Discuss Scratch

ziqing11
Scratcher
100+ posts

swc megathread: march '25

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Word War with @lilyjen
The Eudaemonians, as they have mentioned ourselves in their five thousandth anniversary speech, are actually descendants of the ancient Greek people. They believe themselves of a separate species, but scientific research has proved the opposite. The first of the Eudaemonians, Androkles, was an entirely normal human being. In fact, his old age was the result of a mutated gene, so was his lack of emotions. It so happened in a strange coincidence that his wife, with whom he had many children and who populated with /their/ children the world of Eudaemonia, also had the same mutated genes as the Founder had. As for how they discovered a whole new realm parallel to our world, we currently do not have any indications of that, so it remain a mystery for now.

According to some research and inspectation, the Eudaemonians' technological progress is nowhere near the one we are living. They do not have computers or even the machinery that was invented during the Industrial Revolution in the eighteenth century. As they were descended from the Greek civilisation, their living environment and society is still built around that model. However, five thousand years is a long time, and from the begin of their world they would probably have developed some kind of ‘technology’, as we may call it, more or less. Our researchers have asked themselves that question in the past decade, and we are now ready to officially announce the grand reveal of the long researches about the beta-humans, as we call Eudaemonians.

It turns out that they too, have been curious about their past. Our researches show that they are conscious that they come from the ancient greek civilisation from what they call the ‘Underworld’, which is our Earth. However, what they do not know is what exactly was it that made their Founder able to discover and reveal a whole new realm and establish the Eudaemonian civilisation there. For us also, this remains a mystery. As we know, these
Eudaemonians have a mutated gene that does not allow them to feel emotions as we do. However, a mutated gene can still mutate, and our researchers have discovered that about two hundred years ago, a Eudaemonian had possessed the power to feel curiosity. Because of this person's difference, they got elected as president and led many researches to try and find the place that would link them to the Earth. They had tales and stories about the portal, but there was no concrete evidence to where the portal actually was.
(420 words)
XuMingHaoNath
Scratcher
13 posts

swc megathread: march '25

Part 2
silverlynx-
Scratcher
100+ posts

swc megathread: march '25

Daily 7 - Critique

341 words
Ok, to start off with… WOW! When I read through this, I had just read what I sent you (which is truly one of the worst things I’ve ever written :sob:
I loved all the descriptions you used and I honestly think this is gonna be really hard to critique cause there’s nothing bad in this!


A gentle breeze travelled through the air, passing between the intertwined branches and making the last leaves of autumn rustle and fall to the ground in a graceful swirl of orange and red. Night had befallen upon the sleeping world, peaceful and quiet. The silver moon hung high in the sky, illuminating the figure of a handsome young man in the midst of the forest. The sound of crunched leaves was heard with every footstep, and though the moon's light was barely enough to distinguish the shadow of the trees, the young man made his way swiftly through the forest, as though he had done it a hundred times.
I loved the description in this so much! It was very detailed imagery <3
I think maybe to add to it you could put in a description of the man, as he seems to be the main character in this piece, so the reader will want to know what he looks like so they can build a picture in their mind of him. ‘Night had befallen upon the sleeping world’ just sounds a bit wrong?? I think if you removed the ‘upon’ it would flow a bit better just in general.
Another thing you could change is by changing ‘crunched’ to ‘crunching’ as the leaves are being crunched, not already have been crunched.

Upon approaching a small clearing, he pressed his trembling gloved hand on his chest, as though wanting to suppress the fierce beats of his heart. His eyes, used to the darkness of the night from his numerous nighttime wanderings, quickly scanned the open space before them. He drew in a sharp breath, his muscles tensing. She was not here.

He walked further into the clearing, making himself visible, in case she was waiting in the shadows like she often did. He was not wrong. In fact, a mesmerising woman with dazzling hazel eyes and long brown hair flowing in the breeze appeared from the trees. She was carrying a lantern, who's orange glow illuminated her pale face, but for whatever unknown reason, the light had not revealed herself earlier on to her passionate lover. The sight of this woman brought tremendous joy to the young man - his features lit up with a glowing warmth and his lips split open to reveal a full hearted smile. By the way his entire body trembled with excitement, one would not doubt that this man was feeling something very close to euphoria.

Something you could change here is that the phrase ‘used to the darkness of the night from his numerous nighttime wanderings’ uses some repetition of the word ‘night’ which I think breaks the flow a bit. You could just take away the first night and change it to ‘used to the darkness from his numerous nighttime wanderings’ and maybe add some description to the darkness to give the sentence more depth now the ‘night’ is gone.
I think the ‘in fact’ is a bit unnecessary as you’ve already said ‘he was not wrong.’

He hurried towards her, kneeling down to kiss the pale fingers loaded with rings of all sorts he had pressed his lips on so many times. He stood up, and gently slid his arms around her shoulders. They were cold, abnormally so, but he paid no notice.

“You're early”, he whispered tenderly in her ear.
“You are too”, she replied back in the same loving tone, but if one looked carefully, the shadow of some cold amusement passed through those hazel eyes, normally so warm and kind.

The woman stared into the young man's eyes, her gaze full of softness and adoration, and the couple stood there, transported to a haven of their own. But slowly, very slowly, to the point where the young man couldn't notice the change, the woman's gaze changed. The warmth was replaced with harsh coldness, the glittering tears of love were replaced with a kind of indescribable hatred.

The young man never had the chance to noticee the change. His body was slowly turned into stone, the adoring gaze ever imprinted upon his eyes.

After having made sure her task was well fulfilled - which meant checking that every inch of the body had been turned to stone, the woman left, without even glancing back at the man she pretended to love.

Honestly, there was nothing here that I thought was bad apart from the extra ‘e’ on notice and the amount of times you used cold. You could replace this adjective with bitterness/bitter, chill, icy etc!!

I’m done! All of the stuff was really picky and I don’t think this piece really needed much of a critique lol
I really enjoyed reading through this and I thought it was really skilled! Thank you and I hope this helps <3
Milkysplash
Scratcher
1000+ posts

swc megathread: march '25

★ weekly 1 - worldbuilding
weekly info
part 1: 544
part 2: 317
part 3: 1049
part 4: 1356
extra rambling (no proof given as it's really just a chaotic mess): 701
total: 3266 (no rambling), 3967 (with rambling)
part one (544 words)
Atoll City, on the surface, seems like it shouldn’t have been built. However, look deeper and you’ll find the true nature of these people.

The citizens of Atoll City have a culture geared towards the scientific process and engineering things that seem impossible. Everyone here needs to do the next best thing. There is fierce competition in schools, and becoming a highly celebrated scientist, or engineer, or inventor is to become the pinnacle of society.

Atoll City also is a multicultural city - you’ll be able to find a mixture of different people from different backgrounds, all in this one melting pot of a city. While these people have their own small communities to remind them of home and their heritage, there also exist communities filled with many different people.

There are never any “true” traditions followed by the citizens of Atoll City - each person brings their own unique culture and heritage to the city, allowing different festivals to be celebrated at different times. Despite this, there are always constants on the calendar: New Years is always celebrated with the utmost vigour. The celebrations for this include reviews into new scientific research and breakthroughs, brand new engineering projects that have been built, and a look ahead as to what has been planned.

But while it may seem that this city is built on academic honesty, you’ll find that there are always bad apples among the bunch - more so than anyone wants to admit. Academic backstabbers and cheaters, raising themselves up to high academic standing off the work of others. Scandals are breaking almost every day, revealing those who have cheated and lied to the top. But that is still only scratching the surface of this city filled with complicated people.

There is the less desirable side of Atoll City. The part that no-one wants to see. The part that everyone wants to cover up. Filled with many shady characters and academic outcasts. The Modified is the name for many groups of people made in lab experiments or tested on by unethical rogue scientists, all in the name of advancing science and technology. Anyone who has superpowers, or anyone who has anything that’s unnatural or uncontrollable. These people have abilities many consider to be scary or unnatural, but above all: uncontrollable.

In the Underworld of Atoll City - also known as The Slums, you will find many criminal gangs and rogue scientists willing to do what you want for a price, or to further their own ambitions. These characters are very shady, and can very easily be asked into doing more shady work that might not fall under the purview of the government, or even be legal. The culture here is vastly different to what you will find on the surface - one filled with backstabbers, people willing to turn you in at every step, and people willing to resort to violence at first resort. Despite this, the friends you do make here can remain very close to you. In this harsh world, these people have developed a true sense of community and show their genuine colours, as opposed to the shallow pleasantries on the surface.

The primary language of these people is English, and it is the de facto language of Atoll City. However, many are multilingual.
Atoll City, on the surface, seems like it shouldn’t have been built. However, look deeper and you’ll find the true nature of these people.

The citizens of Atoll City have a culture geared towards the scientific process and engineering things that seem impossible. Everyone here needs to do the next best thing. There is fierce competition in schools, and becoming a highly celebrated scientist, or engineer, or inventor is to become the pinnacle of society.

Atoll City also is a multicultural city - you’ll be able to find a mixture of different people from different backgrounds, all in this one melting pot of a city. While these people have their own small communities to remind them of home and their heritage, there also exist communities filled with many different people.

There are never any “true” traditions followed by the citizens of Atoll City - each person brings their own unique culture and heritage to the city, allowing different festivals to be celebrated at different times. Despite this, there are always constants on the calendar: New Years is always celebrated with the utmost vigour. The celebrations for this include reviews into new scientific research and breakthroughs, brand new engineering projects that have been built, and a look ahead as to what has been planned.

But while it may seem that this city is built on academic honesty, you’ll find that there are always bad apples among the bunch - more so than anyone wants to admit. Academic backstabbers and cheaters, raising themselves up to high academic standing off the work of others. Scandals are breaking almost every day, revealing those who have cheated and lied to the top. But that is still only scratching the surface of this city filled with complicated people.

There is the less desirable side of Atoll City. The part that no-one wants to see. The part that everyone wants to cover up. Filled with many shady characters and academic outcasts. The Modified is the name for many groups of people made in lab experiments or tested on by unethical rogue scientists, all in the name of advancing science and technology. Anyone who has superpowers, or anyone who has anything that’s unnatural or uncontrollable. These people have abilities many consider to be scary or unnatural, but above all: uncontrollable.

In the Underworld of Atoll City - also known as The Slums, you will find many criminal gangs and rogue scientists willing to do what you want for a price, or to further their own ambitions. These characters are very shady, and can very easily be asked into doing more shady work that might not fall under the purview of the government, or even be legal. The culture here is vastly different to what you will find on the surface - one filled with backstabbers, people willing to turn you in at every step, and people willing to resort to violence at first resort. Despite this, the friends you do make here can remain very close to you. In this harsh world, these people have developed a true sense of community and show their genuine colours, as opposed to the shallow pleasantries on the surface.

The primary language of these people is English, and it is the de facto language of Atoll City. However, many are multilingual.
part two (317 words)
Atoll City - Central
This captures how the central city looks - very modern, and almost futuristic, in a sense. There are tall skyscrapers, and there’s a beach nearby (this city is set on an island, after all) for the local residents to go to. Also, there are lots of skyscrapers. We love skyscrapers.



The Slums
The Slums are a dusty place that’s generally not very pleasant to live in. They’re confined to a small area, and are densely populated. They’re a little more grim than the pictures show - there’s a lot more black, but these were the best photos I could find. The roads are very narrow, and the city is very visible from here with their tall skyscrapers.



Central Interchange Station
No, I did not put way too many photos of London Bridge station on there- what do you mean it’s too much? You don’t know how deep my train/transport obsession goes- *sobs* Anyways, I present to you the central interchange station of Atoll City! This is very heavily based on some of the major London terminus stations - specifically, London Bridge (in terms of platform layout), and Kings Cross and St. Pancras for the architecture!

This is a grandiose central railway interchange station, with the architecture of many classic British railway stations, and So. Many. Through platforms! No bay platforms exist here. It’s great for efficiency, and there’s a train departing every few minutes.

(Also, please just pretend the DLR is a suspension railway, it's the closest I could get)



Suspension Railways
Not really a place or anything, but SUSPENSION RAILWAYS. This can’t be a Skylar-city without a signature public transit system, and so I present to you: The Atoll City Suspension Railway system! It’s a suspended monorail system, which allows for connection particularly between the upper skyscrapers when going down to ground level might be a very big hassle, and walkways haven’t been constructed yet.


part three (1049 words)
From: Laura Simmons
To: Rayna Kemp

Dear Rayna Kemp,

I know this is going to get me in a lot of trouble, and I know that you might be in trouble for this too. However, I believe you are a genuine enough journalist, similar to myself, that you’d be willing to take the leap and reveal the truth.

Our fellow citizens have been living a fantasy for far too long. They believe the government’s lies and I believe that attached to this email is all the proof you will need that there’s a greater power at play here.

I know I’m taking a risk with this, but the truth must come out, and I hope you agree with me.

Kind regards,
Laura Simmons
Freelance Investigative Journalist

2 attachment(s)
project_excision.pdf
shadows_message_transcript.pdf


[TOP SECRET - PROJECT EXCISION]

ABSTRACT
Project Excision is an operation to ensure the abolishment of the criminal underworld that exists in Shanty East (“The Slums”). This project will involve the criminal trials and imprisonment of criminals and criminal gang members, and rogue scientists who operate in The Slums, alongside the extermination of all Modified peoples. Project Excision also aims to shut down, and later heavily regulate, genetic modification and handling of other mutagenic agents to prevent more so-called “superhumans” from appearing.

This document will outline a brief history of the so-called Ethics War, to which Project Excision is the solution to this war, before discussing the present-day issues that Project Excision is attempting to solve.

THE ETHICS WAR
The so-called “Ethics War”, as it is known in popular media, is the name for the ongoing conflict between successive governments of Atoll City and the rogue scientists working in the Slums, researching on human test subjects.

The technology developed by these scientists to be able to genetically modify all cells in an adult human’s body to have the same genetic mutation was once considered cutting-edge technology. In 2027, the first applications of this technology was considered with a trial on cystic fibrosis patients in South Seas Hospital. The technology proved effective, and has slowly been making its way through to wider use, not only within Atoll City, but across the world.

This technology then became used for more and more unethical experiments, with these scientists using unwanted children from upper-class families or those found orphaned in the slums. These scientists soon began attempting to engineer so-called “superhumans” in much the same way as they did to the cystic fibrosis patients.

Numerous superhumans were created, before the 24th Government of Atoll City discovered this research, and shut the labs down in 2030. The shutdown was public, with it breaking as a major scandal over news networks and independent papers. The 24th Government then proceeded to take a few of these superhumans to see if their abilities could be understood and controlled.

Sadly, the 24th Government could not complete its research as not only did the superhumans prove to be incredibly volatile and unstable, but also, the research was discovered by an investigative journalist and leaked to the public. This called into question the ethical standings of the 24th Government, who were forced to call a snap election.

The 25th Government then proceeded to shut the research programme started by the 24th Government concerning superhumans down, and began its crackdown on rogue labs conducting these experiments.

It was also during the 25th Government that the Shanty East (“The Slums”) truly began to develop as a haven for criminals, and with the eventual rise of vigilantes and self-proclaimed “superheroes” in The Slums. The 25th Government developed and implemented numerous policies attempting to crack down on the rogue labs. These policies are outlined in the 24th Government’s reports filed under CRACKDOWN/25/T1/Y2/2032-038. These policies did not work, and only served to further increase the number of rogue labs and superhumans present.

Recently, with the 26th Government has taken power, there has been another increase in the number of superhumans, self-professed “superheroes”, and rogue scientists operating in the slums. Under the 25th Government, there were estimated to be over 1,000 rogue scientists, or rogue scientist groups, and over 7,000 Modifieds. Since taking power, those numbers have risen to 1,200 rogue scientists and more than 8,000 known Modifieds.

AIMS OF PROJECT EXCISION
The 26th Government will aim to continue with the 25th Government’s attempts at ending the Ethics Wars. These aims will be the following:

For increased police patrols in the area, to not only report any suspicious activities, but to arrest those performing extrajudicial justice, rogue scientists performing experiments deemed unethical, and to find and report all Modified peoples.

For more criminal prosecutors, and judges, to be trained in order to expedite the criminal prosecutions process for these peoples.

For the Atoll City Intelligence Service (ACIS) to expand their domestic intelligence operations to also include gathering intelligence from the Slums, particularly those surrounding any Modifieds, rogue labs, and criminal groups.

The 26th Government hopes that these aims will further help in the eradication of these unsightly peoples from our society.


[THE SHADOWS MESSAGE TRANSCRIPT]

Evelyn Mornington -

We would like to congratulate you on your recent election victory. We appreciate you and your party stepping up to form the 26th Government of Atoll City. We wish you all the very best in bringing your vision for Atoll City to life - a vision that we believe in, as much as the other citizens of this city do.

We are willing to provide you with our support and money, should you decide to cooperate with us. If you choose not to, we will have other ways of obtaining what we need through more violent methods.

In order to have our support, we wish for you to eradicate the Slums. We wish for Atoll City to be the perfect utopia, and that can only be achieved by eradicating the slums. We also require that you do not talk to anyone else about our existence. We operate from the shadows in order to provide the best for Atoll City, and our work is best kept secret. If you reveal our existence, we will have ways of knowing, and will silence you or anyone else through more violent methods.

We hope for a prosperous term ahead.

- The Shadows of Atoll City
part four (1356 words)
“Erika, are you sure you want to do this?” Erika heard her guide/supervisor, Cadence Hope, ask her as they stood outside an ambulance. Erika was excited, as she was about to start volunteer work for a charity that provided medical care to those living in the Slums.

Erika nodded. “I am sure,” She replied. “I don’t get how the government can just neglect the Slums. Sure, there are bad people there, but many of them are just outcasts from society. That’s why I want to do it.”

“I’m going to warn you,” Cadence warned, “that this isn’t going to be what you expect of the Slums. Atoll City’s slums are a criminal underworld with-”

Erika sighed. “Isn’t that just like, every city ever? If you look hard enough there’s always a criminal underworld. Ours is just more prominent.”

Cadence shook her head, and Erika felt her heart drop. She had a habit of idealising everything, of having too much faith in humanity, and being a little too optimistic for her own good. She felt as if this might be another one of those moments. “This is different, Erika. The Slums here are where all the Modifieds live, and they aren’t the most friendly. They’re also more medically unstable, which poses challenges to our safety. I need to make sure you’re absolutely willing to do this, as you may be putting yourself on the line for this.” Cadence warned.

“I’m absolutely sure,” Erika affirmed her intention. “I want to help these people. They deserve help from me and not be cast aside, even if they are a little weird.”

Cadence sighed. Erika hadn’t known Cadence long - they’d met a few days ago through the Healthcare Without Divides programme that also ran a division dealing with the slums - but she knew that Cadence wanted the best for her, especially as a new volunteer.

“Erika. Once we go in, if you’re feeling uncomfortable, please tell me. I’ll get you out of there. It’s often hard, going into the Slums to do a thankless job, and new volunteers often find it too much.” Cadence pleaded.

Erika nodded. “I understand,” she said, knowing that Cadence had said this out of a place of worry.

***

Erika sat in silence as they drove through the light side of Atoll City. Things were normal here. People were milling about their days, crossing roads, living their lives. And here she was, setting out to do some… fairly dangerous work.

As they drove out of the central city, and beyond the suburbs, Erika could notice so many changes. More patrol cars, although they were a fairly normal sight in her life.

There were run-down buildings as well. Her current job meant that seeing run-down homes wasn’t exactly out of the ordinary, as it would be for someone who wasn’t a first responder, but the degree of dereliction seemed to increase the further from the centre they drove.

“That’s a lot of run-down buildings,” Erika commented. She didn’t realise just how comfortable her life had been before this point - the buildings here were truly unliveable. Some were halfway collapsed, others splattered over with graffiti, many others still just looking like they haven’t been lived in for decades.

“The Slums are way worse.” Cadence said, as they reached a traffic light and halted. “Trust me, they’re not very pleasant.”

Erika almost wanted to roll her eyes - she knew. She knew the Slums were probably the worst place to live. No-one there had a comfortable life, and for someone from a middle-class and fairly privileged upbringing, knowing it and seeing it were two different things.

“I can’t wait to see them,” Erika replied, a deep note of sarcasm in her voice. “They sound amazing.”

Erika could once again hear Cadence sigh as they passed by shorter and shorter buildings.

“These really aren’t well-built areas, are they?” Erika remarked, noticing the tall skyscrapers that characterised the majority of Atoll City in the background.

“No, they’re really not.” Cadence replied, as they turned a corner.

The small, derelict buildings that they were driving by thinned out, before revealing the Slums that lay behind. A sea of black, and yet also strangely coloured, it was a sight Erika could not quite comprehend.

“So… this is it,” She murmured to herself. “This is what I’ll be doing in my free time now.”

Cadence seems to catch on. “Welcome to the Slums.”

***
Cadence artfully manoeuvres their ambulance through the Slums, the unpaved roads and tight clearances making Erika a little bit more nervous than usual.

“This is so much worse than the East Side made me think it was,” Erika remarked. “It’s a nightmare.”

“You get used to it,” Cadence replied, turning into a large, open space. There was a building there with the Healthcare Without Divides logo painted on the walls. “This is one of our healthcare centres here.” She said, parking their vehicle in one of the marked bays.

Erika opened the door, climbed out of the passenger seat, and shut the door. As she looked around, the smell of abandonment hit her hard. The landscape that greeted her was none like she’d ever seen before. It screamed dereliction, and lack of care and social services. How could anyone live like this? How could the government just ignore these people who needed so much help?

“Erika!” Erika was pulled out of her thoughts by Cadence calling her name. “Erika, come on!”

Erika turned around to see Cadence beckoning her into the building. She made her way there slowly, feeling the rough terrain beneath her feet, being careful not to step on anything dangerous. She’s heard the horror stories of working in the Slums.

Erika made her way into the building, following Cadence inside.

“Erika, this is Nova,” Cadence introduced. “She’s a Modified, so don’t get scared if you see her making random strings of glowing light threads.”

Erika smiled. “Hey,” she greeted, reaching out to shake Nova’s hand. The young woman, who had black hair dyed in blue streaks, light skin, and was wearing a white shirt and black trousers, reached out to shake Erika’s hand.

“Hi,” She said. “I’m Nova,”

“Erika,” Erika replied. “Nice to meet you.”

“Thanks,” Nova replied, fidgeting with her hands. Glancing down, Erika noticed a bright string of light being knotted and unknotted into various shapes.

“Sorry- I- I do that when I’m nervous,” Nova added. “I can’t really control it that well, but I can control it enough to be a receptionist. It usually gives new volunteers a scare.”

Erika kept her face neutral, not sure what to say to that. “What do you do here?”

“This?” Nova asked. “Well. This is our centre of operations. We go out into the Slums from here, and… well. You know the rest.”

Cadence smiled. “Nova, this is Erika’s first day here. I was hoping for a light introduction?”

“Oh!” Nova said. “Of course. Erika, uh- why don’t you follow me?”

Around then, Erika heard a window crash. She felt a tug on her arm - most definitely from Cadence - pulling her back, while Nova whipped out a string of glowing yellow light from her hands.

“Wha-?” Erika asked, before shutting her mouth to watch the scene unfold. Some people in black - likely a criminal group - had just burst through the windows, and Nova was fighting bravely.

“And no! We are not shutting down!” Erika heard Nova yell. She didn’t think the woman could be this loud, from her first impressions. “One day, you could need our care, and if you shut us down, then you won’t have any!”

It was around the same time when a masked figure ran through the room, shooting some kind of thing from themselves, and incapacitating the intruders all in one swift movement. Cadence and Nova didn’t seem phased at all, while Erika just stood there in shock and awe, wondering how this could be normal.

“Thanks, Rouge!” Nova said, waving their saviour off.

“Anytime, Nova,” the figure replied, before running off into the slums.

“So… I guess superheroes exist?” Erika asked.

“To an extent, yes,” Cadence replied. “Alright, let’s clean this up.”

Last edited by Milkysplash (March 7, 2025 19:10:42)

icebunny11
Scratcher
100+ posts

swc megathread: march '25

↻ ◁ II ▷ ↺

◪ Word War 4
Wordcount: 522
Person warred: pixzunami
Win/Loss: Win
Prompt used: Yes, The hidden Cabin of Mangoes was going to win this session of SWC.
Time: 7 minutes
Cabin: Bi-Fi

The hidden cabin of mangoes was going to win this session of SWC, Mia knew it, looking around at her teammates. Everybody was working so hard, wearing their white uniforms that hid their face and eyes, Mia could still identify who was who. Oh look, there was Wari- she could tell by the way she was humming and picking the mangoes from the trees instead of diligently picking them silently like the new recruit. All the campers they had taken in were just an excuse to cultivate their mango farm- the incredible new generational special bred delightful un turn away able mangos that made a person's mouth water just by the aroma of the tree from five miles away. They had to wear these special suits to make sure that they weren't tempted to take their own bites- for even they were just human. With the amount of temptation and the lack of sleep, nobody here was sure that they could avoid stealing a few in their pockets. After all, they were strictly instructed not to do so by their boss, the supreme mango overlord. She was scary in her magical, pristine kind of way, and sometimes Mia wanted to quit this job every time she walked up to the field to observe how they were doing. Maybe it was just because it was so hot and stuffy in her outfit, but it was genuinely nerve racking how bad she shook like the leaves on the trees she was picking the delicious mangos from every time her boss walked nearby. As somebody who had never worked a job before, not only was it hard to resist the mango temptation, but also hard to keep up with the others. By the time she had finished one tree, Wari had already finished 6, and she was the slowest out of the others. She would always stop to talk and encourage the other, which was sweet in it's own way. Even while rambling on about her new book for half an hour, she would still manage to get so many trees done. Don't even get started on birdi- she was an old recruit coming in to help because of the slow workers and decline of speed, but she effortlessly got more than 10 trees done in a mere hour. Sometimes, Mia wondered if Birdi was a superhuman. She probably was- she wasn't scared of the boss either, almost as if she had been one herself. Mia was side tracking again- she had spent five valuable minutes lost in thought when she should have been picking mangoes. She reached up on her tippytoes and tried to pick one, instead falling backwards and hurting her shoulder. Grimacing, she looked around quickly to make sure nobody had seen her embarrassing expenditure, and climbed up the step ladder again, this time using her non injured arm. Managing to pick the mango, she put it down in the basket and speedily picked seven more than were on the same branch. She was starting to get better at this, she thought to herself silently, before realising that she was in fact not getting
FireBlood23
Scratcher
500+ posts

swc megathread: march '25

critique for i_like_koltc
344 words <3

Hey, I loved your piece. It was fun in a light way, but still held elements of suspense. I’m intrigued by Fergus Blorbson and his mechanical Borgus now.

Areas of improvement -


You wanted to know if it flows right, and it actually flows really well! A few things I would suggest to improve it just a little bit more, would be to work on the pacing to make it a little more suspenseful. It's really good, but you’ve also made the basement scene, eg. knocking, pulling the light, dragging on for a bit, and changing or compressing it will help keep the pacing more suspenseful.


Just a little bit of the dialogue - “What do you with your lights on past ten?” the figure demanded. Doesn’t quite make sense, so rephrasing or adding another word, like - “What do you do with your lights on past ten?” Would really help it just make a little more sense.


You’ve also done really well with the descriptions, but my only suggestion would be when he enters the basement, if he hears or senses anything other than complete blackness while he’s searching for the light. You may not want to include this if you’re shortening that bit, but if you’re not it will add a good element and a little more description for the reader.

You’ve painted Fergus as a resourceful character, which might make his immediate defeat at being taken to the Hall a little unbelievable. Maybe make it so he seems to have a plan, even if it will fail in the long run.

My only other thing is that you might want to specify if the basement is above ground or below ground. Or if it has a window, or if the light from it reached an upper window? Or if he left a light on in his kitchen. Just a way to say how his neighbour/fellow Blorb discovered that his lights were on.

Aside from that its a amazing piece of writing and I can’t wait to see how you extend the story!! <3
1lMaM
Scratcher
100+ posts

swc megathread: march '25

my english assignment

“Hold up!” someone shouted behind Charles Becker, and he felt the gun at his head.

His heart pounded at the thought of the bullet through his brain. He was going to die. The man’s every movement made the floorboards creak, and his wet breath sank down Charles’ neck.

“I’m Mr. Morgan,” the man said in his ear.

Jack Morgan. Worst criminal Australia knew. It was probably that same gun that had killed seven police officers and helped him raid the barracks at Clunes. Charles was prepared for this.

“Eh, I said who are you?”

“M-Mister Becker. The bank teller.”

“Anything behind that door?” He pointed a large finger in front of Charles.

Charles tensed. Did he give up early? He kept as still and silent as he could, giving the police upstairs a few more seconds, every breath tightening his throat more.

“No,” he managed.

Jack Morgan, gun still at Charles’ head, went through the table he was sitting at, papers and drawers scattered on the floor. There was definitely armour under that shirt Morgan wore. Or maybe he was just huge. His head just about grazed the ceiling. The man tried the door-

“Oi, the key.” He turned frighteningly fast.

Charles tried to find the courage to delay, but the gun was still there. And the face behind it didn’t care about one little life.

Where were the police?

He got the key out of his pocket and laid it on the table.

Morgan stuck it in the door, kicking it open, a sickening shoe print now stuck in the wood. He looked at it for a moment, hopefully appreciating the way Charles’ father had made every wall and door with meticulous hands.

A man came tromping down Charles’ stairs, a familiar bag in his hands. “Cops are stuck. Got this too.”

The police were gone, sitting useless when they were needed most. The man waved the bag for Jack Morgan to see, the bag with the hole in the bottom and the beer stain. The bag that held seven hundred and fifty dollars.

They’d found it.

Jack Morgan saw it and grinned like a madman. “Eh, there’s some meat. Blasted cops are gonna hate us now, eh, Harold.”

The money was gone.

“There’s more,” Harold said. Charles couldn’t see a single gun on him.

He was still grinning. Harold tossed the money around, contaminating every note, and Charles felt sick knowing the bank’s money was being handled by criminals. Was there anyone out there? He glanced out the tiny window, knowing it would be in vain…

Someone was there.

His uniform wasn’t great, and he probably wasn’t the best policeman, but he’d do.

But how would he get the man’s attentio-

The room next to him erupted with sound. Jack Morgan smashed tables looking for any scrap of money in the room, ripped open drawers, ruined the floorboards. He’d let himself smile if he wasn’t being held at gunpoint. Sure enough, the bedraggled policeman’s head perked up, face creased in worry, already on his feet towards the bank. Ha.

The door flew open, and a man covered in scars ran in. “Cops are coming.”

Charles watched, smile tugging at his face, as the place burst into utter chaos.

They talked to, yelled at, shoved each other; anything to get out of the place. Harold told Jack Morgan to kick the wall down, and they looked around to shoot Charles, but he was already across the room and halfway up the stairs. The man with the scars was kicking down the wall now, next to where Charles had been. Charles didn’t know how much he enjoyed watching people getting desperate until that moment with them all in a mess, running from the men who risked their lives to stop criminals like these. Jack Morgan shoved himself to the front of the house, right at the door.

The police came storming in.

Jack Morgan’s huge frame blocked the door, shooting even as bullets came at him. Harold ducked behind him, shooting from behind his leg, as the man with the scars kept kicking. Jack Morgan’s hands… were by his side, one covering Harold’s face. What? Why wasn’t he shooting? He had a gun…

But Harold didn’t.

He’d given Harold his gun and stood there, unprotected. To save the others.

But of course, he fell soon enough, bullets through his chest. There was one police officer left, his gun trained on the unprotected man kicking down the wall. Charles felt for his gun. The man was defenseless. He didn’t deserve to die like that. He didn’t deserve it. The policeman’s finger hovered over the trigger, ready to shoot-

But Charles shot first.


(781 words)
babyoda1546
Scratcher
500+ posts

swc megathread: march '25

War with the AMAZING Kya!


{Also, this is not my POV…. or is it…}

Prompt: “The hidden Cabin of Mangoes was going to win this session of SWC.”


Today was the day and we rebels were finally doing it.

It was the March 15th- The Ides of March and today we are overthrowing the SWC government or in other words- The tyrants..

“Why are we doing this again?” asked

“Everyday… they give us these dailies.. But we- we want more!” I respond

“What exactly do we want again?” asked

“….war….” answered with a bloodlust in their voice

“WHAT!?” exclaimed, “What do you mean by war?”

“….the cabin wars…” I responded.

“But aren’t word wars enough?” asked, “I mean couldn’t you just go there and war people-”

“IT’S NOT THE SAME!”

“Can’t we just- ya know- wait?” asked uselessly

“WAIT!?” I exclaim

“Well, I mean-”

“WE HAVE BEEN WAITING!!!!” shouted

“How long-”

“7 DAYS!!!” interrupted

“Well, the next cabin wars is in two days-”

“THAT’S TOO LONG!!!” wailed

“Okay, what’s this strike’s name? asked

“Hmmm” thought

“THE MANGO CABIN!!!!” I shou-

~217 words <3
AmazaEevee
Scratcher
500+ posts

swc megathread: march '25

Critique for Summer
3/7/2025
??? words

/!\ WIP /!\

Hi Summer!!

Stories must have beginnings. That is the way of things. But where do you begin in this story? Do you begin with the priestess, subjected to a gruesome fate? With the mother and son, stranded in a cruel ocean? Or with the boy, whose destiny was written in the stars? All of these tales must be told. So, we will examine all three beginnings. It is up to you to decide which has more import.

I like the way that you've approached the beginning of this piece, but it feels a bit straight forward and choppy, I guess? I think that the first two sentences can be connected with a semicolon. I'm also not sure about ‘So’ at the beginning of the second to last sentence; it seems like another conjunction would work better there. Maybe ‘accordingly’? I like each of the descriptions of the beginnings you have here though


Once, long ago, there was a priestess to Athena, serving her goddess in a distant island temple.
The priestess’ name was Medusa.
Ah, yes. You know this story.
Medusa was beautiful. So beautiful, in fact, that she caught the attention of the gods. One god in particular.
Poseidon.
As a priestess, Medusa had sworn a vow of maidenhood. But the gods will do as they please.
They were caught in the temple by none other than Pallas Athena herself. Her fury shone like thunder. Poseidon made himself scarce.
Medusa was left to carry all the blame. All the punishment.
And you do not want to be punished by the gods.

I love the way you've utilized line breaks here. The only comment I would have is maybe describe more about Medusa's punishment, but I think that the way that you've written this is contingent on the reader knowing what's coming before it's told and I like the way it's been wrapped up so?? Maybe adding something onto ‘All the punishment’, alluding to her snakes?

Once, in yet another temple by the shore, a boy was raised.

You've started off the other two paragraphs with ‘Once, long ago’ and it slightly bothers me that you didn't start this in the same way. Why?? /lh (It doesn't matter too much. But if you have some repetition, then sticking with it makes things more cohesive and makes me happy! anyways)

It was a quick fight.


We have given you the beginnings. Yet all stories must have an ending, and will find that ours does as well. When Perseus died, the gods placed his soul in the night sky. Perhaps you can see him now, as the glittering stars depict him holding Medusa’s head in triumph. But did he truly earn his fate? Did any of them? Who really deserved the acclaim and immortality Perseus received? Was it the misused priestess-turned-monster, whose life was repeatedly stolen from her? The persevering mother, who had no say in her own future? Or was it the determined boy who was predestined for greatness? We have told you our story, reader. Now you must decide.


The very short and to the point style, with the rhetorical questions and strong descriptors works really well with this.

Last edited by AmazaEevee (March 8, 2025 19:25:01)

taylorsversion--
Scratcher
100+ posts

swc megathread: march '25


↳ daily: march 7th - critiquitaire ༉‧₊
258 words, excluding what Mousey wrote, ofc

The satin ribbon slipped through Kyra’s fingers, fluttering gently to the floor. The numbness was in her veins, freezing her limbs and making her mind sluggish. How could this have happened? It wasn’t possible. No. Only hours before Nix had been right next to her, smiling. How could everything have gone wrong so quickly?

Wow! I loved this intro! You used the rhetorical questions really effectively, as well as describing how she felt at the start. It would be even better if you added a comma to change “Only hours before Nix had been right next to her” to “Only hours before, Nix had been right next to her”. It really set the tone, making the reader hooked.

Nix smiled at Kyra, pulling one of the two red ribbons that were tied in her dark hair and grabbed Kyra’s wrist. Kyra’s gold eyes met Nix’s blue ones–they were shining with mirth, as always. Nix tied the ribbon in a bow and let Kyra’s wrist go.
“What is this for?” Kyra asked, confused.
“It’s a promise,” Nix smiled.
“A promise for what?”
“A promise to find each other again, no matter what happens.”
“Nix, what’s going on?” Kyra asked–Nix wasn’t one for promises. Nix’s expression changed, the warmth fading to be replaced with seriousness.
“My past has caught up to me. But don’t worry, I’ll deal with it quickly and come right back. Promise,” She added, tapping the ribbon.
“You sure you’ll be okay?” Kyra asked softly. Nix smiled. “Of course.”

Aww, I loved the start of this part! The words you use are really simple but meaningful which I really like. For me, the time jump was a little confusing but that might just be the way I split the text up. I think the ribbon idea was an awesome example of symbolism; tying them together whilst tying the ribbon!

Nix had been gone for a week, and then Kyra had received the news. She wasn’t coming back. Kyra stared down at the red ribbon, standing out starkly on the dull ground. She could still her Nix’s words–“it’s a promise to find each other again, no matter what happens.”
But how could they find each other when Nix was… gone? A single sob escaped Kyra’s lips, and she wiped away a tear, picking up the ribbon. She would keep it, as a reminder of her friend. A reminder that nothing lasts forever. And a reminder that promises can be broken, no matter who made them.
Little did she know, her friend would keep that promise.

The first sentence of this part was a little confusing but the reminder part was really touching and well thought of. You’re quite talented at knowing how to write so the reader can feel empathy for Kyra, and a little hopefulness at the end sentence.

overall
I think overall, you’ve written a really good piece of work! You’re really good at the actual writing bit, with all sorts of techniques and vocabulary that help set a sort of vibe. The storyline was heart-warming and impressive and I loved how you can really feel the characters and get super engaged to the plot so quickly.

To improve, I think you could go into detail more. What’s Kyra and Nix’s backstory? Where are they? How old are they and what was the thing that went wrong?

Last edited by taylorsversion-- (March 8, 2025 00:40:18)

gh0stwriter
Scratcher
100+ posts

swc megathread: march '25

✎ critique #2
1290 words total, 744 words of commentary
this is by @primosaur , the original is here!

hey! so for this critique, i’m just going pick out some lines & note some stuff that stands out to me as well as why i critique what i’m writing <33 there wasn't that much to add on to so i might sound like a broken record-

With a rattle, the caravan finally stopped its seemingly endless travel across the Citylands, and Del stepped out with awe, a fire burning in his nerves that combined excitement at going Up, relief at his incredible luck, and curiosity over his unfamiliar surroundings.

good start! just a few things to change here - the first sentence is a little long and bordering on run-on. i usually like this style but, as a first sentence, it might be a little too much for the reader to take in. and also just some show/tell stuff, bc it’s already 3rd person & a little harder to show emotions (more on this later..)

also i added some paragraph breaks to some of the stuff below since i have a short attention span and i like having smaller paragraphs lol. if it’s your style, definitely keep it - it’s just my preference, and that goes along with anything else i’m saying that also aligns with your style! <3

edited:
With a rattle, the caravan stuttered to its final stop in its travels across the Citylands. Del stepped out, eyes wide and a fire burning in his nerves at the delight of finally going Up. He was so incredibly lucky–and relieved–to be standing here.

2 days ago, the carriage had been at the very edge of the Citylands, and although the City was visible in the distance, the surroundings were full of miles and miles of fields, farmlands, and prairie. Now, he was within the heart of the City, center of the known world and home of civilization.

idk i felt a little confused by this paragraph?? i don’t know if del is referring to his home or where the caravan was and how long it took to get there, and the writing here is generally objective, which doesn’t help me to connect much w/ the character at this point.

there’s a general writing rule to write out numbers under 10 and it might read better if it’s written out. also, i understand trying to use synonyms, but these might confuse the reader - so either keep it the same word or refer to del, instead. “fields, farmlands, and prairie” might get a little redundant so i also cut that down!

so something like this is what i changed:
Two days ago, Del had been at the very edge of the Citylands. And although the City was often visible from his caravan window, there had seemed to be only miles and miles of farmland or grass in his wake.

The fields were replaced with miles and miles of marketplace, history, houses, parks, and the ever-bustling populace given to this place. Del had seen it once, as a small child - a census had been collected, and his mother had been invited to an agriplat garden in the city to discuss water rearrangement techniques - but since then, there had been no reason to go, and the caravan fee was costly anyway.

Now, he was in the old center of humanity–and, soon, he would depart to the new one.

just some basic stuff here - you’ve already said “miles and miles” and i feel like the list can be reduced since it might drag too far on. i think the last part (the caravan fee was costly anyway) might be a little confusing since he just stepped off of a caravan—i know you’re doing some vague worldbuilding, but it might be helpful to distinguish the two ^^

i feel like the last line before about the city being the “heart of the world” in the 2nd paragraph and then saying it was just old might be contradictory as well, so i’m not so sure what is trying to be said here that’s different from the first one??

just another quick note—the em dash (—) is usually used for sentence breaks, not just a regular minus (-) sign! i also cut down a few sentences because they were sort of longer than i would like to have them & paraphrased some things as well. watch out for that when you use the em dash!

Del came from a small, dense pocket of the Cityland that was practically as far as you could get from the city, and still be in the Citylands.

again, just some general changes here since i thought this sentence could be cut down a little, as it’s a little confusing ^^ also you’ve generally capitalized “city” through the piece, so maybe keep it the same through the work as well?

edited: Del came from a dense pocket of the Citylands, practically as far as you could be and still live in the Citylands.

However, Del did have practical skills, and most importantly, he was working on techniques of growing vital crops in stone or water. This had turned out to be exactly the kind of work they needed on the mountain, as dirt became increasingly more costly to send. A week before, Del had been selected. The rest of his family was scheduled to be selected at about the 3-month mark, if space didn’t run out. Sacrificing your space for later meant sacrificing it permanently: it was safer to just go. And so, waving goodbye, Del had boarded the caravan and come to the City.

i feel like this information is a little confusing for me, and ik the worldbuilding is supposed to be vague, but it also just doesn’t really align with what we know so far. also, this is sort of an info dump that we’re getting about del that you can kind of implement easier w/ dialogue, since there’s only one line of dialogue in this work <3 (ex. “You’re Del, right? The grower?” or something like that-)

Del looked up, and went from having his head in the clouds to looking at them. He gasped, for in front of him was what he was here to travel on. A massive wire of metal and rope stretched into the sky, at an angle of about 45 degrees, leading from the secure station down in the city, far over the deadly brashlands, until it stretched into invisibility as it would eventually connected to the brown and green patches near the top of the second-highest mountain. As he watched, the wire seemed to grow more taut - and then a transparent sphere with 20 people inside it shot into the sky along the wire, towards the mountain.

i feel like this description is somehow strangely specific, and from what i know so far, del has never been in the city (since he was a kid) and he probably shouldn’t know how this stuff works–like how there’s a 45 degree angle or even what the contraption is ^^'

also, as i mentioned before, it can be hard to know the character in 3rd person, but there are ways to portray their personality through indirect thoughts! like, instead of saying “The weather is cold today, in the mid-30s” you could say, “Shaking slightly, he pulled his coat tighter around himself. He hated the cold.” - or even get closer with, “He pulled his coat tighter around himself. “I hate this weather,” he grumbled under his breath.” basically, write in context with the proximity to the character, even if it is third person !!

but, overall, great story! it was really interesting and the world you’ve created is super well-developed :) thank you for letting me critique your piece <3

my main thread
-NightGlow-
Scratcher
1000+ posts

swc megathread: march '25

Word War
word count - 328 words

As the sun started to set across the horizon, the shadows werre illuminated brightly along the mountainside. It was such a breathtaking view and I honestly couldn't hold my excitement in any longer. The day was coming up. My special day was coming up, and I was so ready to make it a blast like all the others. Well, this one would just be a tad more special, I chuckled to myself.

I could barely wait to open my blinds to a pink-ish sunset, clouds drifting away, revealing the beautiful scenery outside of my window. I had brushed up and I was ready to go to bed, it just needed to be a bit more darker before I could actually proceed to go and do that. So, I just waited and waited, and suddenly.. the stars came out! Well not suddenly, but I'd like to think that you get what I'm hinting at here.

I drifted off into a deep sleep dreaming of what was to come the following day. As the next day approached, I was feeling giddy inside. Although I was just sleeping on my bed, I could definitely feel that new energy rushing through me. As I lay down on my side, I began to get a waft of something absolutely delicious. It had a hint of spice to it, but the aroma was strong enough to get me out of bed.

I knew my mom was probably whipping something up for a special birthday breakfast but I wasn't sure what. I quickly brushed my teeth, combed down my flyaways, and sprinted down the stairs, barely holding onto the handle for balance. I then lunged into the kitchen only to see my mom hunched over the oven. She had her mitts on and it seemed as if she was pulling out something of great size. It was a shiny orb, almost like the sun. She stared back at me, and smiled, "the sun isn't just
ChueyTheCat
Scratcher
500+ posts

swc megathread: march '25

critique for bookie, 307 words

You guessed it - it's critiquing time! This time I'm critiquing a piece from the fabulous Bookie, so let's jump right in to that.

booklover883322 wrote:

(This is from March SWC last year, and it's from the perspective of a Villa in Pompeii-)
I enjoy being beautiful. It’s a privilege that I know that I have.
Good start here! The only thing I would revise here is rewording the second sentence, as it reads a bit clunkily right now with the double “that” - try something like “It's a privilege I know is mine” or “It's a privilege I know that I have.”
Frescos and mosaics line my walls, statues bejewel my gardens, and a family laughs and cries within my painted walls.
Today, they cried, and I cried along with them.
Nice description here! However, the switch in tense is a bit jarring; changing it to “Today, they're crying, and I'm crying with them” and then letting the following paragraph change the tense might work better.
Pompeii was a happy place, filled with the prosperous. I was the pride of the family that resided inside me. They owned only the finest things and only commissioned the most talented artists. They had elaborate dinners within my triclinium and relaxed among the plants in my gardens. But now those plants were burned to ash, my glamorous walls preserved underneath the dense layer of ash that rained down from Vesuvius.
Again, double words here are reducing flow! The structure in the third sentence also doesn't match in places, so I'd replace “and only” with a comma followed by “commissioned only.”
Otherwise, this section looks amazing! Nice contrast here with the luxuries and the ashes.
The day started off so normal, so benign. Of course, there were darker clouds in the sky, but nobody cared, (replace comma with dash or semicolon) it was probably just a storm. Only the truly paranoid would be leaving at a time like this.
The master of the house was not one of the paranoid, believing that everything was fine. He was going out that day.
Since it's already established that there are paranoid people, it might flow better if you just said “The master of the house wasn't one of them,” although that might just be my personal style talking lol - take any flow-related comments with a grain of salt, since everyone has a unique writing style
“I have some business to tend to.”
Sometimes dialogue without a tag attached can be a bit jarring - since you've already inserted the master of house as a character, you can assign dialogue to him without confusing the reader, if that makes any sense (I'm not great at phrasing things oop).
His wife, Julia, asked, “When will you return?”
Marcus shrugged, “I don’t know, probably not until we eat cena.”
Itty-bitty nitpick here, but I would replace the comma after “shrugged” into a period! Otherwise the sentence is a bit of a run-on.
She nodded, reclining on a couch in their cubiculum. “I look forward to your return.”
He nodded as well, walking out a moment later. I followed him through the rest of me, till he eventually emerged into the street, leaving his wife and children inside.

Time passed, and Marcus returned to his house just in time for a meal. The sky had continued to get darker, and the air smelled faintly of smoke, though it wasn’t too concerning at the moment. The family went outside to eat, and when they emerged, the smoke began to rain.
Okay! This was a pretty short critique because the piece itself was fairly short, but I hope it was still helpful <3 Thanks for letting me critique your writing - keep up the good work!
-NightGlow-
Scratcher
1000+ posts

swc megathread: march '25

Daily 8: International Women's Day
word count - 393 words

Dear Mom,

Happy International Women's Day! I want to take the time to thank you for being my partner in crime since day one. You're alwasy there for me, through thick and thin and I absolutely love our late night gossip sessions where we end up rambling to each other for hours.

Thank you for being my number one supporter all these years. I still remember always needing you to be in the sidelines of the stage during competitions- which come to think of it now, you probably didn't get a nice view. But to me, you being there was almost like a good luck charm. Words cannot even begin to describe how much of a role model you are to me.

Every day, I strive to be more like you - smart, responsible, and passionate. You always take others into consideration and ensure that they're happy. I for one will need more than just my fingers to count how many times you've whipped up some last minute creations for me (eg: diy ugly sweater for ugly sweater day, sewing costumes for performances, buying project stuff, prizes, etc.). Whatever I needed, you were there and ready to help out with.

Now let's come to the whole friend side of our lovely relationship! You are probably one of my closest friends on the entire planet. I love the way we lightheartedly bully each other, it's honestly one of the highlights of my day. Aside from that, I absolutely love watching Kk's with you late into the night! Whether it be those shows or any TV show really, spending time with you is such a huge stress reliever and you wonders <3

I have so much more to say but I'm going to end this letter off by saying thank you. Thank you for bringing me into this world and holding my hand as we navigate challenges in life together. Thank you for giving me the chance to meet someone as kind and down to earth as you. Even though I may not always show it (though I'd like to think my constant hugs + always coming into your office room are signs >), I want you to know that you are my most favorite person in this world. Thanks for being my inspiration!

Lots of love,
Alana
lliu_11
Scratcher
83 posts

swc megathread: march '25

weekly 01: part 4

ADRIANNA is at Starbucks.

CASHIER: What would you like to buy?

ADRIANNA: (looks at menu, thinking) Maybe a drink. Can I get an iced pumpkin spice latte?

CASHIER: That will be $6.99, please.

ADRIANNA takes out her credit card and inserts it into the card reader.

Suddenly, the room goes dark. It’s as if every light has been switched off.

Before she can scream or ask any questions, ADRIANNA finds herself falling down into the floor.

She screams.

ADRIANNA: Oh gosh. Oh no —

She looks down below her and can’t see anything.

ADRIANNA: (very scared) This can’t be happening.

BETTY has just finished her shift at Giordano’s Realm and is walking to her car when her device flickers and starts ringing. She picks it up.

BETTY: Hello?

LESLIE: Betty! I’m so glad you’re on.

BETTY: Leslie! What happened? Did you figure out what happened with the teleporter card?

LESLIE: (sighs) No. That’s why I called you.

BETTY: (concerned) But then what are you going to do?

LESLIE: Do you know Professor Rian’s device number?

BETTY: Yes — but what are you going to do with it? The Professor hates getting device calls from people he’s never met.

LESLIE: Oh no. I guess — but I’m sure he’ll understand. I need to talk to him about what happened with the card.

BETTY: (hesitant) The teleporter card?

LESLIE: Yes. Please, Betty, I need it. I need to fix everything.

BETTY: Are you sure?

LESLIE: I’m sure. 100%. I’m going to ask him what the consequences are after using a teleporter card. He’s the only person I know who is able to get the answer.

BETTY: Oh. Okay. (slightly unsure) Listen. Teleporter cards are complicated. But — I can give you his number. (pauses) It’s 9854086.

LESLIE quickly copies down the number.

LESLIE: Yes! Thank you so much. I know how to use it.

BETTY: I know you do. Stay safe, okay?

LESLIE: Of course. Thank you!

BETTY: And remember to call me if you need anything.

LESLIE: I will! Bye, Betty.

LESLIE leaves the call. BETTY puts her device away and gets into the car, still worried.

PROFESSOR RIAN is at his desk. His device rings.

PROFESSOR RIAN: (grumbles) Not again.

He reluctantly picks up the device.

LESLIE: Hello?

PROFESSOR RIAN remains silent.

LESLIE: Professor Rian? Are you there?

There is silence.

LESLIE: (pauses) Listen. If you’re there, please answer. I need to talk to you as soon as possible.

PROFESSOR RIAN: (skeptical) Who are you?

LESLIE: My name is Leslie.

There is more silence.

LESLIE: (desperate) I really need your help. I had an accident with a teleporter card yesterday —

PROFESSOR RIAN: Teleporter cards never do any good. If your card stopped working or malfunctioned, you should go talk to Professor Rowan instead. Or, if you somehow got transported to another place by accident, you should be directed immediately to Professor Kael.

LESLIE: It’s not either of those — I accidentally used the card to pay for a takeout order.

Nobody speaks. Finally PROFESSOR RIAN responds.

PROFESSOR RIAN: (grave) Did anyone ever tell you never to use your teleporter card as a money card?

LESLIE: My mother told me. But I forgot.

PROFESSOR RIAN: You see, if you used a teleporter card to pay for your money… Teleporters are mysterious. I’ll never be able to tell you the exact result of your accident. But most likely, the precise moment you swiped up on your device to pay with your card, chances are that something very unusual occurred.

LESLIE: What sort of unusual event do you think happened, Professor?

PROFESSOR RIAN: Tell me. Teleporters are used to transport people from one place to another, right? For traveling long distances?

LESLIE is unsure about where the Professor is getting at.

LESLIE: Yes?

PROFESSOR RIAN: And when you used the teleporter card to pay for your item, did you also use your device?

LESLIE: (confused) Yes, I did.

PROFESSOR RIAN: Your device is made with advanced technology, and so is your card. Your device is made to be able to transport your money to the cashier. Your card is made to transport people. So both of them at the same time —

He stops.

LESLIE: (still confused) Professor?

PROFESSOR RIAN: Both of them at the same time would be one technological device of enormous power, inside another device of the same power. The consequences are huge. It is likely that your accident caused some type of long-haul transportation.

LESLIE: Wait, what does that mean?

PROFESSOR RIAN: It means that someone leaped into your world from a great distance. A distance so great that it is very probable they came from another world.

LESLIE: (shocked) Why would they do that?

PROFESSOR RIAN: I’m sure it was not their choice to travel like this, and certainly not for such a distance. It’s very likely that it occurred against their will. They were only able to leap worlds because they were the first person who happened to be there at the same time as your accident.

LESLIE: So, the moment I accidentally used the teleporter card, they somehow leaped worlds?

PROFESSOR RIAN: That is correct. At least, that’s what I believe to be true. I’ll have to consult my textbooks for further reference.

LESLIE: But, Professor — doesn’t that mean they must’ve arrived here by now? How long does leaping worlds take?

PROFESSOR RIAN: We aren’t able to calculate that, as it depends on both worlds. We know this person must have leapt to our world, but we don’t know where they came from.

LESLIE: (thinking) How can we be sure they aren’t here already, though? They probably speak another language. Won’t they act differently from us?

PROFESSOR RIAN: I read the section labeled “Daily Updates” on my device every day. So far there is nothing. But I advise you to look there, too, as it is very helpful. You’ll be surprised by the huge amount of information they put there.

LESLIE: Oh — I really should. I’ll check it this evening, when I have time. Thank you, Professor.

PROFESSOR RIAN: You’re welcome. I must be going now. Your name is Leslie, correct?

LESLIE: Yes, that’s right.

PROFESSOR RIAN: Goodbye, Leslie.

PROFESSOR RIAN leaves the call.

LESLIE immediately scrolls through the sections shown on her device and finds the daily updates.

She reads the first sentence of the most recent update.

She is stunned.

ADRIANNA is sitting at a table in a cafe. She is exhausted. There are bags under her eyes. She hasn’t gotten any sleep in the last 24 hours.

ADRIANNA: This is crazy.

She can’t understand anyone here at all. Everyone talks extremely fast.

(And as expected, nobody speaks or understands English.)

ADRIANNA: (is talking to herself) Oh gosh. I don’t even know what to think.

She slumps onto the table and says nothing for a few minutes.

ADRIANNA: Everyone here looks a lot like the people at home. On Earth. But they can’t be from Earth. I’m not on Earth. I know that already.

She’s thinking as hard as she can.

ADRIANNA: Yes. They definitely can’t be.

She pauses.

ADRIANNA: The maps look completely different. The sky is pink. The land looks a bit purple. Plus, these people dress differently. No one understands me. I’m like an alien to them.

ADRIANNA feels as if she’s about to cry.

She looks up just as a girl approaches her. A man follows closely behind.

LESLIE: (speaks in Brinaeis) Hi.

ADRIANNA doesn’t understand.

PROFESSOR RIAN: (is talking to Leslie) She can’t understand you until both of you put on the linguisticator.

LESLIE: Oh! Right.

LESLIE puts the linguisticator on her ear.

ADRIANNA: (forgets about Leslie speaking a different language): Is that an earbud?

LESLIE gasps, surprised.

LESLIE: I can understand you!

ADRIANNA is very confused. She’s still unable to understand Leslie’s words.

PROFESSOR RIAN: (speaks to Leslie) We have to make sure she puts on the linguisticator first. Otherwise, it would only work from one side. If she doesn’t put it on, you may still be able to understand her, but she won’t be able to understand you.

LESLIE: (is stumped) But how do I tell her to put it on, if she won’t be able to understand?

PROFESSOR RIAN: We’ll have to take some time to figure that out. It’s best if we don’t force it onto her, though; we need to be friendly and make sure she understands we’re here to help.

LESLIE: What if I drew on a diagram or something? Do they draw pictures in her world?

PROFESSOR RIAN: It won’t hurt to try, I presume.

LESLIE pulls out her device and scrolls through the screen.

LESLIE: (speaks to the device) Get one drawing utensil and one drawing sheet.

A sheet and utensil for drawing slide out of the device.

LESLIE takes it out. ADRIANNA stares at it with wide eyes.

LESLIE draws a diagram of ADRIANNA putting on the linguisticator. She hands it to ADRIANNA.

ADRIANNA looks at it doubtfully but decides to give it a try. She puts it on.

ADRIANNA: Hello?

LESLIE: Hi! I’m so glad we’re able to understand each other now.

ADRIANNA: Yeah, that’s great! I’m glad too. Your technological devices are amazing.

ADRIANNA pauses.

ADRIANNA: Also, I have a question.

LESLIE: Yeah? What’s your question?

ADRIANNA: What are we here for?

LESLIE: Oh! Sorry. We’re here to help you.

word count: 1557 words

Last edited by lliu_11 (March 8, 2025 02:52:42)

Zyzeryko
Scratcher
100+ posts

swc megathread: march '25


Okay so this is not going to be a very professional or even a very chill letter. I just need words so let's go! I will not be writing to a relative or cool person, instead I will be writing to Queen Boudicaa, the celtic warrior queen who stole my heart because she killed almost one hundred thousands roman soldiers with her own army despite being a woman in this period and having very little rights. Listen, I know she is dead and has been for like thousands or at least hundreds of years but she is an ICON so i am still going to be writing about her. She is super duper cool and she really showed the roman soldiers not to mess with her because when they came to her house and tried to take her stuff she was literally like “no.” and then she killed them. People said she was a living version of the celtic warrior goddess and… honestly I totally see it. She was such a cool person and the fact that her army was so small and she led it as a woman at that time period is super impressive– they killed somewhere between 70,000 and 80,000 roman soldiers and smashed 3 separate cities. Unfortunately they did unfortunately lose eventually, which is very sad because it would’ve been super cool if they had defeated rome. So! Thank you to Queen Boudicca, her army, her family, and her daughters for their fight because they were super awesome, such icons and such powerful figures that I never see talked about despite their huge presence and their significant role in history (her army was estimated to be more than 100,000 people big and possibly up to 250,000, but this number may be exaggerated because very little records survive from that time). It's so sad what she and her daughters had to go through and I am glad they stood up and paved the way for further revolution.
sweetzeal
Scratcher
11 posts

swc megathread: march '25

day 8 - international women's day - 8/3/25

  • 406 words

to: my mother

happy international women's day!! the day that celebrates women around the globe.
thank you for always being there for me and taking good care of me <3 i really appreciate you for all the things you have done for me!

firstly, i want to thank you for teaching me/telling me many life skills/stories. i think i really learnt a lot from them.
your experience makes me want to keep moving forward and trying my best.
also, i know i take such a long time to try and stop slouching and break my bad habits but i really am trying. thank you so much for tolerating that as well!

secondly, you really inspire and influence me in a lot of ways. for example, you inspire me to work hard and grow up to be a responsible and confident person.
you inspire me to be the person i want to be, too. you also influence me to watch chinese/taiwanese variety shows (which i love yay) and if i didn't watch them while growing out i don't think i'll be able to speak chinese well or be obsessed with them. (at least in some way).
and… your patience level is amazing. (even though i've been making it drop a lot but still) i'm really glad to have a patient parent like you that i can rant to, cry to, and be annoying to. i mean this as a compliment btw! <3333
i'm so lucky to have a parent like you that can listen to whatever i have to say …!

thirdly, thank you for being a caring and thoughtful person. your little actions (example, reminding me so many times to remember what to bring for ___) are what i appreciate and take note of. when i get sick, or even when i just sigh really loudly, i'm not actually upset, but seeing you caring so much about me makes me feel safer and happier. i want to tell you that i will be strong

finally, you are amazing (women are!), and even though you are not an idol or celebrity, you are one in my heart.
thank you once again deep down from my heart for being who you are, raisng me up, and being resilient in all that you do.
you play a crucial role in my life and always will.

I L O V E YOU!!!!!!!!!!!

yours sincerely,
your daughter <3

Last edited by sweetzeal (March 8, 2025 09:13:01)

ziqing11
Scratcher
100+ posts

swc megathread: march '25

return to table of contents

Critique with @silverlynx-

General overview:
This piece was a delight to read! It introduces the reader to the customs, traditions and culture of the Ruby Islands very well. It contains lots of information, that is well chained together into a story. This piece could be improved by lightening some long sentences to make the description clearer, and the adding of transition sentences to introduce a new idea or information would improve the general flow of the story.
Also, please do note that the entire critique is based on my opinion, another reader might see things differently.

Some more specific details below:
I swung my legs over the side of the stone wall, the sharp edges cutting into my legs.
The word ‘legs’ is repeated, consider replacing the second one with ‘cutting into my flesh’, or simply with the pronoun ‘them’.

For a moment I just sat there, soaking in the amber sunlight that filtered through the clouds, lighting up the city below in a gentle golden glow. A smile danced across my lips as I gazed at the twinkling lights, the buzz of people bustling through the streets, even at this late hour, tourists or locals, filling up bags and baskets with all sorts of things.
Beautiful description! Creates a vivid imagery of the scene! However the second sentence is a little unclear - I'm not sure if you mean the narrator gazes at the twinkling lights and the people in the market? If so, consider adding a coordinating conjunction to link the two elements ^^ Otherwise, perhaps add an indication to how the narrator perceives the people in the market (I was thinking ‘buzz’ might be related to hearing?)

Our market was one of the most famed in the Ruby Islands, named after the colours of our water, a deep rich red, caused by the iron in our waters.
The word ‘water’ is repeated twice, and is a little unclear in its meaning. Do you mean the sea surrounding the island, rivers on the island, or something else?

It sparkled like a jewel in the setting sun, people lining the beaches with their glimmering white sands.
Consider separating this into two sentences, or perhaps add a clearer link between the island under the setting sun and the people on the beach.

The market was full of stalls, stretching for miles and making up about three quarters of our city. Some stalls had even eventually turned into houses, the owners building around them, brick by brick, stone by stone.
Again, ‘stalls’ is repeated - change it to ‘these’ or something else to prevent redundancy.

The most common thing they sold was food. There were all kinds, people from the Sapphire and Emerald Islands bringing along some of their produce to sell at our market, even some from Amethyst, an isolated island hundreds of miles from here.
I find this sentence a little full. Perhaps include the information about Amethyst in another sentence to lighten your writing.

We were famous for our signature food, cardasens, which were soft pillowy buns filled with a paste of cardas, a type of fruit only found in our mangroves, and usually drizzled with a lemon and siratas, a type of nut also only found in our mangroves.
Again, lighten your writing. Separate this into multiple sentences. For example, the information about the sauce it is drizzled with can be in another sentence.

They were also known as mangrove buns.
We also sold lots of fruit and vegetables from all around the islands, my personal favourite being atlasstis, a fruit similar to a banana but a lot more sour and hard. There were some stalls selling meats, the carcasses hanging from rusty chains, flies buzzing around them. Some stalls sold delicious buttery pastries and intricately iced cakes, some selling different ornaments and knitted items. I loved the Cratatian stalls, which were based on the Island’s religion, Crata. They sold little ornaments of the different people we believed our gods had inhabited and statutes of the gods themselves. I had all of mine lined up in my room, displaying proudly on my windowsill. We prayed to them every morning, the whole city staying quiet for twenty minutes, and at the end of that twenty minutes the bells would gong and we would start singing our prayers and chanting in our native language, Malitui.
Good description of the market stalls and the culture! To improve the flow of the words, I would consider replacing the latter ‘twenty minutes’ with other words, like ‘these’. To make the verb tense more accurate, consider changing ‘staying quiet’ to ‘would stay quiet’ or ‘stayed quiet’, and add a coordinating conjunction before the phrase.

Another thing I loved about our city were the mangrove houses, which were scattered in between the branches of the mangroves, on platforms just above the water. There lived most of our fishing community and I just loved their houses, which were always strung with glittering fairy lights. I myself lived in one of the underground homes, which were where the poorer people lived. However, in our little dugouts, we had created some beautiful homes, enhancing them with skylights and saving up for materials to build proper safe walls and ceilings. Mine was one of the biggest, with my bedroom between a group of fiercely pointed stalagmites. We had also built a stunning community and we met up every solstice, and we would sing and praise the gods for helping us safely through another season.
Though this provides a good picture, the paragraph could use a little tidying up. ‘I just loved their houses’ is a bit redundant with what is said before. The mention of ‘underground homes’ is also contradictory with ‘on platforms just above the water’ - where exactly are the houses located? Consider specifying this to make the image clearer. You also mentioned here ‘where the poorer people lived’. Does this mean the poorer people live underground, or do they live in the mangrove? The community the narrator is part of is also a bit vague. Is the community entirely underground?
Add some more precise description to make the scene clearer for the reader.

Another thing I loved, which I know you wouldn’t find anywhere else in the world from researching tirelessly in school about all the other countries who didn’t even realise we existed was the music.
This sentence is very full - space it out with conjunctions or separate it into multiple sentences.

It seemed so normal to me, but after listening to tapes of music from the other countries, I realised how lucky we were. My favourite instrument was the tocmai, which was made out of mangrove wood and shaped like a bunch of tubes stuck together with some keys on the tubes and some foot pedals which attached to strings like on a violin from the other countries.
The latter part of the sentence could use some spacing ^^

The mangrove wood was particularly special, as it was found nowhere else and created a rich deep sound that resonated deeply within me. We also had a lot of rock bands, like the rest of the world, who performed daily in the city square to huge crowds filled with screaming fans.
Our whole city was settled right on the edge of a beach next to the mangroves and the outskirts were nestled between the mountains.
And as I sat on the stone wall, my legs swinging rhythmically, I finally understood what a magical place I was in and how lucky I was to be here.
The transition between the description of the musical instrument to the location of the city is a bit brutal, consider adding something like ‘as my mind wandered I saw the last rays of the sun disappearing behind the tall mountains on the outskirts of our city…’.

I hope this helped, feel free to ask me for anything that might be unclear!
(558 words of critique)
HippotheHippo
Scratcher
67 posts

swc megathread: march '25

To Mrs. D (315 words)

Where's the new rainstick you told me you had?

I just cracked my only clarinet reed, do you have another?

My trombone slide got stuck all the way out and it won't move.

Hypothetically, if I forgot my sheet music folder, would you be really mad?

Matt and Ethan are fighting over the end seat again but I want it!

These are all problems from my last winter band concert, which, defying all odds with the amount of issues we had, went off near-flawlessly. There's only one person to thank for that, because as you've just seen we were a pile of steaming garbage leading up to it.

Enter Mrs. D.

There's not enough I could say about her to last a lifetime. She had a ragtag, volunteer army of middle schoolers (most of whom were also in desperate need of a shower) and somehow coaxed us into emerging victoriously from the quagmire of the school auditorium.

The only reason I'd reference Guns and Ships from Hamilton in my writing is in this situation, because this absolute legend of a woman let us play a different Hamilton song for that concert. And you know what positively-impossible task that song made us do? Practice.

If you've ever been in a middle school band, you know how hard it is to get anyone to do that, even the devoted band kids. Every other band director I've had has approached this problem with some combination of yelling, signed practice logs, and “it's your fault if we sound bad at the concert,” which are all rather ineffective when dealing with middle schoolers. Never have I had a band director before or since that made practicing a want, not a chore to be avoided.

I don't think anyone in that band genuinely wanted to be there at first (including me, I admit), but we got over it for Mrs. D.
-NightGlow-
Scratcher
1000+ posts

swc megathread: march '25

Critique
word count - 431 words

Have you ever looked at your telephone and felt a pang of worry for its security? Maybe you have anxiety over someone judging you on its looks? Well the Teleapper has you covered! It’s the new and improved way to keep your phone safe. We at RandomAndUseless Design studio have been working tirelessly to perfect it*.
This is a really strong start to your advertisement and it definitely grasps the attention of the reader (I guess listener ahaha) from the veery start. I feel like adding the comparison and then presenting the solution is a nice was to segue into the product and overall I believe that this intro was very well done! From the problem, to the solution, to actually getting people to take action, it's perfect! I would suggest, however, emphasizing the first two lines. Even the addition of “Or maybe you have…” would help to create that contrast on a more drastic level!

It has a clear protective case that snaps satisfyingly onto your grandmother’s broken phone in her wall your shiny new telephone. Once you’ve administered that using the 48 page manual, it’s time for the part you’ll love: decorating!
The part that says “onto your grandmother’s broken phone in her wall your shiny new telephone” is slightly wordy and I don't really understand what you're trying to say here. Maybe edit this part to clarify what's happening because structurally reading this, I'm a bit confused :0 I'd recommend either removing the shiny new telephone or rewording it so that your grandmother's broken telephone becomes all shiny and new! Of course you don't have to use exact words ahaha- I was just suggesting that you consider rephrasing that part of the advertisement <3

We’ve sold over ten packages and have continually received amazing reviews which you can read at the bottom of this page. It is becoming increasingly clear that this product will soon rise to become an iconic household item, and soon we can assure you’ll see it everywhere.
Instead of saying “at the bottom of this page”, I think it'd be cool if you took an unconvetional approach and added some of those testimonial quotes here. It would definitely be a good transition before the “it is becoming increasingly” section of the ad! Though this is just a personal preference so only include it if you like it ^^ It's still amazing without that change <3

Teleapper, known to few, beloved by all.
I LOVE THIS LINE. It's absolutely perfect here- probably my favorite one in this advertisement hehe

*RandomAndUseless Design studio is not responsible for any safety issues beyond shipping.
**You may or may not be compensated for missing parts.
***Excludes all in-store, out-of-store, currently sold out, currently on sale, previously sold out, previously on sale and popular products.
The disclaimer section has been well done! I feel like it's effective, adds that little bit of humour we need, and really serves its purpose! Nothing that I would really change here.. just wanted to let you know that I liked it!

“Incredibly crafted…the works of only a genius” -The Telephone Times
“Five stars for the Teleapper!” -Anonymous reviewer
“Wonderful…Whimsical…Wistful…Makes me wistful…” -Jim (USA)
“Random designs is a company to watch out for.” -Someone
“This is my favorite gadget!” -A. Person
“I wish I could make this famous.” -B. Person
“This is genuinely such a scam.” -L. Person (Editor's note: please take this out, thanks!)
Yesss so this was the testimonial section that I recommended moving up! Honesly it fits pretty well at the end as well, sort of like a closing note. So whatever you decide, I'm sure it'll be great <3 (also the editor's note ahhh- it's perfect)

Overall Thoughts
This is an amazing advertisement, seeing as you've convinced me to buy a Teleapper! I love the humour you have throughout the piece and it's honestly so engaging and well-written. Other than a few formatting things (which I mentioned in certain sections), I think this is an absolutely amazing piece <3 You've done such a great job and you should really be proud of yourself! Thanks for letting me critique this.

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