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Coco_animator
Scratcher
100+ posts

lora's swc thread

hi there! i'm lora, nice to meet you ;D this is my eight session and i'm campering in apocalyptic. last session, i led poetry alongside amethyst and fi!
swc means a lot to me and it has really helped me across the years <3 this thread might not be as full as it normally is, since i'm attempting nanowrimo this year and it does take up a lot of time, as i'm putting it as a priority before swc, but i hope i get to write at least a few dailies and weeklies ;D

#apocalypticFTW
Coco_animator
Scratcher
100+ posts

lora's swc thread

word war

no prompt
five minutes
383 words

one upon a time, in a forest, there was a young girl. no one knew her name, for she was nameless and had no parents. she was a lonely orphan, living in the neck of the woods, with nothing to survive but a flute made out of wood and a tree full of cranberries.
every single day, she ventured out into the forest to try and find some food for her to feed on; it was rare that she ever found anything to eat. all those years of living in the forest made her skinny and tall, with bones jutting out and not enough vitamins and minerals. if any of the lords and duchesses from higher England has seen her, they would certainly remark upon her appearance.
one day, when she was walking and searching for something else to eat than red mushrooms and cranberries, she found a small hut in the middle of a forest. she was curious, and so she decided to knock on the door.
once, twice, and thrice.
after knocking, no one answered. she therefore decided to go inside the cottage and see if any inhabitants were there.
when she went in, she saw multiple things:
the cottage was not vacant.
multiple people were there, in black coats and sunglasses
second thing,
they were not unarmed
they had daggers that were shiny with blood coated on it's edges, its hilt a bright gold and the blade a bright silver that shone off in the dark of the room. the curtains were closed and an eerie smile lit upon the leader of the group.
the girl, the nameless girl, the scared girl who had lived alone all her life, who was just hoping for some source of contact with humans, who was just hoping for something to feed her half-starved self, knew that her time had come.
so she accepted her fate, accepted her death, and walked into the room calmly.
she knew that there was nowhere to run, nowhere to hide, and certainly not a good way to fight.
she remembered reading books about this. she had to give up, but she knew that she'd had a good life. she would have died anyway, from malnutrition and the scarcity of basic life resources.
she knew that this was coming.

ran out of time at this point!
Coco_animator
Scratcher
100+ posts

lora's swc thread

daily five
562 words

note: this is kind of weird? never really written anything like this before, and this is all based off a random source of inspiration, haha <3
i hope it isn't as cringe as it is to me sobs </3

1) Never trust the Elites.

It's a common rule, one that follows me like a moth to the flame. I can't help but remember it every time she meets my eyes and gives me her fleeting smile: quick, genuine, and sweet.
Just like her.

2) I will never forget the first time we met.

It was a bright day, sunlight flickering through the gap between leaves and filtering down on my face, warmth covering me like a blanket. The fields were pleasant to walk through, and I wandered through it.
And then I saw a flash.
A flash of silver hair, a unique colour that I'm sure isn't one of the seven colours we are allowed to dye our hair to. Next thing I notice is she wears a flowery dress, yellow and with daises.

That's when I realised she must be an Elite.

3) Because Elites never follow the rules

She came over to me, bold and with a grin that made me want to smile along with her. Her personality was sweet and kind, yet she could be sarcastic at times. She was incredibly smart, with a keen wit that made her good at solving puzzles.
It seems that to her, I was one. I was a puzzle.
And there I was, ready to be solved.

4) We fell in love

I'm not sure exactly when it happened. I don't think I ever will be.
All I know is that we were standing in a field of asphodels, and sunlight caught her hair, her strands glinting like moonlight.
At that time, I realised two things:
I thought she was pretty.
She was clever, smart, kind, and sarcastic.
We were standing in a field of asphodels, the long flowers reaching me till my thighs. She rested her head on my shoulder and whispered it.

"My regrets will follow you to the grave."

I wasn't sure what she meant, but I shivered nonetheless, the sunlight of the sky suddenly disppearing as my hairs stood up.

5) The accident.

It was the 21st of May when we both were in the car, singing songs to a playlist that had been made somewhere in the past year.
We'd know each other for a full year.
I'm not sure what happened, but as she was driving, I saw two things in the rear window:
The restaurant that we had our first date at.
A car that was going out of control, racing to us at a quick speed.

The car was going out of control.
It was going to crash.
Crash.
Crash.
Crash
.


Oh.


Her.

The car crashed into us and by that time, it was too late. The last thing I rememberd before slipping out of conciousness forever was a bouquet of marigolds, tucked into the side of the restaurant.
Marigolds.
Grief.

6) The grave (she was there and I was too)

We made it to afterlife, through all the darknesses of the trip and the creatures we endured.
There is light here. I am sure of it.
Just as I am sure that there is one flower that is meant for us. That was made for us. That signifies our relationship.
Dahlia.
Yours forever.
We walked side by side, hand in hand, towards the light, which shone brighter than ever. It radiated happiness, sunshine, love.

Yours forever.
Forever.
Forever.
Forever.


Forever.

Last edited by Coco_animator (Nov. 5, 2024 15:53:35)

Coco_animator
Scratcher
100+ posts

lora's swc thread

weekly two

cabin planning:
cabin genre: thriller/mystery
inspiration: and then there were none - agatha christie

introduction: the campers have all been kidnapped and taken to a secluded mansion. they are all very confused, and sit down for dinner when the speakerphone comes on and tells them that they are all criminals.
they have committed felonies that are against the law.

incident/conflict: to get out, they must pay for their sins. they need to solve a mystery by working together and trusting each other: something they are not very good at doing. the mystery they must solve is to interview thirteen suspects, and narrow it down to one at the end. these suspects live in other houses on the island and are open for all campers to join.

rising action/conflict: they all interview the suspects and narrow it down to only a couple of people, when news breaks out that every week until the person is found, one person will die… this causes chaos and confusion, but they calm themselves at last.

climax: three people are killed brutally, and it is the last week. the ghosts know who the killers are, but cannot help them. the stakes are up high, but after interviewing and pulling aside the facts, they find out the suspect.

falling action: the suspect breaks out into a fight, and the campers must roleplay to save their world. finally, they kill the suspect and their allies, and all dies down.

resolution: the campers realise that their sins were wrong, and that teamwork and determination are better than living of alone and surviving on bitter vengeance.

part one: storyline description (264 words)

You wake up, dazed and hazy. A faint trickle of a liquid passes down your head, and you touch it to realise that it isn't honey.
It's blood.
You startle up and other people like you, seated all around a dining table in ridiculously extravagant chairs. Everyone looks as confused as you do: how did you get here?
Suddenly, the doors to the dining room open and three people walk in. They have long black cloaks, but you can still see their faces.
“Hi, I'm Lora,” a girl says with a smile. “You're over here because you've been given a second chance.”
Murmurs rise, and your head feels light. Second chance? What are they talking about?
Another person walks up. “You have committed atrocious crimes in the past–this is your chance to atone for your sins. If you don't prove that you've changed in a month…”
The other person gives you a dry smile. “Let's just say it won't be a happy ending for you. You haven't been merciful in the past, so we're not compelled to be kind to you.”
Lora smiles. “But that's enough! While we're here, we'll be treating you as our equals–so you better do so to. To pay for your crimes, you will have to solve a mystery…”
A shadow crosses her face. “On who killed the owner of this mansion. You will have to work together. If you don't solve the mystery,
you will die.”
The other person gives a cheerful smile. “So come on, what are you waiting for? Let's tell you all about your mission, convicts!”

part two:
part three:
310 words

We gather here, we're all sitting in a dining room,
And if I'm on fire, you'll be made of ashes too
Even on my worst day, I didn't realise this
Would ever happen to me
'Cause I didn't mean it, I swear I didn't mean it, but now my hands are stained
I didn't have it in myself to go with grace
And now I'm here having to atone for my dreadful sins
And if I'm dead to you, why are you at the wake?
Cursing my name, wishing I stayed
Look at how my tears ricochet
We gather suspects, never knowing what they'll mean
Some to list down as guilty, some as worthless
You know I didn't want to have to kill you
But what a ghostly scene
You wear the same jewels that I gave you
As I killed you
I didn't have it in myself to go with grace
But now I swear I'll try to make my name
And if I'm dead to you, why are you at the wake?
Cursing my name, wishing I stayed
Look at how my tears ricochet
But now I'm making friends
Having fun as we try to solve a mystery
I wouldn't mind it if this is how it ends
Maybe I was wrong to bitterly kill my enemies
And I'm realising (when I'm screaming at the sky)
Just how wrong I was (you hear my stolen cries)
I didn't have it in myself to go with grace
And so the battleships will sink beneath the waves
I had to kill you, but it killed me just the name
Cursing my name, wishing I stayed
I turned into my worst fears
But I'm now learning how to make my name
Crossing out the crooked years
Now I'm making allies, proving my innocence
Look at how my smile lights up everyday

part four: 1303 words

“This is it,” Lora said, taking a deep breath as she flourished her hand. “The last chance to prove yourself. If you succeed, you will get another chance at life! If not…you will die, once and for all.”

Silence bloomed like a blossom as these words were taken in. Lora shook her head. “But let's not worry about that! Come on, follow me into the interrogation room. You've narrowed it down to two suspects in four weeks! That's impressive. As a bonus, only four people have died, so.” She shrugged.

She opened the door to find two of the suspects handcuffed, sitting on chairs. “I introduce to you, the last of the thirteen people suspected of murdering the richest man on the planet – Finley and Luna!”

Finley throws her hands up in frustration. “It's not me!” She says. “I would never kill someone, really. The only sort of business I am up to is Finley's Fingernail Factory, that's it.”

Luna narrowed her eyes. “Well, it's not me either,” she said. "Why on earth would I kill a person? Goodness.“
Westy sighed. ”I have a feeling you're going to make this hard for us,“ she said.

Finley winked. ”Why would you ever think that?“ She grinned.

”Anyway,“ Zoe interrupted. ”We're here to question you! Uh, first question,“ she said as she withdrew her notepad and squinted at the list. ”What were you doing on the night of the murder?“

Luna shifted uncomfortably. ”We both were in this mansion, except that time as guests of the party Mr. Unknown was hosting. I was playing poker with my friends when the news got out that he'd been murdered. Trust me, I would never kill him! I had nothing against Mr. Unknown.“
Finley shook her head. ”Well, I had nothing against Mr. Unknown either! I was eating dinner alongside my companions in this mansion when he was murdered. I'm quite sure that Luna was the murderer,“

Luna gaped at Finley. ”And I'm quite sure that it's you! He was probably refusing to give you fingernails, so you killed him to get it!“
Finley put her hand to her heart. ”I would never! At most I would kidnap him and force him to do labour, but I would never kill somebody!“
”Stop,“ Westy interrupted. ”Uh, it's fine, I get it. Zoe,“ she said, turning to her, ”could you get Luna's and Finley's friends here in person? We need them as live witnesses to account for their claims.“

”Sure!“ Zoe said. She handed her notepad and checklist to Westy, then went out of the mansion to collect the witnesses.
Lora looked at her watch. ”You have only half an hour left, so ask your questions quickly and make not of their answers,“ she said, smiling. ”Or you might regret it.“

”Um,“ Westy said. ”Sure. Moving on, question two–How do you know Mr. Unknown?“
”I don't directly know him,“ Finley said. ”It's just that our families know each other, since we're nobles and all in the realm of Esdoubleyousea, so he invited our family to the party,“ She shrugged. ”I'd never actually met him in person before, and we still don't know his real name! I've never seen him without his top hat, suit, and mask either.“

Luna nodded. ”Literally almost the same for me, except my father and him were good friends before my dad died. After that, he stopped ever coming to visit, but I was too young to remember his face, and now I can only envision his masqerade mask. I guess he felt bad that he left us all those years back, so he invited us for his party, and then he died.“ She got quiet and looked at the floor. ”What would my father think? Both of them killed within the span of ten years…“

She shook her head and snapped out of her thoughts when Zoe burst in, panting, with two people next to her. ”I got them! This is Skylar, and this is Kat,“ she said, introducing the two girls next to her.

”Great job,“ Westy smiled. Lora tilted her head and examined the Westy and Zoe – they both seemed to have almost turned a new leaf, from their bitter life of murdering people…

…But there were still fifteen minutes left, and those would decide the fate of thirty different lifetimes.

”So,“ Zoe asked Skylar as she sat down. ”Were you with Finley when Mr. Unknown was announced dead?“
Skylar looked at Finley, her eyes wide, but they couldn't communicate with one another in any way. She had no choice but to go with the utmost truth.
”Yes. We were eating dinner, I think?“ She racked her brain. ”Yeah, and then a servant comes and announces with hushed breath and a trembling voice that Mr. Unknown is dead.

”And you, Kat?“ Westy asked. ”Were you with Luna when the incident occurred?“
”Yes!“ Kat answered, but perhaps a bit too quickly. Lora smirked, enjoying the show as Zoe narrowed her eyes. ”Can we get the lie detector?“ She asked.

Westy nodded slowly and opened a drawer, getting out a complicated machine with a reader and a cuff to put your hand in.
”Put your wrist in that,“ Westy said. Kat raised her eyebrows. ”And what makes you think I would willingly-“

Westy neatly slid Kat's wrist through the cuff and closed it, smiling sweetly at Kat's shocked expression.
Finley snorted. ”I gotta say, can we have some popcorn with this?“

Zoe half-smiled at Finley as she turned on the machine. She faced Kat. ”Were you with Luna when the incident occurred?“ She repeated calmly.
Kat closed her eyes. ”Yes."

Lie.

“It's a lie,” Finley said as she strained out of her chair and looked at the reading. “This is proof!”
“That's not true,” Kat swallowed.
Another lie.

Luna's face was as pale as the moon. She looked shocked, appalled, scared and nervous at the same time. She fidgeted with her hands, her expression troubled, looking helpless. She slowly nodded. "I- I have no choice but to tell you, I guess. It was me.“

Westy gasped as Lora raised her eyebrows. ”Hmm. Interesting,“ she remarked with a smile.

”And what were your motives?“ Zoe pressed.

She looked down. ”Mr. Unknown used to help our family with the funds, since he was good friends with my father. But when my father died, our funds went down by half. He stopped helping, and my father's contribution was gone. My mother had to work two jobs, and it still wasn't enough for us to adjust from our previous luxurious life. One day, I asked his personal lawyer when he had last updated his will, and she told me that Mr. Unknown hadn't for the last ten years. That meant some of the money might have been assigned to give to my father and his family.“
”So you killed him to gain access to his will,“ Westy whispered.

Luna nodded. ”And I regret it. I just got to know Mr. Unknown suffered a huge case of amnesia, and he couldn't remember much. Once he remembered my family, though, he started sending funds, but I thought it was too late. I thought he'd just remembered us because he would need us, and…I was bitter. So I killed him.“

Finley grimaced. ”That's honestly a tough life, Luna.“
She shook her head. ”But it can't excuse my actions."

Luna was taken away to find her second chance, just like Zoe and Westy and all the other campers.
Lora smiled and clapped her hands. “Good job, convicts! Or should I say…recruits?”

“Recruits?” Zoe asked.
She smiled. “Yes. Now that you have proved your collaboration, we'll be inviting you to join our organization. The offer goes to you as well,” she said towards Finley.
“I would love to,” Finley smiled.
“We're in!”

Last edited by Coco_animator (Nov. 16, 2024 14:06:12)

Coco_animator
Scratcher
100+ posts

lora's swc thread

daily eleven
draft of a chapter from my novel
they never said how hard it had to be :> this is without the letter x

The Traveller escorted Ria to another cell, one that was bigger than hers. She saw Blitz, Avery and Theo handcuffed and sitting on the floor, talking in hushed tones.

Avery looked up, her eyes wide when she saw Ria. “Ri! What happened–where are we?”

“Hold on, I can guess,” Theo said. “That guy there,” he said, pointing to the Traveller, “is the Traveller, and he kidnapped all of us because he heard of our little stunt in the palace.” He flashed his trademark grin. “Am I right?”
“For the record, he didn’t come up with that theory on his own,” Blitz inputted.

The Traveller nodded. “Interesting. I take it they don’t know?”

He said, glancing at Theo and Avery separately.

Theo’s eyes widened for a second and a flicker of emotion caught Avery’s face. They seemed mortified, but they recovered quickly.
“I–what?” Theo said. “I have no idea what you’re talking about.”

The Traveller titled his head then nodded. “I see. It’s nothing to worry about,” he assured Ria and Blitz when they narrowed their eyes. “In fact, I’m not even sure if Theo and Avery know themselves. Besides, all of you are hiding a grave secret from one another either way.”

There was a moment of silence before Blitz spoke. “That’s not true,” he said.

The Traveller cocked his head. “Are you sure, Mr.Revelino?” He held Blitz’s gaze until Blitz flushed and looked at his feet.
“Anyway,” he said smoothly as he adjusted his cloak. “I suspect you did not come here to question your loyalty and level of trust within one another. Come, follow me, and I will show you the answer you are looking for.”

They went through a series of twists and curves through the building, which was huge. It was decorated like a normal office building, with potted plants every now and then and desks at every corner. Most of them were empty, however–Ria suspected they liked their private offices better.
They finally reached a room with a closed door made of oakwood. It had ‘LIBRARY’ written on it in gold and bold font.

The Traveller produced a key and unlocked the door, which creaked open. He pushed it and led the four inside.

“…Wow.” Blitz said.

It was a sight. Hundreds of books of every topic and size were stacked everywhere, from old classics like Shakespeare to new volumes. However, they all had some historical significance related to research, but that didn’t make the library seem any smaller. It was ginormous, and half of the books seem untouched.

Theo was stunned. “I’ve never seen these many books in one place before.”

The Traveller dipped his head. “Indeed–it took several years–even decades to build up a collection this large. Even now, many volumes are missing, and we are trying our best to uncover them. For now, though, we will make do with this.”

He led them to the back of the library, where hundreds of files were being stored. He reached in the back and pulled out a relatively new file, with the words ‘CONFIDENTIAL – TOP SECRET” stamped in bold red.

He opened it, read through some of its contents and then nodded, turning towards them.

“It’s what I feared. Come on, take a seat.” He said, gesturing at the empty chairs before them. They all sat down and looked at each other, hanging on to every one of his words.

“The Plague cure is in West Illuminaria, City #17, District 12. That is a very hard city to get into–possibly the hardest in the West to do so. To find a way in, you will have to join the Alliance’s guard and swear fealty.”
Ria sucked in a breath. “What?”

The Traveller nodded. “You will essentially be going against your fealty when you steal the Plague cure, so that will be one lash against you. If you get three lashes, you will die.”

Avery spoke up. “Unless you consult Zyphorus.”

The Traveller’s eyes flashed. “Do not mention his name under this place! Yes, no one can die if you consult him and strike a good bargain with him. But it is dangerous–too dangerous! You will not seek help from him, understand?”

Ria flinched at his livid tone, but nodded. “Who is he, anyway?”

The Traveller glowered. “Ask this one to tell you when you’re away from this place,” he said, nodding towards Avery. “I will not mention him under this roof.”
“Continuing,” the Traveller said, closing his eyes. “You will need to join the army. To do so, you must prove your worth. Are you good at fighting, healing, or hacking? Then the army will gladly accept your help, but you must prove that you are the best of the best,” He informed.
Theo swallowed. “Swear fealty, join the Alliance’s army, then betray them…Sounds fun! Who’s with me?” He said, trying to grin, but the tremor in his voice was unmistakable.

Avery nodded and gave a feeble smile. “If this is what we’re going to have to do to get the Plague cure, we can do it.” She took a long breath,
The Traveller nodded. “We will provide you with supplies that you will need for your trip, as well as a place to sleep tonight, but tomorrow morning you must depart from here. Is that clear?”

Ria nodded and smiled gratefully. “Thank you so much, Traveller.”

He dipped his head. “You’re welcome. Although it isn’t like this came without a price–I now know all of your deepest secrets, ones that your companions themselves don’t know.”
Ria widened her eyes. “You asked them too?”


The Traveller shook his head. “No, I could see by just looking at their tell what their secret was. It was a bit harder to see yours, though, so I had to ask,” He said, tilting his head. “You are a bit…unique. A different case.”
“What’s he talking about?” Blitz asked, confused.
Ria fumbled and twisted her ring. “I…I’ll tell you later.”

She lied.
She wouldn’t be telling anyone.
Not anytime soon.

The Traveller directed them towards their sleeping chambers, and this time, they thankfully weren’t manacled or drugged. Avery and Ria wished goodnight to the guys and then went into their room, promptly falling asleep.

However, Ria couldn’t really fall asleep–the Traveller’s words kept on coming back to her.

Besides, all of you are hiding a grave secret from one another.

The words chilled her. Were her friends, her companions really hiding something that dangerous? How much would it affect her question?
Another thought struck her head: Is the secret as grave as mine is?

Last edited by Coco_animator (Nov. 11, 2024 17:07:25)

Coco_animator
Scratcher
100+ posts

lora's swc thread

I KNOW I HAVEN'T BEEN POSTING IN HERE <3 most of my words this session are from nanowirmo and i haven't been posting it on scratch so </3 </3 but yes
CABIN WARS THING this is someone else's character, she's a time traveller so i'm just blasting her into greek mythology era okay
428 words
————————————————————————————————————————————————–
Reina wasn't sure when she regained consciousness, but as she tried to get up, colourful spots danced in her vision. She groaned and opened her eyes, swiveling her head as she attempted to get a good look of her surroundings.

Reina was lying on a marble floor, and as she squinted through her eyes, she saw that she was in a remarkably fancy palace. There were marble columns and statues everywhere, and a jewelled encrusted throne sat before her.

On it, she saw a frowning man lounging, a golden and white staff next to him and maidens dressed in white beside his throne. He was staring into the distance when a guard dressed in black went up to him and bowed.

“She's awake, your majesty,” he whispered. The king snapped his attention towards Reina, collapsed on the floor, and tilted his head.
“You may rise,” he boomed as he cleared his throat.

You know, Reina thought as she gritted her teeth and tried to push herself up, I really would, if I wasn't rendered helpless and just woke up from being unconcious.

She managed to get up as two guards rushed to her aid and lifted her up with a nod from the king. Reina looked anywhere but at him as she leaned against the guards, clenching her fist to help deal with the pain that flooded through her.

The king frowned. “Zeus, what is this tormenting? How many more people will you send?” He yelled as he looked up. A boom of thunder filled the palace as the guards flinched, but the king merely shook his head. He looked at Reina. “What are you doing in my kingdom, subject? And what are you wearing?”

Reina was caught off-guard by the king's second question. She fumbled with her lab coat as she tried to get out a coherent answer- she wasn't good at talking to people, much less a king.

She tried to analyze her situation as quickly as possible. Clearly, she had shot back a bit /too/ much in time when she'd used her time-travelling powers, and she seemed to be in Greece, in the fifth to the eight century BCE. That is a long time back, she thought as she shivered.

Reina mumbled out an answer. “Your majesty, the- the Oracle of Delphi sent me here,” she made up a lie as she looked at the ground. “I was sent on a quest to- to write a scroll depicting how well you rule your land.”

The king frowned. “That is an unusual quest. For the Delphi, at least. Weren't you sent to slay any creatures, or retrieve a golden apple from the garden of Hesperides?”

Reina paused as she thought of an answer. “Yes, but I was cursed as a child, to not be able to lay a hand on a sword,” she made up as she flourished her hand. “Therefore, this is the best quest I can get- I can wield a pen, not a sword.”

The king scrutinised her. “I see. Zeus must finally be appreciating my talents then. Very well, what do you need?”

With her power almost depleted, to get back to her era, Reina needed a jewel. “Your majesty, I need a jewel for you to place in my palm. It's a surprise as to why I need it, you'll realise once I give you the scroll.” She blurted out

She held her breath as the king's eyebrows scrunched up, but nodded. Relief spread across her face as a maiden gave her a linen cloth with a bright emerald on it, along with a quill and a scroll.

Reina took the napkin and held the emerald, drawing power from it. “What is this treachery? Styx cannot allow this! Guards, stop her!”

A golden light with a greenish tinge to it spread from the jewel, bathing the palace with its rays. Reina gritted her teeth as she controlled the light and felt it wash over her, and blackness took over again….

“Wake up! Come on, wake up-”

Reina blinked her eyes open as she regained consciousness. “She's back,” the figure said as she squinted and sat up.
“What year am I in?” She asked groggily as she blinked.
“It's November twenty-fourth, 2024.” The figure said, and relief flooded through her.

I'm back.
Coco_animator
Scratcher
100+ posts

lora's swc thread

writing comp entry DRAFT <3

the heart of a lovesick girl (WORKING TITLE)
i walk home on broken cobblestones

with my feet sinking into the pavement,

(the stones jab into my soles,

but what’s the point, anyway?

what’s the difference?

a slow death by blistering pain,

or one with my heart shattering, and tears

bitterly flooding my empty jar of happiness?)

coming back from her party.

(the memories are still bright in my mind.

S T O P.

help me. please.

you’re not allowed to feel this.

it’s rule #3 and i’m drowning in them

you i can see her eyes shining

know with her lips stretched into a smile

it. and the slight rip in her jeans,-)


the beats and harmonies are vividly pictured

in my head

and i can still see
us dancing together,

with her hand guiding mine as

we escape this world, but-

(this is my best friend! she says)

and i excuse myself as my smile

turns strained and my eyes turn blurry

and my voice quivers and my knees shake

and my knuckles turn white-

the memories of her

stab my fragile heart

(why can’t i ever be more?)
as
it
shatters
into
a
million
pieces…






of all
the people
who were
kind to
me and
brought me
to a
place where
i can only ever feel loved and safed
and showed
me the
stars and
the fates,

… why her?

of all;
stars, people, class
-mates, friends,
instrumentalists,
bookworms,
geniuses,
genders.
why
her
?

(maybe because she’s the only one)

SHUT.
UP.

(maybe because no one else ever cared enough)

STOP.

please.

(what if you were wrong? what if you do need to be ‘fixed’?)


STOP.

stop thinking about her-

please!

why can’t you just-

stop?


stop:

(stɒp)

verb

1) to stop talking to her, torturing myself, tormenting myself with every

live second spent next to

her.


2) to stop feeling for her,

somehow extract this emotion from my body

so that i can pretend i don’t need to be

fixed’.

3) to stop.

i could move away.

find a new life.

forget that she exists.

…but would that even be possible?

i could try.

you know you couldn’t.

(the other half falls into silence)

(storms rush in
and darkness overtakes
as the rain
gushes
powerfully
and weaves
into all of her worst
nightmares
as water drips
from her hair and the
oblivion
is all she can see

and she tries to give up on

her.)


(and she miserably fails and is

afraid

she

ruined

her

life.)


(and this time, no fairy godmother

with wings flies into her

life with threads of magic,

golden dust weaving and forming all

her deepest wishes.

this time, no fairy godmother

takes her hand and conjures up all

she ever needs

and fulfills her idea of a

happily ever after.

this time,

she fears

she is

truly

alone.)














Last edited by Coco_animator (Nov. 26, 2024 14:33:19)

Coco_animator
Scratcher
100+ posts

lora's swc thread

critique for sandy

hi sandy!! first off, i wanted to say that this seems like a really great piece :0 i honestly really loved the vocabulary used and the idea you've employed over here, it was really cool <3 your writing pieces honestly never fail to astound me haha
let's get into the line by line critique!

Where Kurt was from, he would admire the heather.

(He would never know that only 15 years after his death there would be a song written about the heather, and a girl, and the bees.

off to a promising start! as a suggestion, you could make this ‘the heather, a girl, and the bees’, removing the extra and, but it's really not nessecary <3

A song that was sang as the German war machine cut once more into the fields of France—have they not learned their lesson this time?)

i think ‘sung’ suits this context more, maybe? <3

Still, it did comfort him, to have a piece of home carried along with him. Maybe it would protect him; maybe it would ensure he returns.

i think ‘maybe it would ensure his return’, past tense, would make more sense in this.

When he arrived he would see other flowers. He was not an expert, and he did not quite care for the type of flowers that they were. But the other man in his unit did;

the ‘other’ man in his unit makes it seem like he was the only other person in his unit, so maybe change the wording there?

Moral questions were not particularly his forte either, despite how much his future friends dabbled in them.
if you're talking about future friends, then maybe it would be best to switch to future tense? something like ‘moral questions were not particularly his forte either, despite how much is future friends would dabble in them’.

Not very bold and adventurous, he thought, to be cowering under explosions. It was what it was, and he tried to ignore the distant and not-too-distant sobs.

klaus's feelings of guilt of hearing the sobs seems a bit too sudden, maybe you can introduce a few pinches of this emotion earlier in your piece as well, and build up to it?

It was only he and his parents in a small town, and they were too preoccupied with their ordinary work to pay much attention to him.
you could say ‘it was only him and his parents’ instead of ‘he’

He and his lingering obsession with calculations and numbers while his grades in everything that didn’t have to do with them suffered.
this sentence is a bit too clunkly, maybe paraphrase it to ‘Him and his lingering obsession with calculations and numbers caused his grades in everything else unrelated to it to suffer.’

August was among the lost days of the past as casualties began to pile up and everyone began to understand that this was not going to be over just yet.
this is very nitpicky, but ‘august was amongst’ or ‘august lingered amongst the…’ sounds a bit better to me in this situation <3

Still, hope somehow persisted amongst a few of the soldiers. It could still be all over by Christmas, they would insist, even as the temperature crept lower each night and the barren ground became hard with frost.
maybe put the line in quotation marks? ‘“It could still be all over by Christmas”, they would insist..’

The nasturtiums were like little suns in the towns filled with red leaves, guiding all of them to victory.
'the nasturtiums glowed like little suns' sounds a bit better to me, but it's up to you ;D

Right
?

love this little moment of doubt amfbsjbfjg <33

and that's it for the critque! again, i want to say that this is honestly a really good piece, i love the little bits of humour, guilt and emotion just scattered around, it really gives light to your writing <3 i really love this and good luck, i'm sure you'll do amazing!

Last edited by Coco_animator (Nov. 28, 2024 14:51:50)

Coco_animator
Scratcher
100+ posts

lora's swc thread

got a bit too personal, so editing this out!!

Last edited by Coco_animator (Nov. 28, 2024 13:46:56)

Coco_animator
Scratcher
100+ posts

lora's swc thread

i hope you're happy (you ruined me)
a writing comp. entry
862 words, not including a/n. apologies for the pictures, wanted to preserve formatting <3


















author's note (not included in word count, feel free to skip):

well, we finally finished it! thank you so much to sandy for critiquing and zoe for being emotional support, as well as my two irl friends being supportive and not finding me freaky when i told them i write deep angsty poems, you guys are honestly the best <33 also a big thank you to sun for the inspiration of writing a concrete poem amidst this and taking screenshots from google docs and putting it on here, you are honestly /such/ a legend and an incredible incredible writer.

i hope you're happy (you ruined me) was hard to write because i honestly know nothing about love, or heartbreak, or liking one of the same gender, in fact. i stumbled across this idea when i read ‘the sun and the star’ and was inspired by the relationship between will and nico, but i thought about it: what if the other person didn't like them back? what if the entire world was against them?

so here it is! this poem is broken into five parts, each telling another part of the story. it essentially visualizes a girl who fell in love with her best friend, who didn't reciprocate. the society is against the girl and so the allegations spark up, telling her that she needs to be 'fixed', which is mentioned in the poem. after that, you need to infer a bit, but you can see that the best friend left the girl, causing heartbreak and eventually the entire angst, haha <3

this is not my best writing piece, but it's also not the worst– i'm pretty proud of it <3 hope you understood this and felt the emotions as concisely as i did while i was writing this ;D
thanks for reading this, i'll hopefully be back with another piece next session!

Last edited by Coco_animator (Nov. 29, 2024 14:59:41)

Coco_animator
Scratcher
100+ posts

lora's swc thread

Lora's Co-Leader App DRAFT Answers

— ABOUT ME —
Hi there! It’s Lora. It’s really nice to meet you. I live in India (IST timezone) and use she/they/her pronouns.
To tell you about myself, I’ll start with my personality. I try to be kind, understanding, and compassionate at all times, but in all honesty, I have realized I do have a bit of a temper, haha—although this isn’t exactly prominent online, I’m actively working on those issues. I also always try to break any surface tension by cracking a few jokes,—it always helps lighten the atmosphere!
My hobbies have to be playing basketball, the guitar, singing, drawing, spending time with my family and friends, reading, and—this will SHOCK you. I have never told anyone else this and it honestly feels really big—writing! I know, it’s honestly such a surprise, who could have ever guessed???? I also have a passionate love for extra-curricular activities, as my friends have constantly pointed out ;D I do basketball tournaments, debate competitions, writing/poetry competitions, and robotics competitions in real life! It helps me get my spirit up and boost my teamwork skills, as most of these are collaborative competitions <3 They have given me my competitive edge and my love to work in a team, and I'm so grateful towards how they've shaped me as a person, and given me those little breaks from all the academic stress!
I feel like books honestly make up 80% of my life: they help me in everything: from writing, studying, and researching, to just plain, well—reading. It’s such a huge part of my life and has impacted it in a way that no words could ever express. My favorite types of books are thriller, real-fi, fantasy, and tragedy! Examples would be ‘The Fault in Our Stars’, ‘Six of Crows’, ‘Percy Jackson’, ‘Inheritance Games’, ‘Powerless’, and a lot more. These are honestly such banger books haha, you should completely read them if you haven’t!
Music also takes up a huge part of my life, and I’m undyingly grateful for how much it has inspired me to not lose motivation during those rough patches of doing homework, math, or even writing my novel. Thank you so much to all those songs that kept me alive and working through all those hard times! When it comes to music, I also love playing the guitar and singing. It helps me express my feelings in ways I could never do with just words on paper, but with tune and emotion.
So that pretty much concludes it! This is me, Lora, your friendly neighborhood lunatic obsessed with music and books, signing off. (…temporarily, because this is literally just the first out of ten answers, help)

— PREVIOUS PARTICIPATION —
I’ve participated in SWC for eight sessions! All the way from March ’22 to November ’24, with the exception of March ’23, I’ve been in a constant flame of chaos and writing that has inspired me in countless ways. Through these sessions, I’ve learned many things through the various dailies, weeklies, workshops, and finally, the people of SWC. They have motivated me and helped me in so many ways that I don’t think I could ever express how much gratitude I feel towards them. SWC has changed my life.
Although I mostly camped in all of my sessions, in July ’24, my seventh session, I led poetry alongside Amethyst and Fi, which was an absolute blast! Aside from being a leader, I was also a member of the daily team and of the memory book committee. I had a lot of fun and learnt a few essential details on collaboration and leadership which I hope to remember throughout my entire life. Additionally, during November ’24, I was again part of the daily team. I'd like to state here just how much SWC has impacted my life: it's the entire reason I got into trying to write 50,000 words of a novel, the entire reason I entered for all those poetry and writing competitions, and the reason for my passion and love behind art.
One of my favorite moments from SWC has to be planning for poetry with Amethyst in Canva where we started rambling about Taylor Swift and ended up being telepaths and somehow saying the same thing at the same time—even though we live in completely different continents. I also loved roleplaying with my friend Kat in my first /ever/ session in March ‘22, making several new friends, and having fun with Finley’s Fingernail Factory in the most recent session. Making a website, being a loyal worker to Fini and fighting with Zy was honestly such an experience, haha ;D
Apart from SWC, I’ve participated twice in SAC and twice in SRC. In real life, I’ve been class prefect, leader for two of our assemblies, leader of my chess team, basketball team, and for six of our group projects! I also was a strong nominee for grade prefect and am currently awaiting the results for house prefect, haha.
For writing, I’ve placed twice in the SWC writing competition — in March ’24 and July ’24. I won silver in my school’s slam poetry competition, a few of my stories have been entered for the school magazine, written a workshop on pacing for SWC, I’ve been in several debate competitions (as well as MUNs), and am currently working on a novel! These occasions have taught me a lot about different techniques, styles, how to embody emotion, and a lot more, like working together as a team and completing tasks by their deadlines.

— CABIN PREFERENCES —
I would honestly be fine with co-leading any cabin! I’d rather be a co-leader of a cabin, regardless of its genre, than not one at all <3 I’ve been put through several situations that have really helped me expand my ability to constantly shift, adapt, and change, so I’m confident I’ll be able to work with any cabin that I get and contribute towards it!
However, while saying that, there are a few cabins that I prefer less than others to lead. These are Non-Fi, Script, Contemporary, Dystopian and Poetry, as these are either cabins that I’ve already been in, or cabins that I don’t think I have much to contribute towards. In all honesty though, given a choice, I’d be fine with co-leading them.
Cabins that I would prefer to be in include Mystery, Thriller, Sci-Fi, Fantasy, Adventure, Apocalyptic, and more—these seem like fun, interesting genres that have the potential to create an advanced and interesting storyline that would arouse collaboration and set a good atmosphere for our campers. Therefore, I hope to make my cabin have a competitive, interesting and fun storyline that will boost the campers thinking skills and allow them to bond and collaborate!
Lastly, I think that TCTWNW is a very unique and incredible cabin, but I’d prefer not to co-lead it due to my hopes of having a slightly competitive storyline and atmosphere that would raise the stakes and make the storyline plot more fun ;D

— TIME DEDICATION —
I’ll most likely be pretty free throughout January, February, and March! The only setbacks are I have a series of competitions on the weekends from the 11th to the 25th of January, but that won’t take up too much of my time. Additionally, I have tests for a week in February, but it shouldn’t affect my activity too much.
Therefore, I believe that I will be able to spend at least one to two hours a day. Moreover, I plan to be very free on Saturdays!! Cabin wars are always such an entertaining source of fun and competitiveness that I adore every session.

— TIME MANAGEMENT —
Time management has always been a little prickly for me. Sure, I do get my tasks done on time—but I do end up putting it off to the end most of the times, which doesn’t always end up good.
However, last year (2024), in October, I realized this issue of mine and decided to actively work on it. I started studying for my examinations that started in the second week of December in the last week of October itself. The techniques that I love using are the Pickle-Jar Technique and the Pomodoro Technique! The former is when you segregate your tasks into rocks, sand, and ___. The Pomodoro Technique is pretty famous. It consists of taking 25-minute studying periods and 5-minute breaks, until finally you get a long study period (50 minutes) and a long break (15 minutes). I have to say, both of them are really effective! If you ever need to be productive and are finding it hard, I highly recommend these.
The results were pretty good! I am only a bit shocked to say that I felt more confident about my answers, I ended up getting good sleep every night, and I was able to put aside time for hobbies of mine. When I led last in July, I tried my best to segregate my time between my hobbies, necessities, and SWC. However, I do feel like I failed a bit. I always felt like I had so much to do on my hands and that every time spent away from SWC was a waste.
However, since then, I’ve learnt a lot of things about prioritization and setting deadlines, like what I did for my examinations. I can now confidently say that although I am still learning, I think I will be able to manage my time in SWC quite well. I believe that I will be able to complete all my tasks on time while having fun through every process and step, and maintaining a healthy sleep schedule while encouraging my campers to do so as well! After all, life > SWC

— COLLABORATION AND ASSETS —
For my strengths, I believe I would be a valuable asset to the team. I’m creative and imaginative, and I think I would be able to come up with unique plot twists and interesting ideas that would overall help the cabin. I'm also good at graphic design and I can draw—which could contribute to cabin artworks—and I love making interesting mascots that could boost the cabin spirit!
In teamwork, I believe I'm pretty good at collaborating with others. I love brainstorming ideas, working with others, and finding unique and diverse ways to approach a certain problem! SWC is such a diverse community, with people from all around the world, and I think it’s important to utilize this aspect.
One of my worst qualities while working in a team would probably be my lack of trust in others. Sometimes, in group projects, I don’t often have faith in others that they will be able to complete their tasks. In all honesty, this is due to actual situations that occurred a few years back in school when the people in my team did, in fact, not complete their side of the project, often piling the work on me, which influenced this negative trait.
However, I am actively working towards this! A side trait to this is micromanaging, which means I often want to take control of every minor detail in a project, but I’ve realized that it is so much easier to trust others to be able to complete their tasks and for me to just do mine. I have come to the mindset where I can think ‘yes, they will be able to do it—and if they won’t, they’ll notify everyone before the deadline’. This has helped me to not overwork (a problem I used to severely face before), to trust others, and to equally segregate tasks between members of a team!

— QUALITY —
One quality that I embody is the simple trait of being an active listener. Active listening isn’t just hearing other people’s ideas. It’s the ability to hear those ideas, take them, and use them with all those other ideas we have. It’s the ability to be open minded and combine these ideas and form a unique approach and solution that only one person wouldn’t have been able to think about. It’s the ability to take everyone’s interests and wants into hand, and collaborate together to form one, unified idea. As I’ve said before, SWC is such a diverse community, an aspect that is largely useful! We have people from all around the world over here, and I believe that it gives us a huge advantage with all our different perspectives and viewpoints.
I will apply this to leadership in SWC by asking all my team members what they think before reaching a decision. I will collect all our ideas together and make sure we collaborate to form one unified and unique idea! I believe that listening and collaborating are valuable and integrant aspects that need to be highlighted upon, because they can truly change the whole flow of the cabin in a great way.

— CABIN ATMOSPHERE —
Friendly, warm atmosphere with a slightly competitive edge. Campers can collaborate with one another and feel at home while working towards the cabin storyline.

— CHECKBOX —
(Check both boxes)
b) No, there are not any leadership responsibilities listed that I cannot complete. I believe that I will be able to thoroughly fulfill all of the requirements.
c) If I believe that I am going to go inactive, I will notify my (co)leaders as well as the rest of the leadership team in case they want to reach out for anything. If it is longer than five days, I will notify the hosts as well. While informing, I will give a valid reason and try my best to give specific timeframes. To ensure that my cabin runs on smoothly, I will try to complete all responsibilities I had to do in that timeframe prior to my period of inactivity. If I am not able to, I will inform my (co)leaders of this and ask them to distribute the work amongst themselves. If I believe I am going to go inactive for too long, I will drop out as a co-leader. If someone else in the leadership team goes inactive, I will delegate their responsibilities equally between my (co)leaders and me. This way, we can ensure that our cabin runs smoothly without any bumps or twists. If the person goes inactive for too long, and it is during late February and March, I will discuss with the hosts and my fellow (co)leaders about adding another person onto our leadership team.

Last edited by Coco_animator (Jan. 13, 2025 17:14:57)

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lora's swc thread

Using incorrect grammar purposefully in narrative writing
“In the writing world you can only get away with breaking the rules, if it is obvious you are doing it on purpose.”

Introduction

Welcome, SWCers, to another workshop! In this, we will be going through why we use incorrect grammar purposely, as well as how to implement it while keeping a balance–all in narrative writing. However, please keep in mind that you should use this only if they fulfill a purpose in your story, and not only for the sake of it. That being said, let’s dive in!

Reasons to implement incorrect grammar:

1 - Using incorrect grammar as a form of characterisation


This essentially means deliberately using incorrect linguistics as a way of making characters more distinct, or different. In this itself, there are several ways to set characters apart from one another.


Way of making them more ‘human’, showcasing how people make errors.

Example: “I don’t know what I’m gonna do! He—he just left and now, what do I—what do I even do now? It's like, everything was fine and then—then it wasn't!”
In this, the character speaks using inconsistent tenses, incomplete sentences, repetition of words, run-on sentences, and lack of proper structure to showcase this, creating an impact or an effect that truly shows us how flustered or worried they are. This could work better than using complete sentences and consistent grammar.

A way of showcasing the impact of mental health disorders

Example: ‘In a community college English lit class, we read a book told from the perspective of someone suffering from PTSD. It was non-linear. The story jumped through time as a representation of the main character’s mental instability.’
(Taken from a website)
The non-linear structure of the story, jumping through time, reflects the main character’s mental instability, mimicking the fragmented, disjointed way someone with PTSD experiences time. This shows the character’s chaotic, jumbled thought processes, displaying their emotional turmoil of living with trauma.

A way of displaying illiteracy

If you’re working on a story narrated in the first person, and the narrator is uneducated, you could plan on writing their voice that way–with poor grammar, or even spelling mistakes.
Example: Mark Twain's Adventures of Huckleberry Finn is probably the most famous example in American literature of sustained deliberate bad grammar. There are a few misspellings, with words that Huck himself doesn't know how to spell. He says “The Widow Douglas she took me for her son and allowed she would sivilize me”.
You could also use it as space for character development. For example, in a book about a girl named Claireece, who struggled with illiteracy and had limited knowledge of English, the story shows her growth. As Claireece progresses , her grammar improves, and her vocabulary steadily expands, showcasing her character development.

A way of showcasing traditional customs

In a story set in a more rural community, people might have a different traditional style of talking.

For example: “We don’t do them things like the city folks do. In our ways, we learn from the land and listen to the winds, and them winds don’t lie, no sir.”
This dialogue intentionally uses incorrect grammar to convey a sense of regional dialect that truly convinces the audience that they're from that particular place. For example, instead of having your character say ‘I come from Texas’, you could have them say ‘I’m from Texas, ain’t no doubt.’ This makes us clearly understand which place they're from, another feat that the use of intentional incorrect grammar fulfills.

2 - To create an effect

We can be deliberately ungrammatical for effect— to be folksy, humorous, emphatic, etc. as in an example when a person uses ain't. This extends to effects such as sensational spelling and exaggerated pronunciation like Tony the Tigers cereal catchphrase ‘They’re grrrrrreat!’ and ‘Our computer is so sloooow.’

Using limited punctuation to create urgency/anxiousness

You can't get that creative with semicolons or colons, but you can play around a bit with commas, dashes, and periods. You can also see what happens when you neglect punctuation altogether, though this technique should be used sparingly and for a very clear purpose. If your protagonist is enduring emotional turmoil, and your story is being told from their perspective, you might omit some punctuation to reflect a state of mind during a key event.
For example: Before I knew what I was doing, I was running up and down the aisles of the store, my sandals slapping the cold tile with each pounding step, and I was yelling—no, screaming—for my son. My mind was racing, my breathing hard. Oh God what have I done where is he my son please God I can't have lost him oh God I lost him I lost him I lost him.

Fiction can be enhanced by the deliberate misuse of grammar. Plenty of writers use fragment sentences to create urgency. Run-on sentences have gotten a work out in fiction, too. Faulkner wrote individual sentences that lasted pages. Jack Kerouac often used run-ons to create rhythm and momentum, creating the definitive style that is showcased in On the Road.

Creating a gentle, aesthetic or dreamy effect

Sometimes, in a story, you might want to create a moment of vulnerability where the character reveals their thoughts, or you might be capturing a dreamy, fantastical scene. In these cases, you might want to consider dropping capitalization and using only lowercase letters. This is because using capital letters could just collapse that vulnerabilty and feel too harsh for the gentler aura you're trying to go for.

For example: she gazed at the starry night, padding softly in the lush green grass as she hummed a sad tune: the world outside, blurry and distant. she laid down on the ground as her thoughts drifted, unearthed, like the wind. maybe in another life, we would've been something more, she thought as tears stubbornly dripped down her face. something more.

In this, lowercase helps create a world that feels more fluid and immersive, blurring the lines between the real and the imagined. It gives a sense of weightlessness, making the story feel like a journey through an unfamiliar, magical realm where the rules don’t necessarily apply.

Throwing special attention to a certain scene

Breaking grammatical rules can create an intentional pause or stumble, drawing attention to certain moments and forcing the reader to slow down and reflect.

For example (after paragraphs of normal grammatical structure): the sky—so dark, so endless—wasn’t supposed to be like this. there should have been stars. there should have been something. but all there was, was this empty blackness, swallowing everything. and she stood there, frozen, staring. frozen.

After a series of normal grammatical sentence structures, fragmented sentences can help draw more attention to specific scenes, as well as the emptiness of the moment. Again, the lack of capitalization in this sector makes it feel more vulnerable and gentle, which enhances the event immensely.

How to implement intentional use of inpropper grammar.

Now that you know most of the cases in which to use incorrect grammar in narrative writing, it's time to implement it. It's vital to know that you're using this to achieve a particular goal, and before you start writing, spend a few minutes to think about it.

Is your character going through literally development? Are they from a place where the dialects spoken have a traditional twist? Are they in a sort of emotional turmoil that puts them through something? Are they going through mental instability or disorders? These are all things that you need to consider before using incorrect grammar, as well as more factors like the ones explored above.

Now that you've done that, it's almost time to wrap it up. However, before you go, along with the above advice–keep your incorrect grammar consistent. This is extremely integral towards the writing of your story. Using English as an example, a New Yorker with bad grammar wouldn't make the same mistakes as a South African with bad grammar, who wouldn't make the same mistakes as an Irishman with bad grammar. Some things might be closer in different countries, but never the same. If you suddenly switch traditional dialects in the middle of a dialogue, that just doesn't make sense!

Conclusion

Congratulations, you made it through this workshop! In this, you should have learned why and how to use incorrect grammar intentionally in narrative writing. Head back to your weekly and complete the designated task–I hope you had fun learning about this. Good luck, campers–we can't wait to see what you come up with!

Last edited by Coco_animator (Feb. 21, 2025 15:16:04)

Coco_animator
Scratcher
100+ posts

lora's swc thread

the delegate of lunia believes that a direct negotiation should be placed (peace negotiations) to the planet and that all planets be present for that conference. the hostile planet should be informed about how destroying the fifteen(?) planets would prove a tragic loss of resources, land, and more that could prove great use to the planet. a trading system could be established for the flourishing of all the planets. we could offer security grantees and establish mutual disarmament

Last edited by Coco_animator (July 7, 2025 15:55:18)

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