk of the bed. She wrapped herself in the previously untouched leaves, taking in the warmth and comfort. She glanced around the room as we sat down on the bottom bunk, just about ready to fall asleep. Before we could consider doing so, Dart sat up.

“Hey… Leif…” her voice was quiet, kind of soft as well.

“Yeah?”

“Y’know… I always wanted to be an explorer like you.”

Our only response was a nod. We didn’t let the conversation continue on. We heard her shuffle around, and sure enough she was asleep shortly after.


We woke up to the sounds of rustling. Upon looking around our small house, it appeared that Dart was packing up her few things before presumably leaving.

“Oh, you’re awake!” Dart exclaimed, turning to face us. “I was just about to go.”

We had stayed up late the night before, thinking about everything she had said the day before, especially about her wanting to become an explorer. “Do you have anywhere to go?”

A dejected sigh came out of her. “Not really. No job, nobody that supports me or that I need to support. Just that bench in the Kingdom’s plaza, and my book, more as a metaphorical place.” She made a sad laugh, one arm touching her pouch with the book in it.

“Then, we don’t see why you can’t stay.”

Dart turned around, likely not believing what she had heard. She stood there as if she expected us to repeat ourselves.
“We’ve decided we’d like to mentor you.”

Dart ran to us, wrapping two of her arms around us, the other two eventually holding on to us as well. “That… that would be a dream come true.”
Aww, I really like this ! It’s a fun story, you definitely took it in a direction I wasn’t expecting at the beginning, but I really enjoyed reading it! Thanks for sharing it with me <3 I hope my comments are helpful, please let me know if you have any questions about my suggestions!

644 words of critique
-WildClan-
Scratcher
100+ posts

SWC Megathread ‧₊˚❀༉‧ July 2025

(It’s the myth of Prometheus stealing fire from the gods, but reformatted to loosely fit my own OCs.)

It’s strange how you get used to something over time. No matter how bizarre or terrible it may have seemed once upon a time, you get into the routine eventually, and then it simply becomes a fact of life. In fact, if it ever goes away, you find yourself missing it.
This is what I felt on the day the eagle failed to show up. Normally, the bird would tear into my flesh and eat my liver—a pain that barely even bothered me anymore—then fly away just to come back the next day and do it all over again.
But things change.
In the beginning, I was already old. Birds didn’t even exist when I was created. I watched much older empires rise and fall, over and over. Those memories are distant now, of course, as I am not the same as I was back then. I have lived countless lives since then. Still, the ancient tide of life and death is as familiar to me as my own mind. I am the product of a primeval past, and my roots run deep.
When the humans came, they were newer. They did not remember their origin as well as I. They fought against the age-old structures of nature, wanting greater power, greater freedom. They lived in the dark and the cold, and rather than adapt themselves to fit, they adapted the world around them instead.
I regret to admit this, but I helped them.
With my knowledge of the old fires—the sacred heat that once only gods could wield—I taught them how to reshape stone, how to melt metal, how to build the bones of cities and warm the hollow chests of their machines. I thought I was giving them a gift. I thought I was *saving* them.
But fire is a restless thing.
What I gave them was not just warmth or survival. It was ambition. It was hunger. It was the slow unraveling of natural order. They did not stop at fire. They devoured forests, dried rivers, leveled mountains, and silenced gods.
Even Zeus, in his towering cruelty, could not have imagined what I had unleashed.
And now—millennia later—the eagle is gone.
Not late. Not blown off course. Gone.
I feel it like a gap in the fabric of time. A silence where pain used to be. For the first time in ages, my liver is whole.
And that terrifies me.
Because pain meant that *someone remembered*. That the old law still lived. That punishment still carried meaning. But now? There is only stillness. No footsteps from Olympus. No rustling wings in the sky. Just the wind over the rocks and the weight of my own mind.
What have they done?
I sit chained still, though rust creeps into my shackles, and the stone beneath me has softened from centuries of rain. If I strained hard enough, I could pull free.
But I do not.
Because somewhere, deep in my marrow, I know: the worst punishment was never the eagle. The worst punishment is being right. Watching the world burn with the match you handed it.
And still… still I cannot help but wonder what I would do if given the chance again.
Because the fire… it misses me.



Last edited by -WildClan- (July 25, 2025 00:00:12)

taylorsversion--
Scratcher
100+ posts

SWC Megathread ‧₊˚❀༉‧ July 2025

25.07.25 ⟢ 282/250 words - The Hunger Games

Ever since my name was called out at the Reaping, my whole life had been centred around this competition I was determined to win. So, I suffered through goodbyes and tears and costume fitting and trains and Peacekeepers and guidance, knowing that I was up for a treat. Me, on live television, the whole of Panem watching? I know, I know, like 99% of tributes don’t make it out, but honestly I wasn’t scared. I was pretty sure I could strike up a rebellion or make everyone play UNO or something.

However, when I stepped into the training area, I could tell I had no chance. Sure, I may be able to outlast the male tribute from my district, but the others? They seemed like board game type of people. How was I to win them over?

I suddenly didn’t want to participate anymore, not even global glory could bait me now. So I slipped out of the door and sneaked up some stairs to the main office, where all the paperwork was stacked neatly on a desk, as if it was waiting to be tampered with. Scrabbling through the drawers, I found the original documents stating the Hunger Games legal. Picking up a biro, I added two letters in front of the word legal, promptly making the whole operation against the law. I took a picture and posted it on the Hunger Games channel then picked up a parachute that lay conveniently in front of me and jumped out of the window for dramatic flair. When I landed, I ran back into the building, grabbed another parachute, and jumped out again, blasting the Brooklyn 99 theme tune this time. Noice. Smort.

───── ⋆⋅ ⟡ ⋅⋆ ─────

250 points

Last edited by taylorsversion-- (July 25, 2025 23:04:23)

CodingAnd_Stuff
Scratcher
84 posts

SWC Megathread ‧₊˚❀༉‧ July 2025

Waves travel across the world, rolling into beaches
Bringing water that has churned thousands of miles away
Seabirds screech and dive and hunt
Working to feed the next generation waiting on the sand dunes
Kelp cling to rocks, standing against the tides
Tides push and pull, wrenching kelp away from it’s anchors
In a dance that will last forever
And one that gives home to so much more life
Dolphins jump over the foamy swirls
Leading their young in a diving leaping chasing life
Whales drift through the depths
Songs echoing through miles of water
Alone but not lonely
Living the lives of giants
And dying as life-giving heroes
Small life lives in crevices and cracks
Tiny and vital
The blood of the ocean, small but fueling the lives of everything
The ocean is vast
Every piece has a purpose
It is one unit of a thousand lives

Link to a critique so I can find it again: Critique by Celeste

Edited version?
Waves travel across the world
Bringing water and stories
That have churned
Thousands of miles away
Rolling into beaches and crashing into rocks
A clash that looks violent
But allows forest to grow underneath
Kelp cling to rocks
Standing against the tides
Tides push and pull
Wrenching kelp away from its anchors
In a dance that will last forever
And one that gives home to so much more life
Seabirds screech and dive and hunt
Working to feed the next generation
Waiting patiently on the sand dunes
Growing strong to one day
Feed a new generation
The previous one will die
Small moments huddled in the sand
Or drifting on the sea
Surrounded by what they did
And the breath of the ocean's tides
Their lives will fade and pass
But it will create space
For their young to flourish
In a cycle as old as the world
Forever parents for more
Dolphins jump over the foamy swirls
Leading their young in a diving, leaping, chasing life
Young dart and leap
As wild and quick as birds in the sky
Allowed to play by parents
Who hunt and guide
Sharks live in the deep open waters
And the tiny cracks alike
Reduced to nothing but their hunger
When their lives are a complex tapestry
And the threads create rebirth
Not just death
Whales drift through the depths
Songs echoing through miles of water
Alone but not lonely
Living the lives of giants
And dying as life-giving heroes
They are stars that glow bright
Then fade to dark
Their stories live on through the lives
Of everything else sustained
They will join the sand and tides
In a cycle that creates the sea
Small life burrows in crevices and cracks
Tiny and vital
The blood of the ocean
Small but fueling the lives of everything
Seeming insignificant
But without them
What is noticed would not exist
The ocean is vast
Every piece has a purpose
It is one unit of a thousand lives

Most recent version
Dolphins jump over the foamy swirls
Leading their young in a diving, leaping, chasing life
Young dart and spin
As wild and quick as birds in the sky
Allowed to play by parents
Who hunt and guide;
Waves travel across the world
Bringing water and stories
That have churned
Thousands of miles away
Rolling into beaches and striking rocks
A clash that looks violent
But allows forest to grow underneath;
Kelp clings to stone
Standing against the tides
Tides push and pull
Wrenching kelp away from its anchors
In a dance that will last forever
And one that gives home to so much more life;
Sharks live in the deep open waters
And the tiny cracks alike
Reduced to nothing but their hunger
When their lives are a complex tapestry
And the threads create rebirth
Not just death;
Small life burrows in crevices
Tiny and vital
The blood of the ocean
Small but fueling the lives of everything
Seeming insignificant
But without them
What is noticed would not exist;
Seabirds screech and dive and hunt
Working to feed the next generation
That waits patiently on the sand dunes
Growing strong to one day
Feed a new generation
The previous one will die
Small moments huddled in the sand
Or drifting on the sea
Surrounded by what they did
And the breath of the ocean's tides
Their lives will fade and pass
But it will create space
For their young to flourish
Forever parents to more;
Whales drift through the depths
Songs echoing through miles of water
Alone but not lonely
Living the lives of giants
And dying as life-giving heroes
They are stars that glow bright
Then fade to dark
Their stories continue on through the lives
Of everything else sustained
They will join the sand and tides
In a cycle that creates the sea;
The ocean is vast
Every piece has a purpose
It is one unit of a thousand lives
Every one is a dance and a cycle
Of life and death
Of love and loss
Of parenthood and birth
The ocean tells the story of the world
And holds the future in its grasp

Last edited by CodingAnd_Stuff (July 26, 2025 22:18:50)

ChueyTheCat
Scratcher
500+ posts

SWC Megathread ‧₊˚❀༉‧ July 2025

critique!! 454 words

First of all, I want to start off by saying that this piece was beautiful <3 The language and scenery fits the story like a glove, and I can't wait to see where this draft ends up going
That being said, let's get into it!
(As you might can tell…openings are not my strong suit, haha.)

indigo---- wrote:

He and I are no strangers. No, we are far from it.
Great opening lines here! The only thing I would say here is to be careful with how you word your sentences – it's fine here, and I can see the more formal, poetical style you're going for (you pulled it off brilliantly, by the way!), but it's important to strike the right balance. Don't let the language overwhelm the story, by which I mean, if it makes your reader stumble, it's probably best to reword it. More on that later.
Yet somehow I have managed to walk away from him time and time again.
Your gaze falls to mine as I entangle my fingers with yours, one hand graceful, one calloused. We don’t have to do this, you say, and for a moment I am convinced. But still I shake my head no and tell you we must press on. In the corner of my eye, I see Death, looming there. His eyes meet mine, but I shake my head no. Not yet, I say silently, with my eyes, my heart, my everything. Please just wait.
Few things here!
First, I would actually remove the word “there” after “looming,” as well as the comma after death, like so: “…I see Death looming.” Second, you used “but I shook my head no” twice in a short period of time, so I'd either replace one with a different negative action or reword one of them.
Third, can I just say that I love this phrase here: “I say silently, with my eyes, my heart, my everything.” YES PLEASE :heart-eyes:
But Death is not patient. He does not wait. He has no time to wait. Death shakes his head at me. It’s time. It’s time. It’s always time, because he and I have stargazed together, and watched the tides rise and fall. We have climbed mighty hills and explored great forests until we have been benighted. Only then does Death turn away, promising me, Not today, nor tonight. But perhaps tomorrow.
Some of the sentences here are a little vague, especially the one beginning with “It's always time, because he and I have…etc.” I'd recommend going through here and clearing it up a bit – rearranging your sentences might help with this.
Death has repeated that over and over again, yet nothing has happened until now.
You look over your shoulder to where Death is, but you cannot see him. You give me a strange look, as if to ask me what I’m looking at, but seem to decide that if this is our last time together, it wouldn’t be prudent to ask such trivial questions.
Death turns from me- from us- but only for a moment, and I know that is all I will have.
I tell you I love you, that we have to do this, because the government forced a contract and pen into our unwilling hands and made us sign up for the CAP program. And you shake your head in resignation, as if we could somehow take it back.
You say that the government is scared, and I know that you’re right. They’re scared of what we can do, of what we are, of who we are to each other. So I tell you, at least our story will still be told after we are gone.
You look skeptical, so I point to the stars above us. Each one, I say, tells a story, is a story, holds a story of one person or a hundred inside of it. And ours will become one of them.
Being the pessimist that you are, you tell me that the government will take our story away from us. Being the optimist that I am, I tell you what my father told me, that a story can never be stolen, because it is in our hearts. And that once we have long departed, our story will be in the stars.
It started out small. My father had wanted to see me live past ten years, but he never did. So instead he left me with a story. A story of the stars and their stories. How the stars hold tales of brave warriors and cowardly mice, of sailors and their ships, and prophets and their prophecies.
Death looks at me- at us- impatiently. It’s time. His eyes glint with a sort of sorrow unknown to me, and I feel those eyes, sharp like obsidian, boring into me. Into us. And I know that we cannot stall any longer.
It’s time.
This is gorgeous aaaa like I don't have the words for it but I love it <3
I don’t want it to be time, not yet. So instead, I stare at the tall, white building in front of us. Promising, promising, promising of things that aren’t real.
The word “of” isn't necessary to the sentence above.
I don’t want to go. It would mean leaving the stars behind. It would mean leaving you behind, even though you’re technically coming with me.
You squeeze my hand and promise that everything will be alright, even though it won’t be. Then you walk- more like drag- me towards the entrance of the building that looms over us, casting us in a shadow and blocking out the sun.
Better to get it over with, you tell me. I almost agree with you, but I can’t, because I’m too busy stealing one last look at the stars.
The hundreds- no, thousands- of them twinkle against the navy of the sky, and I can almost swear one of them winks at me, as if to reassure me that they are still there and will always be. And soon, my story will join them up there.
The times in this paragraph appear to be conflicting – the description of the tower mentions blocking out the sun, indicating daylight, but the narrator talks about seeing the stars in a night sky just a few words later. Some clarification or rewording would help make it clear what time it was.
Death is behind me- behind us- and guiding us silently through the clear double doors and towards the receptionist. She looks extremely bored as she checks us in, then tells us to wait in the waiting room. As we sit down on the uncomfortable plastic chairs provided, Death smiles. It’s one of satisfaction, of no longer having to wait. It’s time.
We wait for what feels like forever. You twiddle your thumbs and anxiously bite your nails- a bad habit I’ve come to love about you- until I have to pry your hands away and hold them in mine. One pale hand, the other a deep bronze.
Doors open with the whir of gears, and a nurse- maybe he’s a doctor- calls our names. Not separately. Together. And together we stand up and follow him in, bodies stiff, arms swinging awkwardly by our sides.
I glance over my shoulder. Death is there, but he doesn’t look me in the eye.
The building’s walls are bare and white, which provide no comfort. You shiver slightly, because the AC is blasting and it’s freezing, and I reach for your hand in a silent offer, and you gratefully take it.
I suppose that’s helpful in our last moments together.
We reach the room- the final one we will be in- and the nurse leaves us there, promising that the officials and doctor will come soon. It isn’t very reassuring. The TV inside gives us outdated news- tax rises, inflation, and the development of the CAP program.
The CAP program. The Control of Adult Population. It was only initiated a few years ago, and most people wanted to avoid it. So the government decided that if there were no volunteers, they would just make people do it.
You reach for the remote and turn off the TV with a flick, and the bright colors and sounds abruptly turn to black. You turn to me, eyes brimming with unshed tears, and say, I don’t want to do this. Please. There must be some way to turn back time.
I shake my head. There isn’t, I tell you. We’re not that advanced yet. The CAP program is just the first step towards even more.
You sigh and turn away, and I already long for the stars and their ever-present company. Their absence leaves an ache in my chest, a hole in my heart that cannot be filled. How am I supposed to read the stars? Read the stories that are worth a thousand words if I walk hand in hand with Death? If I am stuck inside of the CAP building, and will never come out?
The door creaks and a man with a white coat and weathered smile lines around his eyes walks in, clutching a clipboard like it’s his last resort. But he’s not smiling today, and if anything, he’s the opposite. He introduces himself and starts reading through what must be a mandatory speech about the CAP program and its importance. The man talks more about how our contribution to the CAP program is important to the study of human anatomy and population control within the country, and ends by thanking us. Thanking us. For what? For doing something we never really wanted to do?
The doctor gestures for us to sit in two cushy chairs, and as we do, they immediately recline until we’re laying flat on our backs, staring up at the ceiling- and the tons of equipment now surrounding us. Blindly, I reach for your hand, longing to feel your warm presence once more. You squeeze my hand, and I imagine our fingers intertwined. One hand small, the other big. I don’t want to let go. Not ever.
As I squeeze my eyes shut, I picture the stars. Already my memory of them is fading, and I feel a pang as I realize I will never see them again. I will never recount the stories of warriors and cowards, of ships and prophecies, that my father told me.
And I realize that that’s okay.
That maybe one day, just maybe, I’ll get to see them again. But in a different way.
I squeeze your hand one last time, a final goodbye, a final thank you for everything, a final I love you. Then the doctor tells us that we must let go, and although I do not want to, I drop your hand. So much more calloused, more bronze, more large than mine.
I couldn't tell you what exactly strikes me wrong about “more large” but that word choice isn't really doing it for me; it makes me want to laugh, which takes away from the tension and gravity of the moment. I can understand your want for repetition in that moment, though, so try looking for some other word choices to better fit the mood.
For the last time, I think about the stars, and their thousand-word stories.
Death appears again, and his gaze meets mine. It’s time. He looks as if he almost is bracing me to beg and plead again, and say, Please, not yet. Just another day. Just one more day of us walking hand in hand.
But instead, I look him in the eye. I’m ready.

THIS WAS SO GOOD SCREAMING
I know I ranted about it at the start too but I just had to say it again.
Honestly, this looks really good! Aside from a few minor things, I don't have much else to say about – you did a great job. I look forward to seeing your final entry!
Best of luck <33

Last edited by ChueyTheCat (July 31, 2025 23:11:30)

PixelDucko
Scratcher
100+ posts

SWC Megathread ‧₊˚❀༉‧ July 2025

The World is Spinning and Here We Are, Eating Ice Cream
Crystie's Writing Competition Entry (1,999 Words)


–––––––– ◦ ✦ ◦ ––––––––


“I'm not going.”

“You didn't even read it!”

“I'm not going,” Pari declares.

Pledy sighs. “Come on, it'll be fun!”

“That's what you always say,” Pari says, pointing at his friend. “And I always regret it.”

“But think of the times we encouraged you to go somewhere and you had a great time!” Aden insists.

“That was one time and it was at a golfing site,” Pari argues. “I'm not going.”

Then they pull out the most unforgivable tactic, one that has threatened even the most supreme of soldiers and introverts and anxiety experts.

They pull out the puppy-dog eyes.

Pari pushes his chair, stands up and walks away before he can be tempted.

Pleeeeaaase?" his friends chorus.

He groans, throws his head in his hands, wonders how much a plane to Scotland would cost. Being anywhere in the world would be better than being trapped here with these fools.

But they're his fools, so he trudges back, reads the party invite, and sends a rendezvous.

Aden and Pledy cheer.


–––––––– ◦ ✦ ◦ ––––––––


( ⌕ |
↺ can you unsend emails - Google search
↺ how long before you can unsend emails
↺ how to deal with regret
↺ is it bad to ghost friends
↺ how to survive party
↺ how to move to scotland


–––––––– ◦ ✦ ◦ ––––––––


Calliope is babbling at breakfast but he isn't listening. Instead, Pari watches his cereal drift in his bowl and hopes the flakes could save him.

“By the way, dears,” their mother says. “Kayden's coming over for the break.”

Pari lights up, distracting him from his thoughts. His heart turns warm. He can't wait to see his older brother again!

He asks, “When?”

“He'll arrive on the 17th and stay until break is over,” their mother explains.

Pari deflates. Of course it had to be the day of the party.

Calliope notices him trembling and pokes him. “Come on, stop worrying about the 17th. It's just a party.”

His eyes snap to his sister like she stabbed him straight through with a scythe.

"It's not just a party,“ he hisses. ”It's– I– Well–"

He sputters, unable to find the words. He can't find words that describe the way his mind freezes whenever he's stuck with strangers or sometimes friends. He can't describe how he desperately searches for any way out but is forced to keep still and pretend everything's fine. He can't describe how everyone's eyes are on him and his mouth dries and he can't speak and he can't speak and he can't handle it all and he can't and he shouldn’t be like this and he wishes he could live normally but never will and–

He springs to his feet and rushes out the dining room, up the stairs and into his bedroom where he slams the door shut and wishes for Kayden to arrive already.


–––––––– ◦ ✦ ◦ ––––––––


The day’s come too soon, and Pari's heart is about to pound out of his chest.

“Kayden will arrive when you're at the party,” his mother explains. “Just have fun while you’re there, dear.”

She hugs him before smiling at Pledy's mother, who’s picking him up.

Aden and Pledy wave at Pari, looking far better dressed than he is in his cheap shirt and jacket. Taking one final look at his cozy home, he enters the car leading to his downfall. Aden starts his playlist and the melody fills the cramped vehicle.

Then they drive into the night, and Pari can't see the stars.


–––––––– ◦ ✦ ◦ ––––––––


It's loud.

Everything –– the blaring music from the speakers, the conversations of each individual, the laughter from groups who actually belong – is loud.

And still his thoughts are louder. And his thoughts are screaming that he should’ve found a better outfit, he should’ve put more gel in his hair, he should unclench his fists and assume a less awkward position, he shouldn’t have lost track of his friends, or better yet he should’ve stayed home.

The disco ball is a spotlight. Every inch of him is so exposed, and suddenly his clothes are too tight and his head is too foggy and all his imperfections are on display for everyone to stare at and laugh at and judge and wait, did that group just scowl and frown at him?

He wants to run.

He needs to run.

So he runs.


–––––––– ◦ ✦ ◦ ––––––––


[Call started.]

KAYDEN: Pari?

PARI: Kayden, I, I don’t know, sorry for, yeah, no, I’m sorry, sorry–

KAYDEN: Pari, Pari, stay with me. Take a deep breath. Where are you? What do you see?

PARI: I see, uh, I don’t… No, wait, okay, I’m, uh, I’m at a party. But not anymore really since I’m outside in the owner’s garden. It’s kind of, ah, sorry, it’s kinda, uh…

KAYDEN: Take another deep breath for me. Close your eyes, inhale… Hold it… Now, exhale, let it out slowly, I’m with you. Your brother’s with you.

PARI: Okay…

KAYDEN: Okay, tell me five things you can see.

PARI: I can see flowers, yeah, flowers. Lots and lots, some are pink, some red, some, er, yellow. I think.

KAYDEN: Good, very good, what else?

PARI: I see, er, ah, oops, I, uh, almost dropped my ice creams, they were meant for Aden and Pledy but I don’t know where they are now, sorry let me sit down.

KAYDEN: Of course.

[Shuffling sounds.]

PARI: Okay, I’m okay. So, yeah, uh, I see trees. One’s really big, it has like, drooping leaves, I think it’s a willow tree. It looks nice, uh, yeah.

KAYDEN: Good, tell me more about the willow tree.

PARI: I don’t know, it’s really large though. I wonder if… wait, oh, there’s, er, there’s a person.

KAYDEN: A person?

PARI: There’s a person, under the willow tree. I can’t see them, it’s dark out, but I think they’re shaking. Wait, I’m shaking too, oh, oh no, they’re probably seeing me and judging me, I–

KAYDEN: They’re not judging you, I’m not judging you, nobody’s judging you and it’s okay to shake. Take another deep breath, name me two other things you see.

PARI: Okay, uh, I see…

[Silence.]

KAYDEN: Pari?

PARI: Sorry, sorry, it’s just that, the person looks so afraid, I… I’m also afraid, but, I don’t want them to be afraid, I don’t want anybody to be afraid, I, ah. I don’t know.

KAYDEN: It’s okay to not know. It’s okay to be afraid and not understand. Eat some of your ice cream, it’ll help.

PARI: Okay.

[Silence.]

PARI: That’s good, I like caramel.

KAYDEN: Same.

PARI: Sorry, that was, uh, probably random. But er, I’ve been thinking, I think I want to help that… that person.

KAYDEN: Great, that’s great Pari, truly. Let’s walk through this, what are you gonna do?

PARI: I’m gonna, uh, good question, I, I don’t know. Oh this is a bad idea I’m just here and they’re a stranger and I don’t know them and I don’t know.

KAYDEN: It’s okay, do you want ideas on how to approach them? Or, you don’t have to do this if you don’t want to, don’t force yourself.

PARI: Wait, sorry, I wanna think in silence, I– I want to try.

KAYDEN: Of course.

PARI: Be with me afterwards?

KAYDEN: Always.

[Call ended.]


–––––––– ◦ ✦ ◦ ––––––––


The evening is thick and cold.

Pari’s so vulnerable in this cruel and chilly night, but he shuffles towards the hazy figure one step at a time, pulling his jacket closer to himself.

Too soon he's crossed the garden and is standing in front of the willow. He sees the person closer now, and they’re all curled up, shaking violently. He can’t tell if it’s due to fear or the cold.

He gently steps through the drooping leaves, sitting down and pulling his knees up. The person must’ve heard him because they lift their head slightly, enough to meet Pari’s eyes.

Whoever said eyes are the window to the soul must’ve been a psychologist because Pari has no idea what this person is thinking. He can’t tell if that look is hatred or fear or regret or sorrow or judgement or maybe they’re not feeling bad at all and Pari’s just making things awkward by staying. He can tell they’re a classmate but he can’t tell who it is under the shroud of night, and maybe they already hate him and his whole body panics.

He wants to run, he needs to run if he wants to save himself.

But regardless of what emotion this stranger is feeling, Pari doesn’t want them to endure it alone.

So he hesitantly extends his hand and offers an ice cream cone. It’s melting at this point but still edible and hopefully not a flavour this person is allergic to.

The person scans Pari, observing him head to toe and he wants to leave and he doesn’t know why he’s still here. He readies an apology, but the stranger slowly accepts the ice cream and nods. It’s the faintest tip of their head, but it’s undeniable the action is a sign of truce, however awkward and unsure it may be.

“…Thank you,” they whisper.

They both sit there in silence. It’s still uncomfortable, but the tension's eased and Pari feels he can breathe again. And from the looks of it, the other person feels the same.


–––––––– ◦ ✦ ◦ ––––––––


Pledy
where are you all???

Aden
the games room!! SO SORRY FOR LEAVING i got stressed out from everything and some acquaintances here helped me calm down

Pledy
DONT WORRYYY i didnt even wanna attend either but the fomo is real unfortunately

Pledy
i ended up having a good time but it would be better with you both, im On my way!

Pledy
@Pari where are you??

Aden
@Pari hey you good??


–––––––– ◦ ✦ ◦ ––––––––


Me
So sorry for not seeing this earlier, but I'm fine! I also had to take a breather so I went outside

Pledy
pari blue, with all due respect, this whole party was probably really stressful for you

Pledy
im so sorry i shouldnt have forced you to come, i didnt think itd be this bad

Aden
i'm really sorry too, it was a terrible move and i don’t wanna make you panic whatsoever

Aden
i understand if you don’t forgive us.

Me
Hey it's alright, don't worry, I think I did something good today anyway

Pledy
how about we leave this place and grab something at the boba place? it wont make up for lost time but hopefully itll help a bit. and we can properly discuss there

Me
Yeah, I'd be up for that

Aden
me too


–––––––– ◦ ✦ ◦ ––––––––


“Kayden!”

Pari slams the car door shut and rushes to his brother, who stands with open arms and a tender smile.

“Pari,” Kayden says, hugging him tight and rubbing circles on his back.

Pari grins before his smile softens.

“Thank you,” he murmurs.

“I'm proud of you, Pari,” Kayden whispers. “Really proud.”


–––––––– ◦ ✦ ◦ ––––––––


Break passes by quicker than YouTubers can say “I quit” on April Fools’ Day.

When school starts again, Pari’s ready to scream and shout and curl up and hide. But instead, he takes a deep breath, counts to three, and walks through the front gates with all the courage he can muster.

“Pari!”

Pledy and Aden beam as they wave at their approaching friend.

Maybe he’ll enjoy the day after all.


–––––––– ◦ ✦ ◦ ––––––––


There’s a tap on his shoulder.

He slams his head on his locker as he whips around, ready to squash any spider in his way.

It’s not a spider.

It’s a person.

Often that would be worse, but he recognises those eyes.

The stranger from the party nods and gives him a shy yet sincere smile. After a stunned moment of silence, Pari smiles back and raises his arm in an equally awkward but genuine wave.

Then the stranger’s off, blending into the stream of people.

Despite the fleeting interaction, there’s a feeling in Pari’s chest. It grows and grows and it doesn’t feel twisted or cold.

It’s a feeling that maybe, just maybe, he’s done something worthwhile.

That he is someone worthwhile, someone worth more than his anxiety.


–––––––– ◦ ✦ ◦ ––––––––


wow i did it!

thank you so much to:
• good kid and their song “bubbly” for inspiring this whole thing
eva for critiquing!!

and if you're curious, here's some alternate title ideas i considered!
• bubbly (after the song)
• sorry, i'm not a psychologist (after that one line about psychologists)
• pari blue's slow and inevitable demise (it felt like it downplayed anxiety so i didn't use it)
• another evening in between what i believe and what i know (after a lyric from bubbly)


–––––––– ◦ ✦ ◦ ––––––––

Last edited by PixelDucko (July 26, 2025 07:24:32)

--kitti-kat--
Scratcher
100+ posts

SWC Megathread ‧₊˚❀༉‧ July 2025

Critique for Vi and Crim || 319 words

First, some general thoughts. This story, lovely. I personally believe that you guys did amazing! I genuinely struggled to critique your piece (so anything I point out is likely SUPER nitpicky and possibly just me misunderstanding and not being super familiar with whatever piece of media you used, so feel free to take anything I say with a grain of salt). I personally thought it was a very intriguing idea of discovering the more “everyday life” side of the superheroes.

Everything in her room seemed to be made of glass, shimmering and fragile. I sat down on the bed as though to prove I could.
Beautiful description of the room. The only nitpick about this is the “as though to prove I could”. I got stuck on that for a while. Like… to prove you could sit down on the bed? I didn’t really know what that meant, that was my best guess.

I looked around the room, searching for details to remind myself of all the ways my friend had moved on. And feeling a surge of joy every time I saw something familiar. The medal, of course, surrounded by a plethora of other awards, most of them also for archery—ones I hadn’t watched her win. A college flyer advertising a psychology program in Central City. Pictures of new friends, faces I didn’t recognize. A polaroid of us, years ago, with Greta and Anita and Traya, looking for all the world like a group of normal teenage girls, out at the mall in their casual clothes.
I just find the little scene this paragraph sets to be cute!

I also wanted to share that I like that this event that caused this story is hidden away from the reader. I did find it confusing at first, and perhaps a tad bit annoying that I wasn’t able to figure out the characters’ past, but I think it works. Slightly hinting at it through lines like this without outright dumping a bunch of probably unnecessary info on the reader. I do feel a bit of context behind the characters and situation would’ve been nice, but it’d be good either way. Probably not even enough room to provide context.

I don’t think I have any super specific things to talk about aside from those couple things. I honestly think you guys nailed the emotion. Lighter and subtle externally (I guess is one way to put it) mixed with some deeper feelings and introspection internally. Very well done. I wish I had more to say. Once again, apologies if this wasn’t as helpful as you were looking for, this piece clearly has a lot of care and thought put into it!

Last edited by --kitti-kat-- (July 25, 2025 08:29:38)

PixelDucko
Scratcher
100+ posts

SWC Megathread ‧₊˚❀༉‧ July 2025

────────── ☆ ──────────

Critique for @EvaEvergreen

hiii thanks for letting me critique this, i’m still VERY new to critiquing but i still hope this helps in some way!

my first impression is that there aren’t any paragraph breaks/spaces. this is a personal preference but i find adding paragraph breaks to help readability a lot so i’d suggest considering those if you haven’t already!

“The story I am about to tell you is one you have heard many times, but they are all wrong. My version is the truth,” The mother told her little girl. “The version you are told is one of handsome princes come to save you and terrible witches come to curse you. Mine is different.”
okay i love this start because i’m a sucker for stories like this though i believe “the” in “the mother told her little girl” would be lowercase since it’s after a dialogue tag and part of the same sentence. that’s my general critique for the entire story

“But I like the princes! The witches are scary, though. I don’t want to meet a witch. But maybe if I do, a prince will come save me!” The child said with stars in eyes.
i think you could add more dialogue tags here (yeahh i’m very nitpicky sorry) to make it more expressive, especially after “I don’t want to meet a witch.” you could say something like “I don’t want to meet a witch,” she gulped.

“Hmm. Well, hush, I’m going to start," said the mother, tucking the child into bed and blowing out the candle.
by now you would have repeated “the child” a lot so i’d recommend using pronouns instead, especially when it’s clear that the mother is talking! this is also general advice for the whole piece. if you're unsure when to replace names with pronouns, i'd recommend speaking (or even just mouthing) your work out loud and seeing if it's repetitive, if you don't already do that

“Once upon a time, there was a husband and a wife who lived in a cottage. They weren’t wealthy, but they got by. Until the wife got pregnant. When she got pregnant, she longed and longed for one thing, and one thing only.”
i’d also break this apart with a dialogue tag right after the first sentence, e.g. “Once upon a time, there was a husband and wife,” the mother started.“ i removed the third ”a" because it doesn't add much

“Not really. You’ll understand better when you’re older. Now hush. We’ll never finish the story if you keep interrupting. Now, the thing the wife longed for wasn’t anything too special or hard to get. It was rapunzel, a simple herb that could be grown in any garden. So her husband offered to grow some for her, but his wife snapped that growing it themselves would take too long.
same advice here, right after the fourth sentence, e.g. “We'll never finish the story if you keep interrupting,” the mother scolded.“ or maybe ”laughed" if you're looking to showcase the mother character in a really friendly/playful way! notice how those two words changed the dialogue's tone completely –– if you want the reader to read things in a certain tone, dialogue tags are your good friend

“Well, I’m glad you think so, darling. Naturally, the couple didn’t want to give up their daughter, but they loved each other and were fearful of the curse, and they hadn’t even met the girl yet, so they decided it was better to give up someone they barely knew then the one person they loved. So they agreed, and the terms were set.”
the second sentence is rather long, so i'd recommend splitting it up with punctuation –– specifically, replacing “and” (after “curse”) with a period

“They really gave up their daughter? Just like that?” The child asked, scorn in her voice even though she was only seven.
i'd say you can remove “even” here since it doesn't add much!

“Yes, and what a terrible thing for anyone to do. But they were never going to love the girl anyway, as they’d wanted a boy and didn’t have any use for a girl.
you've used “the girl” two times in this sentence, so you could replace the second one with “her” to make it less repetitive

So when the girl was born three months later, the old woman showed up at the doorstep in case they decided to cheat, which they definitely would have. Scared cowards they were, they handed over the baby girl without hesitation. In her head, the witch was screaming at them, ‘Don’t you have any love in your heart? Beg on your knees for me to spare her, show me you have kindness in you, and maybe I’ll give her to you!’ But they didn’t do any of that. They simply gave the old woman the child and slammed the door, hoping she’d never bother them again.”
the “In her head,” part is rather confusing because it doesn't clarify who it's referring to –– is it the mother or the old woman? i also don't understand who the witch is –– is it some embodiment of their negative thoughts, or the old woman herself? so i'd recommend clarifying things again, but otherwise this part is great!

“You’ll see. Anyways, one morning Rapunzel was singing, and she felt a sharp, painful tug on her braid.
same thing about dialogue tags here, this time i'd add them right after “You'll see.” and i'd remove the “s” from “anyways” since anyways is the informal version of the word –– which normally works for dialogue, but since the dialogue makes up most of the story, i'd be somewhat formal with it

The boy tugged and pulled and wasn’t gentle at all, and when he finally reached the top of the tower and released his grip on her braid, she let out a deep breath of relief and immediately kicked the boy in the shins.
i'd replace “breath” with “sigh” because that's that's the more standard phrase (yeah sorry this really is nitpicky :sob i'd also replace the last “the boy” with “him” for the same reason of repetitiveness

“‘I am Prince Florian of Lyrica! I have come to save you from the witch who’s keeping you captive and take you to my palace to marry you!’ he told her, ignoring the fact that she’d kicked him, then looked at Rapunzel like he expected her to faint or swoon or kiss him or something. But . . .
i'd remove “that” from “ignoring the fact that” since it's unnecessary. i try to avoid the word “that” as much as i can in writing if i can remove it because it doesn't add much! also, you put an extra space between “him,” and “then”

The old woman still wasn’t back, so there was no one to stop the king’s guards from barging in (they took the stairs this time, thank goodness) and taking her away.
i'd replace the parenthesis with em dashes since parenthesis are rarely used in fictional writing like this

She fought back, of course, but they wore iron armor, so no matter how many of their shins she kicked, she couldn’t overpower all twelve of them.”
okay the shin part made me laugh LOL

Rapunzel just wanted to return to her tower and the happy life she’d led there.
the word “led” COULD fit but you could use other words (e.g. lived) to improve the flow

But there was nothing to be done: she married him and became a princess.
again, the colon could fit, but i'd replace it with a period or semicolon to make it flow better! (i'm using the term “flow” very specifically here by the way –– i'm talking about the fact that the grammar should be good enough so you don't have to double check it, hence improving the flow. i don't think that makes sense oops)

“Daisy! You mustn't think such thoughts!” The mother frowned at her child, even though she secretly agreed.
i'd remove the “even” again here since it doesn't add too much!

“‘I’m staying for good this time. Let’s pack our things and go someplace far, far way from here.’ Rapunzel said as they embraced. And so they did.”
i think it should be “far, far away” also, if you want to add more dramaticness to the “And so they did.” then you can add a paragraph break, though that (and everything else in this critique really) is optional!

“So the story does have a happy ending!” The child said.
“said” could be replaced with a stronger word like “exclaimed” the word “said” definitely has it's uses (and you use it well throughout the piece!) and shouldn't always be replaced with a synonym, but given how this sentence ends with an exclamation point, some variety could be useful!

“Because my mother, Rapunzel, told me before she died.” Astrid said, hugging Daisy tight.
okay woah this is an AWESOME reveal, i love it!! though since it's supposed to be such a twist, i'd add some more buildup, even if it's just a little bit –– e.g. “The mother smiled. ”Because my mother, Rapunzel, told me before she died,“ etc. also, the period would be a comma since it's before a dialogue tag

overall i LOVE the storytale vibes of this (also the story of rapunzel is one of my favourite stories ) and i'm sorry i couldn't critique more </33 as a random and general editing tip, if you ever feel like a sentence is lacking something, i'd recommend adding some adjectives –– though remember to make sure those adjectives contribute to the sentence! whenever i edit, i try to remove/not add anything unnecessary (e.g. ”that“ ”very“ ”really“ ”just") or could be replaced with a stronger word. i wish you well in the writing comp and have a great day!!

────────── ☆ ──────────
Alfalfa78
Scratcher
100+ posts

SWC Megathread ‧₊˚❀༉‧ July 2025

(undeserved) kindness

fanfic writing comp entry

- - -



Out of everything that Dark had expected from this… this kid!

This wasn't it.

He was sure, he was so, so sure that he had deleted that orange kid's code. But here the kid was, floating above Dark, eyes a brilliant shining emerald green. stars he looked like chosen

And here Dark was, sprawled on the ground, his Vira-bands broken - shattered, panting heavily like some fool. Maybe he was a fool. A child had bested him, the Dark Lord! He deserved whatever his fate would be.

The kid - he thought his name might've been Orange, if his friends' pathetic cries for help had been anything to go by - floated down to stand before Dark.

And held out a hand.

Dark shut his eyes, waiting for whatever would hit him. Fire, or maybe ice, if the kid was anything like Chosen. Maybe magma, if he was anything like Dark.

Nothing happened. He cracked open an eye, and then the other. The kid had crouched in front of him, hand still held out, palm up.

“I don’t want to hurt you,” he said, voice quiet and warped.

Dark just stared at him. “What?” he rasped.

“I was just protecting my friends, you know,” his voice had dropped to a low hum. “And I don’t think Chosen wanted to hurt you either.”

“Ch- Chosen's my biggest rival! Of course she wanted to hurt me!” Dark spluttered.

The kid blinked, and the tilted his head to the side. “I thought you two were friends,” he mused, seemingly to himself.

There was a long pause as Dark searched for some crushing reply.

“I don't think you really want to hurt anyone,” Orange said before Dark could say it. “I just think you wanted to protect yourself. And Chosen.”

… the kid was spot on. Not that he'd let him know that.

“I want to do the same, too. For my friends, I mean,” he voice saddened. “And… I… I know they aren't here right now, but…”

He reached his hand out further, fingers outstretched.

“I think they'd forgive you, too,” he said.

Dark's eyes flickered to the kid's hand and then back up to his face. He wasn’t expecting it to be so familiar.

“C'mon,” Chosen urged, hand outstretched and a small smile on her face. “We could defeat him if we worked together!”

Dark looked over to the cursor and then back to his… rival?

“Look. He doesn't care about you. He doesn't care about me, either. Let's make him feel the same way we do.”

Dark took her hand.


Dark took the kid's hand.

… he still didn't understand why the kid was so willing to forgive him. He had deleted his friends' code. He had tried to delete the kid's code, too and he was still trying to forgive him.

A smile broke out on his face, wide and childish and pure and innocent. He pulled Dark up without even straining. Though, his smile fell after a moment, and he turned slowly, eyes drifting over to the house.

… well… the remnants of the house, anyways. There was a giant hole in the side of the wall from when he and Chosen had been fighting. But it was still a house, right?

Something flickered over the kid's face and he pulled away from Dark. He moved forward, towards the house. He took several steps before he started to float over to the house slowly.

“What? Hey! Kid!” he hissed, scrambling after him. His own powers were spent; he didn't have the energy to fly. Not right now. “Where are you going? Chosen's that way. That way, opposite- hey!”

It was obvious that he wasn't listening. Apparently, he was set on his own mission.

The kid entered the house via the very convenient hole in the wall (see, fighting and the destruction that followed it was useful, sometimes!)

And then moved to the computer. Dark's computer.

“Wha-?!” Dark started. “Hey! Don't touch that!”

Again, the kid wasn't listening, instead typing on the computer. Green sparks of what Dark could only describe as magic floated by his fingers.

And then something impossible happened.

He restored the code that Dark had deleted.

The cursor - no, Alan, Dark corrected - reappeared slowly, rebuilding itself. And so did Orange's little friends, down on that small outlook. Chosen jolted from where she was struggling to stand, falling flat on her back again.

A surprised snort escaped Dark. Oh, the great and mighty Chosen One was startled by four children coming back to life. Though, maybe he, the great and mighty Dark Lord would be startled, too.

They had come back to life, after all.

The kid gripped the desk, a sigh of relief escaping him. And then he swayed, eyes fluttering. He slumped forward and then slid down to the floor. He was out. Completely and totally.

“Woah, woah, woah!” Dark yelped, scrambling towards the kid. Fortunately, he was still breathing. He sighed softly, relieved.

Fine, whatever. He guessed he could play good guy, just for once. But that was Chosen's job! It was in her name after all.

But, as gently as he could, he scooped up the kid and mustered just enough energy to fly across the bay and onto the little overlook Orange's friends and Chosen were standing.

They all tensed at his appearance.

He sighed and rolled his eyes. Did they really think…? “Relax, I already deleted your codes once, I'm not gonna do it again. Also, your little friend did some weird little forgiveness act, which, didn't work on me, by the way.”

He held out Orange. The red one scrambled forward, taking Orange from his hands and taking him into her arms.

She took several steps back before placing him onto the ground. The other three quickly surrounded him. Chosen just stared at them blankly, red eyes filled with confusion.

Slowly, gingerly, she made her way around them.

“… what happened?” she asked. “I'm not crazy, right? He just…”

“… unlocked some insane powers? Yeah. Yeah, he did,” Dark said, crossing his arms. “He… he could've ended me, right there and then, Cho,” he said, voice lower. “But… he didn't. He forgave me. He…” he trailed off, turning to look at Chosen.

Wordlessly, he dragged her into an embrace. “… I’m sorry. I… it… I…”

He felt her wince before hugging him back. “I forgive you, too, you know,” she murmured, voice watery. “This isn’t the first time we've fought, either. I doubt it'll be the last.”

He sighed. “… thank you,” he managed.

“… any time, Dark.”
Chosen pulled away from him when Orange groaned softly. A half smile touched her face.

Orange sat up, blinking cerulean blue eyes blearily. For a long moment, it seemed like he didn't know where he was. And then he made eye contact with Red.

He jumped up, startling his friends into doing the same. A wet smile broke out over his features as he dragged them all into a hug.

They didn't seem to mind, though.

Chosen stepped away from Dark after that, fiddling with the wraps on her hands.

“What?” Dark couldn't help but tease, happy to be able to banter properly again. “You want to join them?”

“No,” she said, her eyes not leaving her hands. “Do you?”

“Pff, no,” he scoffed but was drowned out by the sudden yelp that came from Orange.

"Why is he here?“ he asked, gesturing to Dark. He was scowling, blue eyes filled with a hatred that almost made Dark flinch.

… blue?

”I…“ Dark started. ”You…?“ he floundered, glancing over to Chosen for help.

”Kid, you… he brought you here, do you not remember?“ she explained slowly.

”No. I… remember you two fighting… and then… I woke up. Here.“

”Nothing else?“ Dark couldn't help but prompt. ”Not even your little forgiveness act you did with me?“

A shake of the head. ”No… I…“ he started, trailing off and looking up. ”Alan!“

He pushed past Dark and Chosen, the whole ordeal forgotten, apparently.

The cursor bounced up and down a few times. Chosen just nodded in response. Dark ignored him, stepping back.

Orange leapt onto the cursor, holding on with one hand. ”Well, uhm, if you said that I forgave you, then I trust you. I know that I can.“ He gave Dark a bright cheery smile before glancing over to Chosen. ”And thank you, Ms. Chosen, for saving my friends.“

Said friends thanked Chosen loudly, waving and grinning like the kids they were. Chosen just managed a half-wave in response, too stunned by the whole interaction to do much else.

After that, they all hopped onto the cursor, which then floated up, back towards the edges of the Outernet.

Once they were out of earshot, Chosen leaned over to Dark. ”Okay, that was really weird, right?“ she asked, voice a whisper even if they couldn’t hear her.

”Uh, yeah, no kidding, Cho,“ Dark said. ”That was insanely weird. What does the kid mean he ‘doesn’t remember' what happened. Of course, he remembers what happened!“

”I don't think so, Dark. He seemed pretty genuine to me,“ she stared up at the now distant cursor. ”But… care to explain what happened? I was too busy fighting your spiders to pay attention.

“They're Vira-bots, first of all,” he said. "But, absolutely!” he quickly dissolved into a ramble about the fight, animated gestures, and everything. Chosen just nodded along with him, trying to piece together what had happened during the fight.

- - -

(1573 words)
Natt519
Scratcher
77 posts

SWC Megathread ‧₊˚❀༉‧ July 2025

FANFICTION WRITING COMP ENTRY
gothic, 676 words

only the sky

Some said he was a madman. Some said he was a genius. To him, he was merely a prisoner, locked away on the isle of Crete, haunted by his own creations, fated to never again see the sky and stars. But still he survived, clinging to a thread in a hazy void made of wings.

Daedalus was not a stranger to hopelessness and apathy; many nights he had spent locked away in his room had been consumed by it, only waning with the morning sun. In his youth he had believed that he would never yield to such a fate, but now he had grown accustomed to them and embraced the feelings like old friends; but the sudden hope, the sudden idea, was electrifying. He had long resigned himself to the idea that he would never leave Crete, but perhaps the gods had blessed him with one more chance.

The wings were not a foolproof plan—Daedalus knew that. The wax that secured the feathers could easily melt in the beating sun, but it was a risk he was willing to take, if not for him, then for his son. They would leave at sunrise the next morning, but neither father nor son slept well that night for excitement or for apprehension.

“You must not fly too high, Icarus, or your wings will melt and you will fall,” Daedalus told his son the next morning. “Don’t fly too low, or the ocean spray will weigh down your wings. Fly where I fly and you will be safe.” Icarus agreed, but his father was still nervous that his eagerness would cloud his judgement. Still, the pair took off into the morning sky.

Icarus stuck close to him for a short while, but the elation of flying compelled him to fly just a little higher, just a bit more, until he was doing loops and soaring far up in the sky. Daedalus’s warnings did not reach him, and soon his wings began to drip hot wax. Feathers began to float down to sea but he did not notice them any more than his father’s shouts. One by one, the feathers fell, and inch by inch, so did Icarus until he saw the ocean reaching out for him.


***


Even when he fell, he was laughing, not because he was unafraid, but because he had flown. His wings, though melted, were as light as a butterfly’s and he felt as if not even Death herself could catch him. He could only hope that whatever afterlife came next was as beautiful as the sky he had long dreamed of.

Icarus had been falling only a moment ago. He had seen the deep blue ocean swallow him up and watched the sun go dark, so why did he feel as though he should open his eyes? Was he in Asphodel? His limbs were heavy and even just lifting his eyelids felt like a great effort but he forced himself to anyway.

But was the Underworld really this beautiful?

He was in a cavern filled with brilliant colors. Gemstones studded the stone walls, and blue and purple moss draped down from outcrops where streams of crystal water cascaded down elegantly in waterfalls. He had never seen something quite so exquisite in the land of Gaia. Icarus suddenly remembered that he still needed to breathe. Or did he, if he was dead?

He stood up shakily, eyes still wide with wonder. If he was really dead, he would have no qualms with spending eternity in this heaven.

“Do not be afraid, Icarus, son of Daedalus. You have nothing to fear here.” a voice echoed around him.

The voice was something Icarus was certain he would never be able to describe properly: it was so soft and smooth, like silver threads. It was a delicate beauty, like a stained glass window waiting for a stone to be thrown. He glanced around quickly, trying to locate the noise.

“Do not be afraid, Icarus,” the voice repeated. “Only the sky can reach you here.”

Last edited by Natt519 (July 25, 2025 15:11:35)

_midnight_rain_
Scratcher
38 posts

SWC Megathread ‧₊˚❀༉‧ July 2025

Critiquaire
Hi, Sun! I’m Sage and I’m going to be looking into your daily ‘Autopsy report turned Threnody’. I was very moved after reading it, you are clearly a talented poet. Now, let’s dive into the writing.

You described this piece as examine how the narrator, who has such a morbid job, processes it.

Name: Kylie —
Case Title: I’m sorry I’m sorry I’m sorry I’m sorry I’m—
Date and Hour of Death: 17/07/25, sometime between 05:00 and 13:00
Date and Hour of Autopsy: 19/07/25, 15:36
Pathologist: Christina —

The first thing I think when I see the case title is that after years of this job, the narrator (whom I presume it’s Christina?) is slightly deranged. I’m not entirely sure if it’s because of how much the job has taken a toll on her or if she had something to do in Kylie’s death.
This is just the heading so I don’t really have any tips so far.

When I peel back layers
of skin I imagine onions to make it easier, I breathe
deep and place the scent of death as fish washing up
on the shore, a pristine blue coming to meet the sand in
that eternal, purposeful cycle. And I am looking,
at those bruises dotting the stomach, and having long
ago set the abdomen to match antiquated arches I saw
when I was young, in Rome, I’m not sure that if there is anything
actually wrong or if I am just rewriting something so it doesn’t have to be.
Your metaphors and figurative language is beautiful! My only real critique is that I’m a bit confused at what you mean by ‘arches’. Do you mean the bruises line up to form the shape of an arch? And thing I’m confused by is when you write’ rewriting something so it doesn’t have to be’. Doesn’t have to be what? If you maybe elaborate on that or can clear the air and also make it more strong and devastating of you word it write. Of course, poetry needs to only make sense to the poet so if what i am confused by makes perfect sense to you, then that’s okay!


See, the blooming red is beautiful.
Just assuming, that’s blood, right?
Set forever. And
I still mourn the sight of those arches, the inlay washed
white from eternity and the act of being perceived,
mainly because I will never see them again.
I like how you portray that the speaker starts mourning the dead. something I would recommend is maybe making it a bit more intense? Maybe instead of ‘I still mourn at the sight of those arches’ you say something along the lines of ‘I will forever mourn at the sight of those arches’
Is it bad
that I keep seeing them in that which will not last? In
the pallor of skin that’s not supposed to be that pale,
the same the arches are not supposed to be that eroded,
During this scene, the narrator seems to be feeling guilty and maybe doubtful?
and I already know the reason for another mourner in
world out there somewhere I already know and it’s
right there on her skin it’s obvious I don’t know why
anyone had to make it obvious. That we don’t last when
it’s so much more beautiful when we do, even roughshod,
even sun reflecting off unnatural white where the waves
meet the sky.
In the end, I’m thinking that the speaker is wondering why someone killed Kylie? I’m not sure but the line ‘I don’t know why anyone had to make it obvious’ makes me think that she is wondering why the person who gave her the bruises had to hurt her (Kylie) this much. One thing I might add is that I thought is maybe make ‘obvious’ and make it more extreme. Like maybe instead of ‘on her skin and it’s obvious’ add a strong adjective before obvious. It just makes the situation seem more severe.

To answer some of your questions:

how does the viewpoint of the speaker come across?
the viewpoint of the speaker makes her seem a bit deranged after working there for so long. another thing I noticed is that the speaker seems really attached to Kylie or at least the situation because of how much she seems to stress Kylie’s situation and wounds. Maybe the speaker keeps wondering why so many people do so many bad things.
how do you as the reader feel about it ethically/morally, and does the poem lead you any particular way?
Like I said above, I believe that a major theme in this poem is ‘why do so many people do so many bad themes’. The idea of the speaker writing an autopsy supports this because the speaker really knows most things about the case, after all she’s in charge of finding out what happened to the body.
_midnight_rain_
Scratcher
38 posts

SWC Megathread ‧₊˚❀༉‧ July 2025

Daily 25
“Sophie, your turn!” Dex and I were finishing our Universe lessons by bottling starlight.
“Alright.” I say. I quickly bottle the six starlights and began to try to figure out the last one. Elementine a voice in my head says. That’s the answer.
I’ve never learned about Elementine in class. How do I know it now? Surprisingly, I track it down easily and…
“AGH!” My hand burns as the contraption we were suing turns bright white.
“Dang!” I say, “That burnt me!”
“Should I call Elwin?” Dex asks.
I grown but nod. I need Elwin’s help.
Sitting on my bed in Havenfield, Elwin quickly searches for salves to heal my hand. While he rummages, I hail Alden.
“The stellar scope turned bright white?” Alden asks and I nod.
“Hmm, never heard of that happening. What was the star?”
“Elementine.” I say and he freezes.
“Sophie,” he says, very carefully, “Don’t tell anyone else that. I’ll meet you in the morning.
***
“Why are you bringing me to the Council?” I asked.”
Alden sighed. “You’ll see.” He said.
I followed Alden into the room
Before me stood all twelve Councilors.
“Sophie Foster.” Councilor Emery started, “You are said to have bottled Elementine. Is this true?”
Sophie nodded. “I did. And I paid the price for it. I my hand pretty bad.”
Councilor Emery looks startled but nods. “How do you know of Elementine?” He asks.
“I don’t know.” It was the truth.
“What led you to discovering it.”
“Homework.” I was giving one word answers hoping that this would be done soon.
The Councilors looked annoyed and startled.
“Sophie Foster, please come to the tribunal hall tomorrow. We must put you on trial.”
“But what did I do?!”
No one answered me.
unercornshine
Scratcher
100+ posts

SWC Megathread ‧₊˚❀༉‧ July 2025

Critiquaire for @emililies

Umm, im just gonna do the intro with the summary at the end XDD so let's dive in:

We met in the hush between sirens,
the sky is dull, drained of grace.

I had come look for peace,
Very powerful opening that sets the sort of dystopian vibe to the poem.
The only thing i have to say is that the poem is in past tense and the poem starts with ‘We met in the hush between sirens’ the word met sets the tone to past tense. You then follow on with 'the sky is dull' whish is in present tense.
I do understand this is a sort of retelling from the main characters' perspective which of course might be made to sound as if the sky is still dull right now but i think a better way to put it would be to either put it all in present tense like a starting stanza.

e.g:
We meet in the hush between sirens,
the sky is dull, drained of grace.

or

We met in the hush between sirens,
the sky was dull, drained of grace.
This could also leave a cliffhanger: ‘do they still meet’ in the readers mind. Or you could put it all in past tense as a retelling to say that when they met the sky was dull.


I had come look for peace,
This line is very poetic but not all that understandable, I had to read it a few times before I could understand which interrupted the beautiful gentle flow of the poem.
Maybe instead:
I had come for peace,
or
I had come in search for peace,
or even just: would work
I had come looking for peace,

He was the kind who kept his hands full,
Repair water filters with scavenged parts,
mending the gate near where we got rations,
tinkering with the radio in hopes of it working.

Very nice stanza but the R in Repair water filters shouldn't be capital as it's not the start of a new sentence.

We came back.
A day each week,
to the same place.

The full stop after ‘we came back’ disrupts the flow; ‘A day each week, to the same place’ doesnt make sense as a standalone sentence.
Maybe you could put a colon at the end of the sentence like this:

We didn’t live near each other,
But after the first time,
We came back:
A day each week,
to the same place.

We talked about songs we half-remembered,
friends that went separate ways,
and a brown dog he’d left behind in the
evacuation.

Sounds like all I'm saying now is ‘flow flow floww’ but i really love the gentle flow of the story and so i have to point out the hitches in it so it can really flow like water, lol XD. I wouldnt put and before ‘a brown dog he left behind’ but thats just a personal preference because it just feels more poetic without the and.

but instead we saw drones blinked overhead,
the grammar is incorrect it should be:
but instead we saw drones blinking overhead,

Just passed a shared mug of bitter tea,
warming our hands in the old teachers lounge,
Letting the silence settle between us,
like it was sacred.

Please correct me if I'm wrong but i dont rlly understand the placing of the capital letters at the start of each line. Is it not at the start of each sentence? If so there shouldnt be a capital L. Also if you removed the capital L of ‘letting’ and made the l in ‘like’ capital it would give it a different emphasis like this:
Just passed a shared mug of bitter tea,
warming our hands in the old teachers lounge,
letting the silence settle between us,
Like it was sacred.
Holy and fragile, like glass unshattered.

Sometimes, I’d whisper silly dreams.
“Maybe some day, everything will be okay.”
“Maybe some day, the world will be kind again.”
Just a suggestion but maybe you should put a sentence after the last to quoted lines just to cap it of e.g:
The hope would keep me going.
or
Meaningless hope.
or
The night eat up my words whole.

One day,
in a old classroom,
he turned to me with dirt on his cheeks
and ash in his hair,
And said quietly
“I used to think love was safety,
But maybe it’s what keeps you brave
When nothing’s safe.”

I didn’t know how to answer,
So I kept the words like a stone in my pocket,
heavy and grounding.

I think that stuck with me.
The idea that something small and unsure
could still be safe
because it was invisible to the outside.

Then came the long week.
The militia came for him.
They didn’t say where he was going.
No word, no sign, no promise.

I told myself I didn’t care.
But when he came back,
mud on his face and carrying fewer words,
I just nodded.
And he nodded back.
And that was enough.

I LOVE THIS I LOVE THIS I LOVE THIS AHHH

But sometimes,
The world can’t kill
what it never learned how to touch.

BEAUTIFUL ENDING BOOTIFUL TWT

Hey Emily! Twas a pleasure critiquing with you!!! I love your piece so SO SO much. It's beautiful, the flow is amazing *chefs kiss*. I truly hope you win the writing comp! There was only the few grammatic errors that ive pointed out. YOU KNOW you've done good when i found THIS LITTLE to critique from ur piece WELL DONEE!!!!!

Last edited by unercornshine (July 26, 2025 19:47:48)

KittyQween9000
Scratcher
30 posts

SWC Megathread ‧₊˚❀༉‧ July 2025

The daily - If I was Sophie Foster at the beginning of book 1
Word count: 337


Standing at the back of the museum listening to an audiobook version of the hunger games, Fanta was trying to blend it to the background. Being 12 and a senior in high school just about everyone in their class and their teacher hated them.



They guessed it was because they were technically supposed to be in middle school but they skipped too many grades and were just about to graduate high school. They stayed behind as the rest of the class moved onto the next room. After some accident around 7 years ago when they were 5 Fanta could hear everyone’s thoughts. It gave them migraines all the time because there was just noise all around them all the time.

Then she noticed a tall boy with brown hair and teal eyes. He was holding the newspaper from yesterday that had an article about her turning down Yale for a San Diego City College because apparently that was a much more big deal than an arsonist, that was at least something that she agreed with the editor about.

But, the more important thing was the fact that the boy was walking over to them with the newspaper in hand. Reaching Fanta he put the newspaper in front of her and asked
“Is this you?” while pointing to the picture of her.

“No.” Fanta responded.

“Uh, are you sure?” He asked.

“Yup. Not me.” She continued.

“But, it looks exactly like you.” He continued.

Fanta didn’t really get who this guy was. He looked around 15 and was way too nosy. People did occasionally ask but, usually if she told them that they would knock it off but apparently not him.

“Well did you know that every person in the world has around 6 or 7 people who look exactly like them? No? Well now you do. That’s not me. Goodbye.” Fanta said, swiveling around and hurrying to catch up with her class. It didn’t matter what this dude wanted he was not getting any response from them.

Last edited by KittyQween9000 (July 25, 2025 19:12:58)

CodingAnd_Stuff
Scratcher
84 posts

SWC Megathread ‧₊˚❀༉‧ July 2025

Critique for Celeste
———————–
He and I are no strangers. No, we are far from it. Yet somehow I managed to walk away from him time and time again.
This felt a little awkward because you don't really walk away from a stranger because you never knew them? Or something? Maybe change it to something like “he is my/he means to me, but I walk away from him time and time again” if that makes sense

Your gaze falls to mine as I entangle my fingers with yours, one hand graceful, one calloused. We don’t have to do this, you say, and for a moment I am convinced. But still I shake my head no and tell you we must press on.
It felt a bit strange to switch from talking about this person as ‘him’ and then switch to talking directly to the person. Maybe start the piece out with ‘you’ instead of ‘him’

He does not wait. He has no time to wait. Death shakes his head at me. It’s time. It’s time. It’s always time, because he and I have stargazed together, and watched the tides rise and fall. We have climbed mighty hills and explored great forests until we have been benighted.
I was confused again about who the ‘he’ is, is it a person or is it death? I think it's meant to be a person, but clarifying could be good. Also I like this, it's dramatic and cool :0

Death has repeated that over and over again, yet nothing has happened until now.
I didn't know exactly what this meant, because it sounds like Death just decided to wait, but then this makes it sound like the main characters are about to die still

I tell you I love you, that we have to do this, because the government forced a contract and pen into our unwilling hands and made us sign up for the CAP program. And you shake your head in resignation, as if we could somehow take it back.
A sentence of explanation about the CAP program might be more impactful then naming it. For example, “The awful program. The one that made us do (something bad/sad?)”

Being the pessimist that you are, you tell me that the government will take our story away from us. Being the optimist that I am, I tell you what my father told me, that a story can never be stolen, because it is in our hearts. And that once we have long departed, our story will be in the stars.
This is impactful and sounds good! Stories being both in hearts and stars is a bit awkward seeming to me, you could change it to something like “and our hearts will write it to the stars”

My father had wanted to see me live past ten years, but he never did.
I had to reread it a few times to figure out if the protagonist died before ten, or if the father was the one who died, so maybe clarify?

I don’t want to go. It would mean leaving the stars behind. It would mean leaving you behind, even though you’re technically coming with me.
This sounds so good, I love it

I glance over my shoulder. Death is there, but he doesn’t look me in the eye.
I may just not understand the significance of this, but it felt a bit unnecessary? Probably ignore this advice though, I might just not get what this means

I suppose that's helpful in our last moments together.
This felt a bit out of place with the tone of your piece, you could replace it with something like “I'm glad if i can offer him at least a bit of comfort in our last moments”, of course written by you but just something like that

So the government decided that if there were no volunteers, they would just make people do it.
This also feels a bit out place with tone, because it is kind of matter of fact without a lot of emotion. But also I don't know what I would change it to, so probably ignore this note

You turn to me, eyes brimming with unshed tears, and say, I don’t want to do this. Please. There must be some way to turn back time.
It seems like the other person had sort of accepted fate, while the protagonist was fighting it, but then the roles seem to switch here. Maybe edit this a bit? Also the drama and sadness of this is really amazing, I love your whole piece

And I realize that that’s okay.
This feels abrupt. The protagonist goes to fighting it constantly to suddenly accepting it. I'm sorry I don't have any great suggestions for how to edit this to make it less sudden, but maybe you could connect it to a lesson or a realization from the stars or something? Or you could have the person accept that there is very little time left no matter what, so they can choose to love their last moments or long for more? Idk

Death appears again, and his gaze meets mine. It’s time. He looks as if he almost is bracing me to beg and plead again, and say, Please, not yet. Just another day. Just one more day of us walking hand in hand.
This doesn't really matter, but you could simply this and clarify it by saying something like “He looks as if he is bracing for me to plead (what the person says, like please not yet”)
———————–
Overall:
This was really good, I loved all the emotions and the idea is creative! I think there are some things you could clarify though. As you can see from my first line by line comments, I thought the protagonist was walking away from a ‘him’, like a friend who the protagonist has a complex relationship with, not death. I was confused about when death was being talked about versus when the other person was being talked about. I also did not understand the tone at first, I thought it was like fighting death in a apocalyptic world or something? So you could add some details to make it clear that the people are in a near future world (After reading the whole thing I'm assuming that's the case?) Good luck on the writing comp, and thanks for letting me critique your piece

Sorry that this is a bit rushed and doesn't make perfect sense, if there's anything you want me to clarify I can. I hope my awkward first attempt at a critique helps at least a bit?

Last edited by CodingAnd_Stuff (July 25, 2025 20:44:53)

violent-measures
Scratcher
100+ posts

SWC Megathread ‧₊˚❀༉‧ July 2025




hi mabel!! thanks for sharing your piece, i’m super excited to read it!

mabel wrote:

There we were, one last time, lying down in the lush grass that was swaying rhythmically to the wind. It was something Zoey and I did often when we first met as two crazy eight year olds in primary school. We didn’t want to spend our last moments together crying, but what left was there to do? So we listened to each other breathe heavily and enjoyed each other's company. Inhale, exhale, inhale, exhale. Staring at the clouds and reminiscing every moment we had shared made it hard not to cry. It doesn’t seem like such a big deal, but it’s hard seeing a friend you love move away.
I like this set up here a lot! My only comment would be that it would be cool to see a more stark contrast (or similarity, if that’s what you’re aiming for) drawn between the times in the past and this time, here. I’d put that after the second sentence; eg, “But before, the world had seemed big, wonderfully so. Now it felt daulting…” or something along those lines!

mabel wrote:

“Everything’s going to be fine,” Zoey weakly smiled, one she couldn’t hold together for longer than a couple seconds. That was the saying both of our moms had always told us when something went wrong. I tried to laugh, but it was really hard to believe it this time.
Super nitpicky here, but “weakly” feels a bit redundant with the description on the end.

mabel wrote:

So, when she eventually had to say goodbye and leave, I simply tried my best to hold in the water slowly dripping through the cracks in my eyes.
I probably wouldn’t say “water” here, but tears. It seemed at first like you were going for a metaphor, but the sentence feels very literal to me besides that.

mabel wrote:

That was two days ago. My eyes didn’t hold it in forever. And I think you can tell. I remember watching her board a plane, setting off to achieve her dream. We live in a small town, so it’s hard to become anything but a farmer or engineer here. I get it, I guess. But even if I decided to visit or move there, she would probably have new friends by then. Speaking of friends, unfortunately, I needed to make some too.
I feel like it’s a bit quick for the narrator to think about making new friends?

mabel wrote:

It’s been five days since that happened. And it also happens to be the day I start my first year of ninth grade without someone to laugh with while trampling through the halls.
I’d split up this last sentence. As it is, it sounds a bit like they’ve already taken ninth grade with a friend, if that makes sense?

mabel wrote:

I’ve recovered from my tidal grief for the most part at least, so I look presentable — to an extent. Arriving back at my old school for one of my last years there without my best friend felt depressing, to say the least. And I had a feeling it was going to feel like that for a while. I cramped through those familiar hallways, hugging my worn out binder tightly to my chest. The first day did not feel like a breeze. It was an absolute nightmare. Sitting alone in the cafeteria at lunch, stuffing my mouth with what didn’t look like lunch. I could definitely wait for the next day and hoped time would just stop for a bit and only start again once I’d recovered.
I think you’re looking for a word other than cramped here—maybe crept?

mabel wrote:

OI got the opposite of what I’d hoped for,. Ttime wasn’t in the mood and didn’t wait for me. There I was, back again. Most people would come back with a determined mood to make some friends and not look like a loner, but my mind was just playing the same memories of Zoey and Ime and Zoey on repeat. It didn’t seem like I was getting over her any time soon. Sitting on the rusty cafeteria benches, I munched on what sort of looked like a lunch today. Sort of. Maybe these lunches wouldn’t be so bad after all. I doubted anything else would get better. Until I heard a small rustle from beside me. A girl, sitting beside me, on this table in the depressing corner sat under the flickering light that needed fixing. I didn’t recognize her.

“Sorry, can I sit here?” she whispered quietly, catching a small glimpse of me and my faceglancing up at my face before looking back down.
I tried to make out a smile, but it probably looked like a frown instead,
Here, I’d say “I tried a smile” or “I tried for a smile” because trying to “make out” something seems like she’s looking for a smile in the other girl’s face, not attempting to smile herself. Also, I might switch “frown” to “grimace” or “wince” since that’s more likely to be what a smile is misinterpreted as.

mabel wrote:

“Um, sure.” The girl gave a small smile before starting to twirl a flower in her hair. Must’ve been a nervous habit.
“I’m Abigail,” Abigail looked over, now chewing her nails. Must’ve been another nervous habit. This was my first year of high school, and I was stuck here still struggling to introduce myself. Most people already had friends by now.
At the end here, maybe add that they had friends from middle school? Since it does seem a bit fast for people to have friends only a few days into school? But I’ve never gone to public high school, so maybe I’m wrong on that! XD

mabel wrote:

I blinked hard, swallowing the circumstances I was in. But at least she seemed nice.
“I’m Ivy,” I slightly waved. This whole conversation felt ridiculous, but I was in need of a friend. Maybe this wouldn’t be as bad as I thought.
For the next couple days, we sat in pure silence, the only noise you would consider in our conversation was the bells when they rang that horrible sound, telling us lunch was over. But eventually, Abigail struck up an occasional conversation, like what we were having for lunch or our classes. I was still thinking about Zoey though, often wondering what she was doing in that same moment. But, as weeks passed we started to converse more, found out the same classes we were in and I actually had a partner for science class. It felt sort of nice to have someone to talk to. But I still couldn’t swallow the fact that Zoey was gone.

When I arrived home from school, I’d expected my parents to be all smiles and giggles, asking me how my day was. Just like they had been for the past week. But instead, my mom sat me down. I wasn’t ready for an awkward conversation but there we were I guess.
“Look Ivy, I know the past few weeks have been hard for you,” she looked at me empathetically, eyes softening. I pursed my lips, looking anywhere but her eyes but nodded imperceptibly. “But know that even if you're in high school now, it’s never too late to make some new friends,” she smiled at me, and I felt terribly pressured to look into her eyes.
“Okay…” I started to get up, but she stopped me.
“Remember that even if Zoey’s gone and it’s the end of a portion of your life, the new one can be just as amazing.” I wanted to get myself out of this conversation really badly, but there was nothing I could do. Then, she let my fingers slip out of her grasp and I slowly walked away.
So, for the next few days I thought about what she said to me. “It can be just as amazing,” her voice replayed throughout my head for most of lunch. Maybe everything will be just fine.

Just like that, two years had drifted out my old, half-broken window. I was sipping on my morning matcha — that looked more like a cup of blended broccoli and spinach as my doorbell rang, the squeaking cacophony sound echoing through my house. I plugged my ears before heading towards the door and letting Abigail in.
Maybe give a bit more context for why the matcha looks like that? Like is she bad at making it? Or do her parents buy her bad matcha? Or was she lazy, or making it fast…? This detail just makes me question what’s going on, so I feel an explanation here would be nice!

mabel wrote:

“Hi!!” I hugged her, before heading outside and closing the door behind us. “Let’s go to our backyard.”
This could probably be reordered; it reads as though she’s suggesting to go into the backyard after they’re already in the backyard.

mabel wrote:

“Per usual,” Abigail giggled as I looked over at our backyard, verdant grass that looks like it hasn’t been cut in months.
We laid down, collapsing onto our backs and spreading out our arms. It was exactly what Zoey and I used to do, but this wasn’t Zoey, this was Abigail. So I didn’t let Zoey slip my mind’s grasp and instead just remembered all our memories together, and the memories I had yet to make with my new friends. So no, this time I didn’t cry, I didn’t let a tear drop out of my eye. I smiled. Change is something hard to accept, it took me a while. But you think about how there's rain and sunshine or day and night. They’re different. But beautiful in their own way. And this time, everything really is just going to be fine.
Nice! I really like this ending, it’s super sweet <3
My only overarching comments would be that, given you’re not all that close to the word count, I would add in some scenes with Abigail, or a call with Zoey, or just a section of the narrator thinking a bit more, to make the transition between her despair and optimism seem a little more natural. I enjoyed reading this story and I wish you luck! hope these edits are helpful <3

443 words of critique!
indigo----
Scratcher
47 posts

SWC Megathread ‧₊˚❀༉‧ July 2025

critique for chuey | 07.25.25



Hiya Chuey!! I'm Celeste, and I'm really excited to be critiquing your story today. Although I've done a lot of critiques this session, I'm still fairly new with the whole process, so be warned in advance. I skimmed through it the other day, and as a fellow pianist (who has admittedly blanked out in recitals), I found it relatable and felt it was very emotionally riveting. I also understand you hope to submit this into the writing comp, so I'll do my best to help and give feedback! This is the first piece of non-poetry I'm going to critique in a while haha, so I'm going to stop yapping now. Let's get started!



Right away, I already feel something, and to me, making your audience (right now, me) feel emotions when reading your work is one of the most important goals when writing, and you did a really good job with that! I think in general with the piece, you could indent each paragraph (I know how finicky formatting in forums can be) and that would make it look better and make it easier to read.

This is how it feels to be the music.
I stroke the keys, seductively smooth under my fingertips, arching my wrists before swinging into the piece.
When I play piano, the music is not just a sound for me. It is a feeling, an emotion that crashes over me like a tidal wave, carrying me on a current as I flow towards the end of the song. It is a beautiful kind of serenity, all the more lovely for its fragility.

Uh… the italics aren't going to show up, so let's just pretend they are there.



I like how you repeat “a month” a lot in this part!! It really gives emphasis to the amount of time you (or the narrator?) has to perfect the piece. I've always understood the pressure of trying to finish perfecting a piece, and so this emphasis really stood out to me. I think, to stress how much time the narrator has to perfect the piano piece, you could separate the second “a month” from the first one and make it its own separate sentence to show its importance. You could do something like this:

A month until the recital.
A month before I sit down at a grand piano and play this song for hundreds.
A month to make perfect something that, right now, is full of flaws.

Just a suggestion, and honestly more of a personal preference, but it looks more pleasing and emphasizes “a month” way more!

A month until the recital, a month before I sit down at a grand piano and play this song for hundreds.
A month to make perfect something that, right now, is full of flaws.



Just a small little something I noticed and really love, I like how each section starts with “This is how it feels…” (insert said thing here) in italics, it really shows the narrator's journey throughout the piece hehe.

This is how it feels to shine.



I love this part so much!! To me, this is also very relatable, because I also play piano lol. My only thing I would say here would be to replace the second “never” with “ever” instead. This is just a personal preference, and I'm torn with this suggestion because on one hand, I really like the repetition of the word “never,” but at the same time, I also like the way “never, ever” would sound a little bit more. But either way, it sounds good to me!

I have never failed at a recital before.
When I say fail, I don’t mean that I’ve never made a minor slip-up or two. Everyone does that; it’s inevitable. But I’ve never made a major mistake – cutting out a chunk of the piece, slamming the wrong chords, floundering and losing my place in the music. My piano teacher takes the time before each recital to walk us through overcoming mistakes during the performance. The important thing, she says, is just to keep going. Don’t go back unless you absolutely must, and never, never stop.



I really like this explanation here!! I also especially like the last bit, the hyphen makes it sound and feel hurriedly cut off, which shows the narrator doesn't want to think about that (I'm going to assume this is what you were going for, correct me if I'm wrong please). I'm also fond of using hyphens a lot, so I really love this part. I think in the beginning of this paragraph, you could specify who “her” is, because at first I was confused and thought you had switched to third person for some reason. It took me a few seconds to realize you were talking about the teacher (I think) so maybe you could just clarify that.

Every year, the pressure ticks up a little. Her favorite way to set up the program is to have the least advanced students perform first, and the most advanced perform last, but most of her students drop out after only a couple years, meaning that the handful of more impressive songs are her little finale to the recital – especially the last one. Every year, I’ve been bumped back closer and closer to the end, but it’s not until this recital that she announces that I am the last performer on the program this year. Not only will my performance wrap up the recital, it’ll reflect on her teaching, as well as my ability to play. If I don’t do well–



I think in the last sentence of this part, you could add something about how it sounded. I know you said that the clang matched your mood, but maybe you could add something about the dissonance of it, or however else it sounded, just to give the reader more imagery of sorts. Just a suggestion, I still really love this part!

I hit the wrong chord, and this time I don’t bother to flip the pages to the start and try again. I crumple like a wilted flower, resting my head against the keys. The resulting clang reflects my mood.



Okay, PAUSE so I can tell you how AMAZING this part is!! It's beautiful. Really.

I’m at war with myself. I’m not playing for the crowds anymore. I’m not playing for my teacher. I’m not even playing for my family.
I’m playing for myself



This is mostly a personal preference, I think, but “never yet met” seems a little bit confusing (or at least, it is to me). Maybe you could write “yet to meet” instead, and this would make a little more sense, or at least make it easier to understand!
My focus is on my hands, which feel like ice blocks. No matter what I do, I can’t warm them up.
I’m playing for myself. I’m proving to myself that this is a challenge I can overcome. I’m proving to myself that I can do it, as I have time and time again. I’ve never yet met a song I couldn’t conquer.



I don't think you need the hyphen between “mock” and “rehearsal,” you can separate them out! Just a small nitpicky thing, otherwise this part looks great!

It’s the day of the recital. My teacher always runs us through a mock-rehearsal before it begins, letting us warm up on the piano we’ll be using, familiarize ourselves with how it feels and sounds.



This. This is how I feel before every recital of mine (and that's why I wear gloves before I perform now). Beautiful imagery/descriptive language here, the reader can almost feel like their hands are cold.

My focus is on my hands, which feel like ice blocks. No matter what I do, I can’t warm them up.



Quick overall thought for a section: I think in general for the section that starts with “This is how it feels like to freeze,” you could add more figurative language in general. I love it, there's a lot of description and imagery, but maybe a few more similes or metaphors would make it even better than it already is!



I love the hyphens here! It really adds to the tone that I think you're going for, and makes it even better in ways I can't seem to describe with words hehe. I don't think you would need the hyphens at the end of each line, so you CAN remove those, although it still is fine with them there.

It’s never sounded like this before, so beautiful and crisp on the perfectly tuned piano. My confidence grows in leaps and bounds as I play. I’ve mastered it. I’ve done it. I’ve proved to myself, once again, that I can–
–and I hit the wrong note–
–and I jerk out of the flow–
–and I lose my place–
–and I freeze.



I love this part so much oh my goodness I cannot describe how much. The figurative language (I think it's a metaphor, but I'm not entirely sure because I've never been good at figuring that out) with the glass is amazing, the simile is perfect, everything fits into place beautifully!

[quoteWhen I perform for others, a chilly peace descends on me. A soothing calm, unrippled, that carries me to the end of the performance. It’s an unreal feeling, like being cradled in a glass ball, shielded from worries and doubts, surrounded by nothing but music.
Now the glass shatters into a thousand pieces, and I’m nothing more than a shivering mess huddled over the piano, my heart fluttering up into my throat like a panicked songbird’s. I can’t have messed up. I can’t.



I really like this callback to a previous part of your story, where you mentioned playing for yourself and not anyone else! It really connects the piece and makes it feel like things actually make sense, not just random stuff. (I mean, obviously, it's NOT random stuff, and it's all connected, but this really helps!)

I failed.
I didn’t fail the crowds. I didn’t fail my teacher. I didn’t fail my family.
I failed myself.



I really loved your ending!! It ties back to the beginning of your piece, and I love full circle endings hehe.

I’m not a mistake. I am the music.



Overall, I think your piece is amazing. It was hard for me to find anything you could work on, and even then, those were small things. You did a beautiful job with this story, there were so many small things that added to this story in big ways. I think in general, it's just word choice and really, REALLY small things hehe. Thank you again for letting me critique this, Chuey, it really was a pleasure to read it, and I can't wait to read more of your work in the future!!


1083 words
halp meh
imaginary-dagger
Scratcher
33 posts

SWC Megathread ‧₊˚❀༉‧ July 2025

Have you ever imagined yourself as the protagonist of your favourite book? Daydreamed of what it would be like immersed in your favourite fantasy story, or living in a historical fiction setting? Wondered what you might do if you had the chance to interact with some of your favourite characters? Well, imagine no more! For this daily, write yourself as the main character of your favourite book in 250 or more words, to claim 200 points for your cabin, with an additional 50 for showing proof.

“Favorite book??” My eyes widen. What a hard choice. Panicking, I throw myself into the first book I think of. I squeeze my eyes shut as I’m thrown through the multiverse, into…
“Oh no. No way. This is not my favorite book, it’s just the one I read most recently.”
Baz looks up at me. “Who are you and where is Snow? What are you doing here?”
“Not sure, not sure, not sure—“
“You don’t know who you are?”
“No, no, I know who I… well… hmm. Do you have a computer I could use to type on?” He scowls at me. “Right. Of course. Paper and pen perhaps?”
“Who—“ he says some things I likely shouldn’t repeat on this website, “—are you, and how—“ he glares at me harder, which I didn’t think was possible, “did you get in my room?”
“No? No pen and paper? Well, guess I’m stuck here annoying you until I’ve got 250 words worth of interaction. And, I mean, the magic is unreliable, and there’s NO WAY this is my favorite book. Just the first that popped into my mind—“
Baz glares and tosses me a sheet of paper and a pen. “Just take it already, and please STOP. TALKING.”
I instantly start scribbling. “You have no concerns about me saying this is a book?”
“I said stop talking.”
“Sorry Simon disappeared. I think I took his place, but that means he should probably be back when I leave.” I finally finish writing. “Anyway. Nice meeting you.”
“I could not say the same.”
“You could, you just would be lying,” I point out, before sending myself across the multiverse.
I open my eyes and find myself inside a completely different room. I’m instantly furious.
“This isn’t even a book! And Civil War? Really?! I’m sorry, what do you think favorite book means, multiverse?!”
Bucky stares at me. “Where’d Steve go?” I realize I am potentially in danger, and the paper and pen Baz gave me are gone.
“Oh. Um. I think I replaced him. Don’t worry, he’ll be back.”
“And who’s the small blond one?”
“Well, shoot.” I turn over to see that I somehow dragged Simon Snow himself with me. I’m not sure how this is possible. The answer is probably that it isn’t, but it’s simply entertaining to write. “Bucky, this is Simon
Steve’s gonna be back, but it might take longer than I was hoping. Well. I guess I’m not sure how time works in the multiverse, but still.”
Bucky’s worried, which is fair, but worries me. I’m stuck here with an assassin and a weird magic kid. Plus, more people are coming. People I don’t want to be here before I can leave. Plus, I don’t know Simon well enough. I’ll have to be writing him, and unfortunately you don’t magically gain all the fanfic skills a day after reading a novel the first time.
Then I see Bucky’s notebooks.
“And step one to getting him back would be tearing out a blank page from one of your notebooks and giving me a pencil or something.”
He hesitates, but ultimately agrees. If it wasn’t Steve we were talking about, things would probably be different. Listen, we all know how much I love Steve, but the fact that he might’ve been saving me from some other universe I accidentally through him into? Just a little annoying, honestly. Excessively heroic of him. And he, obviously, wasn’t even trying.
I quickly start writing, and make sure to clarify Simon doesn’t get sent with me the second time. After I’ve created a mechanic, it’s a bit hard to alter, but minor details that hadn’t been confirmed or denied yet were easier. A simple spell rather than an elaborate ceremony.
It still doesn’t feel good to end up in the middle of what I assume is Marvel Meow, with Comics Steve and MCU Steve staring at Alpine, as if the cat was the strangest part, and not the multiverse, the two Steve’s, the child shocked when the paper is gone again.
They actually just both say, “hey, Charlie,” in unison. Steve’s a bit concerned (both of them), but he seems to be under a spell. He knows something’s wrong, but not what.
No wonder Simon had managed to remain silent the whole time; he hadn’t noticed anything to discuss in the first place.
I wasn’t sure why Baz and Bucky were immune, though.
Hardly cared, considering it was likely plot armor, or a stronger desire to talk to them, or literally just the fact that I hadn’t thought of it yet.
I didn’t want to think about why they’d know my name. I had a couple theories, but none of them were ideal, or proved, so I ignored them.
Instead, I found some spray paint and started writing on the walls.
Technically illegal, but so is kidnapping. And who even cares, anyway? This was the multiverse. Some would be delighted. Maybe it would become evidence of other universes. That made my stomach ache a bit more than it normally does, though. A daily gone wrong shouldn’t be able to do this. Have any impact. But I don’t feel in control. When do I ever? I do what I’m told, I learn I’m a monster, I find someone else to follow, they sacrifice everything for me, they grow sick of me, repeat as necessary.
I thought I’d been replacing Chewie, the main character, a literal cat (basically), til I saw my metal arm. This is the scene where Steve and I fight people, and Chewie casually is just chilling with a murderer who might get murdered if he’s not careful, and some guy who for some reason still tolerates me. Bucky. Whatever I am now that the multiverse is slowly consuming me. I feel it. I felt them all replacing me before I even saw the daily. Evil Charlie’s probably just messing with me, but I feel like I’m flickering and fading, slowly having by a vampire and some murderers in a trench coat take control of my life for me. Absolutely delightful.
And apparently the color pallet in the book is visible here too, or else I’d probably recognize the orange cat as NOT the character who doesn’t actually show up in the book version.
I end up running through a lot of books, unsatisfied. ToPH, Fantasy High WEBTOON Adaptation, Wayne Family Adventures, that one beautiful fanfic about the Winter Soldier on Steve’s birthday that always makes me cry, Heartstopper, a couple books I’ve never even read, The Ghostkeeper… it’s too much to keep track of. I’m not writing myself as fictional characters anymore, I’m stuffing them deep into my soul… we had to loop back around when we admitted that with how blurry the line between “book” and “not book” was, we had to shove some antagonists and antiheroes inside my body that doesn’t feel human anymore.
Every once in a while I run through the main cabin, mumbling total garbage as what’s left of my mind tries to process everything I’ve seen. They laugh. I laugh. For a second I remember that I’m just writing, it’s just a game, I’m doing this for fun…
And then Evil Charlie grabs me again and whispers everything I’ve ever done into my ear, and I’m almost glad I’m Baz and Loki and Bucky and Hunter and Bucky again for some reason and jeez Louis is that a third Bucky that’s excessive instead of a liar. ‘Cause with one of them I can just remind myself that I’m just pretending, playing a game.
And with the other I have to live with the fact that if it wasn’t these fools in control I’d have no excuse.
I have no excuse.
…I throw away my carrots in second grade and this is what happens to me, oh gods…
…he wouldn’t listen if we warned him…
…we’d all hate each other…
Eventually my leg aches and my arm aches and my stomach aches and I might be on fire and I think I’m dying and the Allfather is staring at the Valkyrie who’s brought me here because in what world am I a heroic warrior?
In what world were any of these pieces anything at all?
It’s strange, because that’s my dad if I’m Loki, but if I’m Nico this is just another god. If I’m Dorian, I’ve already died once, and I know this isn’t what happens to you after. It occurs to me how many of these pieces have died. And how many somehow made it back to their broken world to spite society one more time.
It takes too long to realize this was supposed to be Magnus Chase and the Gods of Asgard.
That was my big plan.
After I played my game, fought the gods, betrayed everyone who loved me, loved everyone who betrayed me, betrayed everyone I loved, loved everyone I betrayed, sold my soul, won it back in a game of chess…
I’d end up here, and have Alex chop my head off. Because at the time it seemed entertaining.
“So, Allfather… we’ve finally died our tragic death and gone to Valhalla,” I declare. “And though you hate it, we’re meant to be Magnus, so you have to let us in.”
But the Valkyrie isn’t Sam. And when I think of the name Sam, a million voices start screaming about completely different people. …did we grab Brennan Lee Mulligan during one of the points where Evil Charlie had full control? …How did we get that real man from a book? I suddenly think of the two books I own that had reviews from Brennan. Horrifying, that was enough to get a version of you from a parallel universe tied to a child who can’t think his own thought anymore.
Odin looks into my soul, and it’s like as looking through a glass window on a snowy morning.
There’s something there, and it’s all covered, and you can see it all, because it’s all under the snow, and the snow is all that needs to be seen now.
Everything else is buried.
Until it thaws, celebrate by a fire indoors.
If you’re out there in that abyss…
…I’m on fire and I’m freezing and I’m frozen and they’re melting me and I am frost itself…
Odin looks disappointed. I’m familiar with that, since I now contain 6 different version of Loki.
“Charlie…”
I forgot that was my name. I picked up a lot of people named Charles. Then again, I picked up a lot of people with the same names. But that was what they used to call me, when this was a daily.
A game.
A sport.
“…the tragic death was not recent.”
I freeze. “Which of the ten times I thought I’d died was it?”
Because sometimes I’d feel it. A strange noise, and reality would shift. Evil Charlie had been leaving me alone at that time, and I felt death. Sometimes I heard others stop. But then I’d check, and then lived. I couldn’t figure out who I was mourning. Who am I mourning?
Who am I mourning?
Who am I mourning?
Who am I mourning?
WHO AM I MOURNING?
I realize I’m screaming at the Allfather. Some of us apologize. Some of us know he’s sick of forgiving us, and we shouldn’t be making him having to try to do it this often.
I died around the age of 8 or 9, and another soul, a collecting soul replaced the child.
And now I’d collected.
I felt their wounds, and they felt mine.
I was dying, but I couldn’t die, because I was already dead.
I was mourning existence.

I, Percy Jackson, wake up in my beautiful cabin.
I sleep here alone, thank goodness. Company feels suffocating.
I need to be alone.
Then again, there’s this weird buzzing in my head. I don’t think I ever get to be alone anymore.
I fight, and I fall in love, and I fight some more, and it nearly kills me, all the fighting, but I can feel deep down that the love is what’s really gonna kill me.
A paranoid buzz.
I laugh it off, before going to find Annabeth and Grover.
My best friends.
It’s strange, having best friends.
That paranoia knows that I make friends at camps (though usually those friends aren’t really friends anyway: I only pretend to like them. They scare me. I don’t admit to anyone how long I actually think it’s safe. I fear I may simply despise children my age), and if I grow attached (positively or negatively, just enough that I think of their name often after), they’ll be pulled away. Never see them again. Never say a real goodbye, just “see you later,” because I’m always lying, aren’t I?
But I know that’s literally never happened to me. Nothing even slightly similar, really.
I’m Percy Jackson.
I’m at Camp Halfblood, and I love it here.
I’m Percy Jackson.
And I’m still real.
I’m still real, I’m still human, please, I’m human enough, I’m enough, oh Allfather forgive me one last time I beg.
So I run over to Annabeth, and I kiss her, and I forget which ones we are.
Could’ve been almost any of them.
Except we get a happy ending together.
We usually wouldn’t get the happy ending together.
Then again, I usually forget which ones we are.
We like hiding in Percy and Annabeth.
They live.
They are.
We don’t get to be a lot of the time.
Sure, they spend time fighting.
I’m never gonna escape the fighting.
It’s best if I have something to actually fight, or I’ll just fight myself.
That’s what we learned after the Charlie incident.
I’m Percy Jackson, and after this writing I think I’ve earned at least 250 points for bi-fi.
Whatever everything is now.

NOTES
I have so much I wanna say but I’m so tired and I wanna be able to still write during cabin wars so I’m not even gonna waste my time trying to explain lol
ChueyTheCat
Scratcher
500+ posts

SWC Megathread ‧₊˚❀༉‧ July 2025

yayy critique time!! i'll try to keep this snappy since i know we're approaching the deadline for the comp, but hopefully there's enough here to help at least a little

criminal-intent wrote:

“I still can’t believe you came back!” I grinned, shutting the dorm window. I’d decided to fly Cissie back to St. Elias’ myself, wanting more time to catch up. Plus, Cissie said she preferred it to super-speed travel.

Everything in her room seemed to be made of glass, shimmering and fragile. I sat down on the bed as though to prove I could.
Off to a great start here! The only thing I'd tentatively suggest is adding something on to the end of the last sentence here? For example, “I sat down on the bed as though to prove I could without breaking it.” However, I don't know whether it would actually work well or not – it's up to your judgement haha.
Cissie smiled. “Well, that makes two of us.” She loosened the cuff of her hand-guard and slipped it off. “It’s weird, but . . . it was good to be back, for this,” she fixed me with a meaningful look, “one-time-only, friend-in-mortal-danger thing.”

I smiled and nodded in acknowledgment. I wasn’t trying to force her back into it, not anymore, but that didn’t change the way having her back—even temporarily—made me feel. My life and my friend together, overlapping in a way they hadn’t in years. It was exhilarating to see her smile back at me in the midst of a fight, beside me as if we’d never gone different ways to begin with.

In that way, a part of me would always be . . . disappointed. Not in Cissie. No. I knew Cissie had made the right choice for herself. I was only disappointed that it had turned out this way; that this had been the right choice. Disappointed that I wouldn’t get to live alongside my friend the way I’d thought I would.
Here, I might play around with changing “I was only” to “but,” although either way works just fine.
“Thanks for taking me back,” Cissie said. “I have an exam to study for. AP Bio,” she shuddered—as if I didn’t know she was going to ace that test. Cissie had always been dedicated and studious, as the Olympic medal on her dresser proved without a doubt.

I looked around the room, searching for details to remind myself of all the ways my friend had moved on. And feeling a surge of joy every time I saw something familiar. The medal, of course, surrounded by a plethora of other awards, most of them also for archery—ones I hadn’t watched her win. A college flyer advertising a psychology program in Central City. Pictures of new friends, faces I didn’t recognize. A polaroid of us, years ago, with Greta and Anita and Traya, looking for all the world like a group of normal teenage girls, out at the mall in their casual clothes.
“And feeling a surge of joy..” as a fragment disrupts the flow here – I'd reword this to either combine it with another sentence or let it stand alone.
Funnily enough, I had felt normal. When had that stopped? When had I realized I couldn’t do it all, couldn’t hold everything at once? Maybe that realism was healthy. My mom—heck, even Diana—wanted me to think more about my life and what I wanted out of it. But I couldn’t help feeling like realism was attempting to destroy me.

Cissie unstrung her bow and packed it away in the closet next to piles of school uniforms. She folded up her mask and placed it beside the bow.

There was just something about seeing Cissie in her old uniform, however grave the circumstances, that had made me feel both elated and desperately far away from my best friend. Far away from myself. The type of distance you felt in flight, watching something far below. Living, breathing, moving without you. Instead of realizing how small the world was, you realized how insignificant you were. The world didn’t miss one person. I did.
Here, I'd remove “just” from the first sentence in the paragraph above, as it's not necessary, and it'll feel tighter without it.
“I honestly have no idea what I’m going to do,” I admitted, resting my hand over the Wonder Woman symbol on my chest, “I mean, apart from—all this.”

Cissie undid her ponytail and looked at me, loose blond hair golden in the sunlight. She kept it shorter than she used to. “You don’t have to know.”

There was a smiling girl on the college flyer she kept on her dresser. Text promised online courses and a variety of electives.

“When I was a kid, all I wanted was to prove myself. And this is how I’ve done that. I’d never give Wonder Girl up. But . . . .” I had no clue where I was going with the sentence. Which seemed fitting, considering.

“You’ve never once been willing to give anything up,” Cissie finished, sitting next to me on the bed, legs criss-cross.

I laughed, leaning back on my hands. My gauntlets reflected sparkling light onto the opposite wall. “Well . . . yeah.”

“We’ve wanted very different things from our lives. But that doesn’t mean I don’t sometimes miss the adrenaline rush of a fight, or sharing a laugh after Kon makes a totally stupid quip at a villain, or the feeling of saving someone’s life.” Cissie smiled, and she looked so much more real than the girl in the flyer. “We both made the right choices for us, though.” She scratched her collarbone where her armor ended. “Hey, what d’you say you help me get out of this costume?”

I nodded and Cissie jumped up from the bed, turning her back to me and pointing to the zipper at the nape of her neck. “Honestly, I don’t know what my mom was thinking designing this. A zipper? Really? It always takes me forever to get into it.”

“At least she didn’t give you a cape. No idea how Tim deals,” I said, unzipping her top. “Surprised I don’t see him run into battle without it more often.”

Cissie pulled the red kevlar top over her head. Underneath, she wore a simple black sports bra. “Hey, maybe a cape would have been warmer at least. I’ve always been jealous of your jacket. It’s cute and practical.”
Tiny nitpick here, but I'd insert a comma after “been warmer” and before “at least.”
“Hey, I have a couple spares—y’know, in case of acid, fire, alien goo, Tim’s tracking devices.” I ticked each option off on my fingers. “Et cetera. You can have one if you like.”

Cissie giggled. “I would like that. I’ll have to tell my friends it was a very exclusive merch drop.”

I snorted. “I have no idea how you all handle secret identities on top of everything.”

“It can make the balance a little easier,” Cissie said.

“Balance,” I drew out the word, long and enunciated. “Never been much good at that. As my mom reminds me daily.”

Swapping out her skirt for a pair of leggings, Cissie glanced at me over her shoulder. “Really? You always seemed so . . . comfortable in your own skin. I don’t think there’s a better type of balance than that.”

I blushed, lying back on the bed to stare at the ceiling while I dissected the compliment—and pondered my next words. “I . . . I guess Mom just wishes I were a little more normal. I’m finishing high school soon and I don’t really have any plans after that. Being a superhero doesn’t exactly pay the bills.”

“You’ll figure it out,” Cissie said, settling back down beside me in a hoodie and leggings, placing a reassuring hand over mine.

“Yeah. Thanks.” Always before, I’d known what I wanted to do. I’d made a decision and stuck to it, fought for it with everything I had. I was good at that. I wasn’t so good at this. Sitting and waiting for the future to happen, hoping I’d know what to do next.

“How is your mom, by the way?” Cissie asked, giving my hand a squeeze before releasing it.

“Good, I think. She’s happy I’ve been able to stay at the same school for an entire year. The last thing she wanted was a repeat of sophomore year. She’s been trying to get me to apply to colleges, though. I’ve kind of been . . . putting it off. How about your mom?” I asked, turning onto my side to look at her.

“Oh, you know.” Cissie waved a hand. “Disappointed that I’ve mostly quit archery. I still practice, but I don’t do tournaments like she wishes anymore. She hasn’t bothered me about it in a while, though. I think maybe she finally gets it.” Thoughtfully curling a hoodie string around one finger, Cissie stared off into space behind my head. “But I don’t want to get my hopes up. She’s probably just distracted with something. Did I tell you she’s trying to run a social media advertising business?”

“You did,” I said with a grin. “That suits her.”

“I know, right?” Cissie laughed.

For a moment, we sat in silence, still smiling. I studied the quilted pattern of her blanket, tracing the stitches with my finger.

Wearing a pointed look that slightly terrified me, Cissie leaned forward. “Now, don’t think that you can get out of talking about yourself by asking me questions. What do you mean by ‘putting off’ college apps? Do you think you will apply? Is that really what you want?”

“I don’t know,” I admitted, staring at the quilt. “I guess I sort of feel like maybe I should. I don’t know.”

Cissie was silent, darn her, waiting for me to say more.

However much I loved being a hero . . . I guess a part of me did wish I was normal, too. I wanted both. You’ve never once been willing to give anything up, she’d said.

“Not that I’d probably get into any,” I said with a forced laugh. “Remember that sophomore year I was telling you about? Gosh, I really don’t know how Mom ever expects me to get into a university with the havoc that wreaked on my GPA.”

“Plenty of people don’t go to college. Or take a gap year.” Her expression was annoyingly inscrutable.

“Mm. Being a superhero doesn’t require a college degree.”

“But you still feel like ‘you should’,” Cissie commented.

How dare she use my words against me. I groaned. “I thought you had a test to study for,” I tried. The kind of deflecting that would only work on Bart. Cissie just glared at me. “Fine, fine. Yes, I . . . I want to apply. I think I’ve maybe ruined my chances. Maybe ruined them a long time ago. Before sophomore year. I wish it wasn’t so much. I wish I didn’t want so much.”

Maybe that had been what had driven mine and Kon’s relationship: wanting to play both sides. Wanting to be normal teenagers in at least one facet of our lives. When we’d finally broken it off, it had been right for us both, but it was still painful, to lose that attempt at normalcy. It made it hard to explain how we felt. He wasn’t my boyfriend anymore.

There wasn’t a word that explained our relationship clearly, drew boundaries and painted a neat picture for others. The love was there, but it was different, inscrutable, something only we understood. Even then, we didn’t understand it in a typical way. It was like we were the only people in the world who knew how to breathe. To us, it was obvious, understood deep down and instinctively. In a way, that made it all the more precious and beautiful. In a way, it made me even more of an outsider.

A superhero is hard enough to understand. But when people see something normal and humanizing, they can at least understand that.

I guess I wasn’t meant to be understood, in this universe at least.

“I’ve never been good at playing both sides,” I said quietly. “I guess I don’t know if there is a me that isn’t Wonder Girl.”

“Given all these revelations about multiverses, I think there’s a good chance she’s out there.”

“Do you think there’s a version of you that’s still a hero?”

Cissie smirked, eyes sparkling. “By my own reasoning, I think I have to say yes.”

I smiled. A timeline where we were still side by side, where I recognized every picture in Cissie’s room . . . maybe that was where that longing feeling came from, of distance and looking down from high up. Somewhere, that timeline was tugging on me.

“Here,” I said, slipping off my jacket. “For you.” A lot of things I wanted to say didn’t come out of my mouth. Don’t forget you were a hero once. Once is more than enough, in this universe and in all the others.

Cissie grinned as she put it on.

1991 words
THIS IS SO GOOD <33
I love your writing so so much and this, as always, delivered. The critique is fairly short but there just weren't that many things to point out – it's already amazing <3 The humor and the more serious topics shine through beautifully, and the character dialogue is just *chef's kiss* You did a great job of balancing the fanfiction aspect while still keeping it readable for readers who aren't in the fandom, something I know is difficult to do. I don't have the words to describe how much I love this so take a boxful of mangoes instead lolol/
I'm running out of time so I'll wrap this up quickly, but this is brilliantly written and I would happily have spent hours complimenting each and every piece if I had the time :') Hopefully this is still helpful – good luck!!

Last edited by ChueyTheCat (July 25, 2025 22:03:47)

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