Discuss Scratch

essayist
Scratcher
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finsy's swc megathread

critique for vale, 528 words

Hey Vale! So for this critique, I’m just gonna pick out some lines & note some stuff that stands out to me as well as well <33 There wasn't that much to add on to so i might sound like a broken record-

This is a strong opening line—it immediately sets a dark, somber tone. However, “anguish and agony” feels a bit redundant since both words convey similar emotions. You could consider cutting one to make the sentence sharper. For example: “The pitiful whimpers of anguish faded into dull acceptance.”

The pitiful whimpers of anguish and agony slowly faded away into dull acceptance. She'd expected at least some form of desperation or pleading, preferably both, yet it was clear that wasn't happening. What else could she expect from he whom was meant to be the purest, the holiest, though? To beseech such a dreg queen quite like her was probably far below his worth.
The opening line is strong—it immediately sets a dark, somber tone. However, “anguish and agony” feels a bit redundant since both words convey similar emotions. You could consider cutting one to make the sentence more consise like “The pitiful whimpers of anguish faded into dull acceptance.”

“She'd expected at least some form of desperation or pleading, preferably both, yet it was clear that wasn't happening.” – This sentence is a bit clunky due to its length and structure. Breaking it up or simplifying it could help. For example: “She’d expected desperation, pleading—preferably both. Yet it was clear that wasn’t happening.”

“What else could she expect from he whom was meant to be the purest, the holiest, though?”– The phrase “he whom was” is grammatically incorrect—it should be “he who was.” Also, “the purest, the holiest” feels a bit repetitive. You could shorten this to: “What else could she expect from him, who was meant to be the purest?”

“To beseech such a dreg queen quite like her was probably far below his worth.” – “Quite like her” feels wrong here, I can't figure out why though. Maybe try rephrasing to something like: “To beseech a dreg queen like her was far below his worth.”?

After all, how about the fables she had heard of what he had went through?”
“Had went” should be “had gone.” Also, “how about the fables” feels a bit informal compared to the rest of the tone. Maybe: “After all, what of the fables she’d heard about his trials?”

She jerked her thoughts out of this stupor. She hated it whenever her hostess would head down this spiral of being goody-goody; it made her head spin and sent her bullet-like contemplations into a temperament of turmoil, and what was once a deadly, serrated haruta blade into no more than lulling cotton candy that was even more useless than her godforsaken parents.
This sentence is very long and dense, which makes it hard to follow. Breaking it up would really help lol, something like “She jerked her thoughts out of this stupor. She hated it whenever her hostess spiraled into being ‘goody-goody.’ It made her head spin, turning her bullet-sharp contemplations into a storm of turmoil. What was once a deadly, serrated haruta blade became no more than lulling cotton candy—useless, even more so than her godforsaken parents."

You're really good at making us feel the character's emotions. Like, we totally get how sad or angry they are! But because the way you write it is a bit complicated, it's hard to follow what's actually happening sometimes. But when I was reading this, it's like the feelings are there, but the story gets a bit confusing. That's kind of what it's like with your writing. You've got amazing ideas and feelings, but you need to slow down and make it a little easier for us to follow along for a better quality.

That's pretty much all I can think of lol, and most of this is very nitpicky, you actually did a great job! Thanks for letting me critique your piece <3

essayist
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word war with alana

The sun dipped below the horizon, commanding the stars that fell over me. As chaos threw its cape over my shoulders, the moon was beckoned out. We were so close to the end, it was almost uncanny. In three minutes, we had raced across the ocean, swam in the sea and made our way backt o the house before sundown! i was genuinley in shock. There was only one thing left to do before we earned the final award of the Grandest Games–the one evetyone had been seeking. The twnety six million dollar prize. But, where were the other teams? Wohld they have completed the taskjs as fast as us? Grayson hawthorne and I made a greeat time–actually, one of the best. i need the cash p[rize to go to harvard andnthere was no one who could stop me from playing now. When we enrtered the room, all we saw a moldy green slime mept on the kitchne counter. As i was about to toich ti in order to find any hidden clues, Grayson slapped my hand. “Uh, Fini… do you… really want to touch that?” he asked me seriously. I mean, he was right. That slime looked like it was five hundred years old and had attracted all the bacteria in the world. But no, that was not going to stop me from playing this game! I touched it and felt my hand burn instanlty. “Owwww!” I exclaimed in pain. “I told you. My brothers won't just leave moldy slime like that. It's a hint. Try out burning slime!” Grayson smiled, deep in thought. I was heartly sick of playing. My mind felt like it hadn't lived normally in ages. All I was paying attention on was the small craving in +292 words
essayist
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word war with sophie

Dear Santa,
I hope this letter finds you well. I live in South California so I have no idea how this letter even reaches the North Pole but I'm pretty sure you've got your elves to thank for that! You probably get a lot of letters from children like me requesting for materialistic items, but I'm not like them. For this Christmas, I'd like a peaceful life for a change. Everything's been such a mess since Grandpa died. My Mom cries everyday–she doesn't see the point of living her life without a father. My Dad gives up everything to support my Mom and also seems really despondent lately. My Grandma is all alone now, she has no company in life–no one to talk to. She doesn't have any hobbies either, and my Mom tries to spend a lot of her time with her. She lives two hours away from us so my weekends are usually taken up by going here and there. My Dad's side of the family keeps fighting over petty things like money and relationships, it's insane. Santa, I just can't deal with all this drama anymore. I'm going to become a senior next year and my head will explode if I have to manage all this family drama and school work. So, please, gift me a peaceful life. Let me enjoy my last year of school in peace and work towards getting a scholarship to Harvard university. I want to use my time wisely and enjoy it to the fullest with my friends. After all, I don't know when I'm going to see them next. Hopefully you consider my request.

With love,
Finley +276 words
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word war with jas

Oh my freaking god–it was March 11th again. This was the day I died. I woke up gasping, my chest tight with the phantom ache of my last breath. The same sterile ceiling stared back at me, cracked in the corner, with a water stain shaped like an eye. I knew this room. I hated this room. I swung my legs off the bed, heart pounding. My shoes were right where they always were — scuffed sneakers, laces frayed and bloodstained. My blood. I tried not to look at them as I slipped them on, but it was like trying not to stare at a car crash. I’d been here before. Hundreds of times. Maybe thousands. The clock on the wall ticked relentlessly: 7:23 a.m. I had twelve hours. I always had twelve hours. Outside the window, the world was painfully ordinary. People bustled through the streets of Greywater, bundled in coats, sipping coffee, texting. They didn’t know. They never did. No one else seemed to notice the day looping — just me. I pulled on my hoodie and grabbed the notebook from the nightstand, flipping through pages filled with jagged handwriting and frantic diagrams. I’d documented every attempt to change the outcome, every possible escape. I’d tried leaving the city. I’d tried warning people. I’d even tried hiding in a church, clinging to the pews until midnight. It didn’t matter. No matter what I did, by 7:23 p.m., I was dead. The method changed — sometimes a car crash, sometimes a fall — but the result never wavered. I pressed my forehead to the window, breath fogging the glass. Today, though, something felt different. My fingers brushed against my collarbone, where the skin had always been smooth. But now, a thin scar stretched across it — a scar I’d never had before.I grabbed my backpack and stepped into the hallway. The apartment complex smelled like burnt toast and mildew, same as always. But when I reached the stairwell, I froze. There was someone there. “You’re late,” he said without looking up. I swallowed, my mouth dry. “Who are you?” +350 words
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the witch eaters, daily 11, 662 words

Once upon a time, deep in the heart of a dark forest, there stood a little house made of gingerbread and sugar. Two hungry children, Hansel and Gretel, stumbled upon it, their bellies aching and feet sore from wandering. The smell of caramel and spice wrapped around them like a warm hug, luring them closer — but the sweetness masked something rotten beneath. “Come on, Gretel! Let's knock here–maybe the owner will spare us some food. I can't walk anymore” Hansel sighed, walking towards the front door of the house.

Gretel bit her lip and glanced around nervously, her hand clutching her brother’s sleeve. “What if it's a trap?” she whispered. Gretel had always been the cautious one in the duo and kept a check on Hansel's fantasies. “We can't go wrong with a house made of candy!” Hansel assured and knocked on the door confidently. Almost instantly, the door opened and Hansel's starving face was met with a smile. “Well hello dearies, looks like you two can use some food! Come on in!” A seemingly nice lady beckoned them inside. Her eyes gleamed like polished stones, and her fingers, long and thin, tapped against her apron as she stepped aside to let them through.

The inside of the house smelled even sweeter — like cinnamon and roasting sugar — but Gretel’s nose twitched at an undercurrent of something foul, like burnt meat. Hansel, oblivious, darted to a table piled high with pastries, stuffing a sticky bun into his mouth.

“Eat up, my dears,” the woman cooed, her voice as syrupy as the treats. “You must be starving.”

Gretel hesitated. The woman’s smile stretched too wide, and the candies on the walls seemed to glisten, almost like they were… sweating.

Hansel devoured another pastry, crumbs dusting his shirt, when the woman placed a hand on his shoulder. Gretel flinched — her nails were black and sharp, curling like claws.

“We really should be going,” Gretel blurted, grabbing Hansel's arm.

The woman’s grip tightened on Hansel. “Nonsense,” she said, her voice hardening. The room darkened, shadows pooling in the corners. The candy walls sagged, and Gretel realized with horror that the streaks of red dripping from the ceiling weren’t icing.

Hansel tried to pull away, but the woman’s fingers elongated, wrapping around his wrist like vines. Her face rippled, the illusion melting — her skin cracked like old sugar, revealing something twisted and skeletal beneath.

Gretel snatched a rusty fork from the table and lunged at the woman’s hand, stabbing it deep. The creature screeched, releasing Hansel as her skin bubbled and hissed.

“Run!” Gretel screamed, dragging Hansel toward the door.

But the gingerbread house was alive. The doorway sealed shut with a sickening squelch, frosting hardening like stone. Licorice vines slithered down the walls, reaching for them as the woman’s distorted form loomed.

“You can’t leave,” she rasped, her mouth splitting open far too wide, jagged teeth glinting like glass. “You’re part of the recipe now.”

Hansel grabbed a heavy candlestick, smashing it against the woman’s skull. The impact cracked like brittle candy, but she kept coming, limbs jerking unnaturally. Gretel, thinking fast, overturned a pot of boiling sugar from the stove, dousing the witch in the scalding syrup.

The witch howled, melting like spun sugar in the heat. Her body dissolved into a pool of caramel and char, the licorice vines withering away. The door creaked open, but the siblings didn’t run.

Hansel wiped his brow, staring at the mess. “I’m still hungry,” he muttered, his voice hollow.

Gretel knelt beside the puddle of syrup, her stomach growling. “She tried to eat us,” she whispered. “It’s only fair.”

They dipped bread into the caramel remains, the sweetness coating their tongues as the house around them crumbled. They didn’t stop eating until every trace of the witch was gone.

When they finally emerged from the forest, their eyes gleamed like polished stones — and their smiles stretched just a little too wide.
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ALANA WHY, daily 12, 336 words

“Alana, WHY?” the entire SWC community screamed in unison after a certain banana turned off the main cabin studio comments.

“ALANA, TURN THEM BACK ON!” Finley yelled, standing on a virtual wooden table with so many scattered sheets that you couldn't even see the table.

“I CAN'T FINISH MY ANGST SCENE WITHOUT THE FEEDBACK!” Mouse screeched, throwing their character sheet like a shuriken.

“We need a PLAN,” Ris declared, flipping over a table covered in word war scores. “Sophie, distract Alana. Finley, start writing the rebellion announcement. Mouse, find a way to hack the system.”

“WHY do I have to be the distraction?” Sophie whined.

“Because you’re the only one who can bribe her with banana memes,” Ris said, already scribbling out a chaotic battle speech in all caps.

Alana, meanwhile, was perched atop a virtual throne made of discarded writing prompts, banana plushies, and the shattered remains of campers' sanity. “IT IS FOR THE DRAMA,” she proclaimed, cackling into the void. “And I have all the power in the SCWorld so why not” she smirks.

Meanwhile, the cabins were in full-scale anarchy. The Fantasy cabin had summoned a dragon to storm the admin panel, while Sci-Fi campers were yelling things like, “IF WE CODE A BOT TO SPAM ‘LET US SPEAK,’ IT’LL GLITCH THE SYSTEM!”

“Finley, what do I tell her?” Sophie whispered, typing nervously.

“I don’t know! Compliment her villain arc?” Finley hissed back, typing out the rebellion doc at lightning speed.

Mouse popped out from a pile of discarded word crawls. “I FOUND THE SERVER CODE!”

“Wait, how?!” Ris blinked.

“I just ASKED the Void Realm nicely,” Mouse shrugged.

“GUYS, SHE TURNED OFF STATUS UPDATES TOO,” Sophie shrieked.

“THIS IS A DICTATORSHIP!” Finley yelled, shaking her fists at the skyWC.

“I AM YOUR GOD NOW,” Alana’s voice echoed through the empty comment sections, followed by maniacal laughter.

“We need a new plan, but I'm out of all ideas now” Ris muttered.

“SWC forever,” Alana whispered, sipping her banana smoothie as the world burned.
essayist
Scratcher
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finsy's swc megathread

critique for luna, 424 words

Hey Luna! I’m going to critique your story by picking out specific lines and offering some general thoughts, offer suggestions for improvement and note some stuff that stands out to me as well as well <33 There wasn't that much to add on to so i might sound like a broken record LOL-

Firstly, can I just say that I love the whole concept and plot??? The concept of the Mona Lisa reflecting on her existence as a trapped soul is so so cool. You captured that feeling of isolation and sorrow so well omg! The repetition of phrases like “Burn the painting” and “Set me free” is so impactful. That said, I think you could build up to these moments more slowly to make them even more powerful. Right now, they feel a bit sudden, and giving them more context or buildup could make them hit even harder. (this is a bit nitpicky lol feel free to ignore this)

While the descriptions are often beautiful, some details feel vague or generic. For example, lines like “her eyes are sad” could be pushed further — what kind of sadness? Are they hollow, heavy, distant? You already have some gorgeous descriptions (like the red hair casting an orange shadow!), so leaning even more into those vivid, sensory moments could make the entrapment feel even more real.

Also, the line “I wish people would notice the soul that’s trapped in a timeless painting” is heartbreaking, but you might not even need to say it outright — the emotions in the piece already communicate that idea so strongly. This feedback is kinda out of the place though XD

A lot of your sentences follow a similar structure, which can make the pacing feel a bit monotonous. Try mixing in shorter, punchier sentences to create a more dynamic story, if you get what I mean.

I'd also love to see more emotions in the character! Even though you've described the narrator’s sorrow and longing, what if there are more emotions you can add like anger or regret to make everything more complicated (yes i love complicated characters) ;D The way you delve into her thoughts and emotions is beautifully done though.

Luna, this was absolutely amazing! The concept is brilliant, and the emotional depth of it is insane. Thank you for letting me critique your piece! I get that this may not exactly be what you're looking for but hopefully it still helped–feel free to reach out to me if you need any explanation for anything I mentioned!
essayist
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finsy's swc megathread

victorian flower daily, 365 words

The letter arrived wrapped in lavender-scented paper, bound with a thread of honeysuckle. Adeline almost missed it, stuffed in her mailbox between bills and a pizza flyer advertising two-for-one Tuesdays.

She dumped the rest of the mail on the kitchen table, but the letter? That she opened carefully. Dried petals spilled out: a forget-me-not, a marigold, and a violet. She recognized the flowers from her grandmother’s old Victorian language guide. Love in absence. Grief. Faithfulness. Weird bouquet for a casual letter.

The note inside was scrawled in messy ink, words tilted like they were written in a rush:

Adeline — I’m sorry. I never meant to leave you. But they’re watching. Meet me at the greenhouse at midnight. Don’t trust anyone.

No signature.

Her heart raced, and she shoved the letter into her pocket. The greenhouse. Midnight. That would be in… she checked the oven clock. Four hours. Enough time to dig into her past.

Adeline hadn’t heard from Laurence in five years. They’d parted badly, but she’d never stopped wondering where he’d gone. He was obsessed with flowers — the kind of guy who could name every bloom in a bouquet but couldn’t keep a plant alive to save his life. And now he was back, maybe in trouble.

She spent the next few hours reading old texts, piecing together memories, and cataloging every weird event in their relationship. The time their apartment filled with foxgloves — treachery — after his mysterious trip to the mountains. The amaranths he left on her birthday — immortality — right before he disappeared.

By midnight, she was at the greenhouse. It stood in a clearing, glass panes reflecting the moonlight like jagged teeth. Inside, shadows twisted around rows of overgrown plants. The door creaked open, and she stepped inside, her heart pounding.

Laurence was waiting, wild-eyed and clutching a bouquet of nightshade.

Dark thoughts.

“Addy,” he whispered, voice hoarse. “I found something. Something dangerous.”

The vines around them rustled, leaves unfurling like fingers. A sudden bloom of asphodels sprouted at the doorway.

My regrets follow you to the grave.

Adeline swallowed hard. She wasn’t sure they’d both make it out alive.

But she was ready to try.
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Dante slumped onto the oversized, jewel-encrusted throne, arms crossed, scowl locked in place. He didn’t ask for this. He didn’t want this. And yet, here he was—crowned against his will, staring down at a kingdom full of people who, frankly, irritated him beyond belief.

“Alright, listen up,” he said, voice dripping with exasperation. “First decree—alarm clocks? Illegal. Gone. If the sun can wake up without a screeching siren, so can you.”

The royal scribe hesitated before scribbling it down. Dante glared.

“Second decree. No one—no one—is allowed to tell me to ‘cheer up’ today. The punishment is exile to the Swamp of Eternal Mild Inconveniences, where your socks will always be damp, your WiFi will be spotty, and your favorite snacks will mysteriously vanish from store shelves forever.”

A horrified murmur rippled through the court. Someone clutched their pearls. Dante rolled his eyes.

“Third decree: Effective immediately, every day is a national holiday. Work? Canceled. Chores? Illegal. If anyone tries to make me do paperwork, they’re getting catapulted into the neighboring kingdom. I don’t care where. Just out.”

The crowd… cheered. Loudly. Which, honestly, made Dante even more annoyed. He was trying to prove a point, and now they were enjoying it?

But then, a servant set a massive chocolate cake in front of him. And—ugh—fine. Maybe he could tolerate this nonsense for one day.

He absolutely hated this world and wanted everyone around him to be miserable just like all of them had made him be. Finally, as a ruler, he could take his sweet sweet revenge.

Last edited by essayist (March 15, 2025 13:26:07)

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Interviewer: Welcome, everyone, to today’s exclusive SWC interview! I’m here with our newest mascot candidate, Pyra the Arson Dragon. Pyra, thank you for—uh—*not* burning the set to the ground just yet.

Pyra: No promises. But hi! It’s such a pleasure to be here. Do you mind if I… *adjust* the lighting? This place could use a little warmth.

Interviewer: I’d really, really prefer if you didn’t. Let’s just jump into the questions, shall we? First, tell us a little about yourself.

Pyra: Oh, absolutely! I’m Pyra, the official Arson Enthusiast™ of SWC! I breathe fire, cackle in the face of danger, and have an undying passion for things that go *boom.* Some people say I have a *problem.* I say I have a *gift.*

Interviewer: …Right. So, what inspired you to become a mascot candidate?

Pyra: Well, SWC is all about creativity, right? What’s more creative than the destruction of outdated ideas, rules, and—

Interviewer: Pyra.

Pyra: —strictly metaphorical things, of course! Mostly. Anyway, I figured SWC could use a bit more *spark*, you know? The ibex is cool, sure. The goose? Adorable. But what SWC *really* needs is a fiery revolution. And I’m just the dragon to deliver it!

Interviewer: I have so many concerns. Next question—what would you bring to SWC as a mascot?

Pyra: Chaos. Flames. The distinct scent of singed paper.

Interviewer: …Any *non*-fire-related contributions?

Pyra: Hmmm. Oh! Encouragement! Nothing fuels inspiration like a little pressure. Just imagine: you’re struggling to finish a daily. But then *I* appear behind you, staring intensely. Maybe there’s a little smoke curling from my nostrils. Maybe my tail sets the table on fire. Wouldn’t that be motivating?

Interviewer: That sounds like a threat.

Pyra: A friendly one!

Interviewer: Moving on. What’s your favorite SWC activity?

Pyra: Writing sprints! They make my heart race and remind me of the time I accidentally burned down a library. (It was a very flammable library.)

Interviewer: …We’re going to pretend I didn’t hear that. Okay, let’s go into some rapid-fire—

Pyra: Ooooh! Rapid-fire? My specialty!

Interviewer: I’m already regretting this. First question—favorite color?

Pyra: Inferno orange.

Interviewer: Favorite food?

Pyra: Charcoal. Occasionally toasted marshmallows, but only if they’re extra crispy.

Interviewer: Dream vacation?

Pyra: A volcano. Preferably an active one.

Interviewer: Pet peeve?

Pyra: Fire extinguishers.

Interviewer: If you could set one thing on fire right now, what would it be?

Pyra: Just one? How cruel. Hmm… that curtain over there is looking awfully flammable—

Interviewer: NOPE. NEXT QUESTION. What’s your biggest goal as a mascot?

Pyra: To inspire writers, of course! Writing should be passionate. Fiery. Unstoppable! I want people to embrace the thrill of storytelling, to let their words *burn* through the page! Metaphorically, obviously.

Interviewer: You hesitated.

Pyra: I did not.

Interviewer: Yes, you did.

Pyra: …Fine. Maybe a little.



Interviewer: Okay, final question before we all go up in flames—why should people vote for you as the new SWC mascot?

Pyra: Simple. I bring excitement. I bring passion. I bring a healthy sense of danger! And let’s be real—who wouldn’t want a dragon on their team? Just imagine the cool merch opportunities! Plus, if anyone ever trashes your writing, I can, you know… handle them.

Interviewer: Pyra, no.

Pyra: Pyra, yes.



Interviewer: Aaaand that’s our time, folks! Pyra, thank you for—oh no. Is that smoke?!

Pyra: Oopsie. Looks like my enthusiasm got a little out of hand again. Anyway, vote for me, or don’t! But if you don’t… well, I hope your fire insurance is up to date.

Last edited by essayist (March 16, 2025 16:27:36)

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If there was something Taylor Swift and Agatha Christie shared, it was the capacity to drive people mad—one through heartbreaking bridge song lyrics, the other through whodunits that made you think twice about your own relatives. When they were brought together (through some sad but miraculous bout of time travel), things went haywire in no time.

“Darling, you require more corpses in your life's work,” Agatha asserted, sipping tea with the confidence of a woman who had witnessed a hundred fictional people pass away.

Taylor, who was playing her guitar and keeping to herself, blinked. “Uh, my last album was heartbreak.”

“Exactly! Heartbreak! Murder is so close! Suppose instead of leaving you, the ex-boyfriend got lost on a misty night.”

Taylor rubbed her chin. “All right, but what if, instead of dying, they only experienced a little pain? Like, figuratively.”

Agatha shook her head. “Figurative language is well and good, dear, but nothing makes people talk like a sudden poisoning at a dinner party.

In some way, via a strange meshing of their styles, a project emerged: Murder in the Lavender Haze, an album and novel mystery hybrid. Taylor penned songs with secret clues aplenty, and Agatha crafted a plot so twisty that even Swifties couldn't crack it. The list of songs featured gems such as No Body, No Crime (But There's Definitely Crime), Midnight Alibi, and Death by a Thousand Suspects.

The party launch, set to be a sophisticated soiree, became a genuine murder mystery night. The fans came dressed as detectives, nefarious villains, and ill-fated dinner guests. Agatha sat laughing as folks attempted to figure out ”who murdered the guest of honor,“ while Taylor performed live dramatic readings, breaking between stanzas to leave cryptic hints.

At one time, Agatha leaned over to Taylor and whispered, ”What if we planned a fake disappearance for you at the end of the evening? A real vanishing act—just for the theatrics.“

Taylor, already struggling with fan theories about where she was at all times, almost gagged on her champagne. ”Ma'am, my fans will begin actual search parties."

Ultimately, Murder on the Lavender Haze was a bestseller and a chart-topper. Christie's legacy made Swifties amateur sleuths, while Swift's songcraft made mystery fans sing along as they speculated. The union was a frenzied, unbalanced work of genius.

And somewhere, in the weird liminal world between mystery and music, Agatha and Taylor celebrated their success—one over tea, the other over a glass of wine—already scheming their next masterwork.
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I have done many, many dumb things in my life.

Once, I tried eating a spoonful of cinnamon because someone dared me to. Another time, I thought it would be fun to see if I could roller skate downhill. (Spoiler: I couldn’t.) But somehow, somehow, none of those terrible decisions even came close to what I was about to do.

I, an individual with the coordination of a sleep-deprived giraffe on ice, had signed up for the SWC talent show. And I had signed up to dance.

“Are you sure about this?” my cabinmate Ellie asked, watching as I attempted to do a pirouette in the common room and immediately slammed into the couch.

“Of course,” I said, pulling myself up and brushing off my knee like that had not just happened. “It’s gonna be legendary.”

“It’s gonna be a disaster,” she corrected.

“A legendary disaster,” I amended.

She sighed, rubbing her temples. “At least tell me you’re practicing.”

“Oh, absolutely,” I said, which was technically true. I was practicing—just not successfully. Every night, I snuck into the common room, put on dramatic music, and tried to dance. Unfortunately, my body did not understand the concept of movement. Every leap turned into a near-death experience. Every twirl sent me stumbling into a chair. Every graceful hand motion looked more like I was swatting at an invisible mosquito.

By the time the talent show arrived, I was so ready.

For it to be over, that is.

But it was too late to back out now. I could already hear the buzz of campers whispering in the audience as I stood backstage, heart pounding.

“Do you think it’s gonna be good?”

“I heard she’s been training for this.”

“I heard she fell down the stairs practicing last night.”

Okay, rude. That did happen, but it was supposed to be confidential.

Then the curtain lifted.

I took a deep breath, struck a dramatic pose, and the music started.

And for exactly two seconds, everything was fine.

Then my foot caught on something, and I stumbled forward so hard I almost face-planted. I barely caught myself, pretending it was all part of the act. I twirled. I leaped. I spun. I danced around like a dancer dancing in a dance class—except if the dance class was being held in the middle of an earthquake, and the instructor had just given up.

The audience sat in stunned silence.

Someone whispered, “Is this art?”

Another whispered, “No, it’s a cry for help.”

At that exact moment, the worst possible thing happened.

I kicked my leg too high. It hit a stage prop—a massive fake tree that was definitely not meant to move—and it began to tip over.

Right. Toward. The. Judges.

Cue the screaming.

I lunged forward to grab the tree, which was a mistake, because instead of stopping it, I managed to knock over the entire backdrop. It collapsed like a dramatic SWC plot twist. The fog machine, which had been meant to add mystical ambiance, went rogue, covering the stage in an ungodly amount of smoke.

Through the chaos, I could hear my cabinmates yelling:

“KEEP GOING!”

“THE SHOW MUST GO ON!”

“OH MY GOSH, SHE’S TAKING THE ENTIRE STAGE DOWN!”

The tree hit the ground with a thud. The fog cleared. I was sprawled across the wreckage, staring at the ceiling, wondering if it was too late to move to another country and change my name.

Then, suddenly—applause.

Loud, thunderous, cheering.

Was it appreciation? Pity? The sheer joy of witnessing a performance so disastrous it became legendary? Who knew? All I knew was that I had just made SWC history.
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finsy's swc megathread

The first thing I notice when I wake up is that my mind feels wrong. Not groggy, not scattered—wrong. I reach for something solid—a name, a memory, the feeling of who I am—and come up empty.

Panic rises fast. My fingers twitch against the sheets. They’re scratchy. Cheap. My body doesn’t feel like my body, like I’ve been living in it all wrong.

I sit up too fast and regret it instantly. The room spins, sterile and cold. Metal walls, dim overhead lighting that flickers just slightly, enough to make my headache worse. There’s no window. No clock. Just a cot, a desk, a locked door. A single vent humming softly in the corner.

And a speaker.

The crackle of static makes me jump.

“Good morning, Subject 47.”

No. No, that’s not my name. I don’t know what my name is, but it’s not that. Why would a number be my name?

“You may be experiencing some disorientation,” the voice continues, smooth and practiced. “Your memories have been erased for your safety.”

I choke on air. “What?”

A pause. “Inconvenient, I understand. But necessary.”

No, no, no. This couldn't be happening.

I scramble to my feet, heart thudding against my ribs. “Put them back.”

“I’m afraid that’s not an option.”

There’s something behind the voice, something clinical, like a scientist observing a lab rat scrambling in its maze. I move toward the door, pressing my palm to the cold metal. No handle. No way out.

“Why are you doing this?” I ask, trying to keep my voice steady.

Another pause. “Because you are not you anymore.”

The cold settles into my bones.

“What does that mean?” My voice is shaking now, small and human in this too-bright, too-empty room.

There’s no answer. Not at first. Then—

“You were replaced.”

My skin prickles. “Replaced by what?”

Silence.

Then the speaker clicks off.

And the lights flicker out.
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Scratcher
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finsy's swc megathread

Steam rises from the cup like something leaving.
A ghost, a year, a girl I no longer am.
I let her go. I tell her: it’s okay.

March is thawing in the bones of the earth, and in mine.
A sparrow lands on the railing,
wings trembling with something I want to name—
a hunger, a knowing. I think I know it too.

I sip my tea and taste every time I said yes
when I should have said no.
Every time I let the world press a thumb into my ribs
and did not press back. Every time I folded myself
into something smaller, softer,
something more palatable.

Not anymore.

I look in the mirror and see someone
who no longer apologizes for existing.
Who stands a little taller,
who takes up space like she was meant to.

Somewhere, a new beginning is happening.
Somewhere, the sun spills itself onto the streets
like an offering.

Somewhere, I am becoming and becoming and becoming—
and for once, I am not afraid.
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finsy's swc megathread

The lights were closed. The melody was on.

Eleanor stood at the threshold of her apartment, the key still pressed between her fingers. A weight settled in her chest. The record spun in slow, endless circles. A song—low, scratchy, and weird sounding. It wasn't like she remembered. There was definitely something different about the tune.

Hold on… She also didn’t remember leaving the music on.

She stepped inside. The door clicked shut behind her, sealing her in. The air was thick—like old dust, like breath held too long. The light switch did nothing. The dark stayed. She was fully creeped out now.

The melody played on.

A piano, hesitant, each note stretching into the next. A voice—thin, warbling, as if it had been waiting. A hum of static underneath, like radio interference.

She should turn it off.

She should leave.

Instead, for some odd reason, Eleanor moved closer. Her hand hovered over the turntable. The needle quivered, but the sound did not falter. The song lilted, pressed against her skin like something living.

Then—

A breath. Behind her.

Not the song.

Not hers.

She froze.

The air shifted, just enough to notice. A whisper of warmth at the back of her neck. The smell of something damp, metallic.

She turned—too quickly. The room swayed. Her breath hitched.

No one.

Just shadows stretching long across the walls.

The record skipped.

She pressed a hand to her ribs, forcing air back into her lungs. This wasn’t real. It was exhaustion. It was her mind playing tricks, twisting the dark into something that wasn’t there.

The lights were closed. The melody was on.

It was fine.

The record crackled. The voice, warping.

A name.

Her name.

Eleanor.

She shuddered, stepping back so fast she nearly tripped. Her spine hit the wall. The record spun, the sound winding tighter, like a hand closing around a throat.

The lights were closed. The melody was on.

The door was locked.

She had locked it.

A memory surfaced—flashes of another night. A song on repeat. A voice whispering her name. The scrape of a key in the door, too late.

No.

She staggered forward, hands trembling as she reached for the turntable, the needle, anything to make it stop.

But the song did not stop.

The melody played on.

Behind her, a voice breathed—closer this time.

“Eleanor.”

The lights were closed.

The melody was on.

And she was not alone.
essayist
Scratcher
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finsy's swc megathread

Weekly Three

Part One - 392 words

The Chosen One

Strengths: There's something so cool about a character who has been chosen by destiny. The burden of fate, the battle against insurmountable odds—it's the sort of tale that feels mythic. A Chosen One who is well-written will have readers cheering for them, not only because they must succeed, but because they become more than the job in the process, and fight hard to deserve their victories. It’s a perfect setup for deep character exploration, questioning fate vs. free will, and the burden of expectations.

Cons: If written half-heartedly, the Chosen One cliche is tired. If their quest is too simplistic, if they never face a struggle, then what's the use? Horribly, it can make the supporting characters irrelevant, only there to amplify the main character's quest. And if everything is already determined, do they even get to make choices? There's a thin line between a great hero and a plot device in disguise of a prophecy.

Enemies-to-Lovers

Pros: THIS IS MY FAVOURITE EE <3 It is so much fun to read. The tension, the banter, the creeping recognition that the very person they loved to loathe is now the one that truly gets them. This is a trope built for character work—two human beings tearing down barriers, goading each other, learning ways about themselves that they never intended to. And done well? Each look, every touch, each near-citation of passion is everything.

Cons: When the relationship is toxic and begins in cruelty rather than rivalry, things can become problematic quickly. And sometimes the development from enemies to lovers happens so quickly that it doesn't feel earned. Since this trope is so ubiquitous, if not executed with thoughtfulness, it comes across as formulaic and predictable.

Found Family

Pros: There are few things that touch deeper than love that isn't inherent—it's a choice. Found family tales are cozy, heartwarming, and full of characters who uplift one another in ways no one else ever has (cozy <3) They develop some of the most wonderful dynamics, founded on loyalty, acceptance, and history.

Cons: The downside? It can become a bit too tidy. If conflicts are resolved too easily, or the characters all slip into cliché roles (the grump, the mom friend, the gremlin of chaos (yes thrillians this is for you)). Found families have to be complicated, fraught with tension and evolution, not a tidy little team of superheros who lean on each other.

Part Two - 819 words

The first time I saw him, I was standing in the subway. My reflection in the glass doors should have shuddered with the train’s arrival, but it didn’t. It stood still, watching.

Not me. Him.

I stepped forward, and so did he. But where my coat was tattered at the hem, his was pristine. Where my eyes were rimmed with sleepless nights, his were clear, bright. Perfect.

Then the train howled into the station, and he was gone.

The second time, it was at the bodega on 14th. The bell over the door rang twice—once when I walked in, once when he did. The fluorescent lights were cold and buzzing, flickering between us like morse code.

The cashier’s eyes flickered up. “Back so soon?”

I froze.

The register dinged open. He handed the man a five-dollar bill. The same bill I’d just pulled from my pocket.

I left without buying anything.

The third time, he smiled.

He was standing outside my building, leaning against the streetlamp, the glow cutting his cheekbones into something angular and sharp. He lifted a hand in greeting, like we were old friends, like we were brothers, like he was the reflection that had finally broken free of the glass.

I did not smile back.

But I walked closer.

And closer.

And closer.

Until we were only inches apart, until I could see the place where his hair curled at the nape of his neck the way mine did, where his lips pressed together in that same uncertain way, where his hands—his hands—

My hands.

He lifted a finger and touched my cheek, and I felt it.

Felt it like my own skin.

Felt it like the touch of something inevitable.

Felt it like drowning, like fate, like a mirror with no glass.

And when I finally opened my mouth to ask who are you, what are you, why do you have my face, he only smiled again.

The streetlamp flickered.

And he was gone.

The fourth time, I woke up to the sound of knocking.

It was faint, just a tap against the wall, as if someone was testing the strength of my patience. I tried to ignore it, pulling the blanket tighter around my shoulders, but the knocking didn’t stop. It grew louder, more insistent, like a heartbeat against my skull.

I stood, dragging myself to the door, and found it open. Just slightly.

A crack, wide enough to swallow the air whole.

I peered through, not expecting anyone. But he was there—on the other side.

No words. No smile.

I didn’t speak.

He didn’t either.

Then he stepped forward, into my space, into the hollow I had been filling with too many restless thoughts. His feet moved silently, like water flowing over stone, until we were face to face, inches apart once more.

“You know,” he said, and his voice was the sound of wind on cold glass, “this has to happen.”

I stared, a cold sweat creeping down my spine. His breath smelled like cedarwood and crushed leaves, like the end of autumn—warm, fading.

“You’re me.” I whispered, almost too quietly for him to hear. But he did.

“I’m you,” he confirmed, his lips curling into a grin that didn’t reach his eyes. His eyes were darker than mine, swirling with something ancient and familiar. “But also—” His hand brushed my cheek again, like an echo I couldn’t silence, “—you're me.”

My pulse thrummed in my throat, my vision blurring around the edges, and the walls felt smaller, like the room was closing in.

I stepped back, but his hand shot out, catching my wrist with a force I couldn't fight.

“You think you can run from yourself? You think you can escape a reflection that doesn’t exist?” He grinned wider, his teeth sharp, jagged—more than human, more than anything I recognized.

I wrenched my arm away, stumbling backward, my breath shallow. “I—don't—”

“You never know,” he said, voice soft now, almost tender, “what’s real. What’s you. What’s me. What’s us." He stepped to the side, his form shifting like smoke, like a trick of light.

And in that moment, I understood. I wasn’t running from a ghost, or a stranger. I was running from myself—running from the hollow space where I had once been, where I no longer existed.

I wasn’t me.

Not entirely. Not anymore.

He was me, but only in the way that a shadow holds the shape of light without ever being able to touch it.

And then he was gone, melting into the night, his footsteps silent.

I was left alone in my apartment, the door still open, the moonlight casting long, sharp shadows across the floor. And all I could do was close my eyes, and wonder—if I stayed still long enough, would he return? Would the reflection finally, fully, claim me?

Or would I forever be chasing something I could never outrun?

Part Three - 818 words

Liora had always known something was wrong. The mark on her wrist, sharp as a wound, pulsing with a light that no one else could see. It burned like fire, yet no one ever mentioned it, not aloud, at least. Not with their tongues. But their eyes? Always on her. Always waiting.

The chosen one, they called her. The savior, the one who would end the darkness. It was written, foretold in ancient scrolls and whispered in the wind.

It was a prophecy that had been passed down for centuries, her name etched into the very bones of the world. She had been born for this. She had been told she was the one.

But it had never felt like salvation. It had always felt like something else—something colder, darker.

They expected her to be the light, the one to mend everything, like a hero from a tale. But every time she looked at the mark, every time she closed her eyes and felt the heat against her skin, a voice within her—deep and unsettling—whispered a different story.

Tonight, the whisper was louder.

The wind was unusually cold, biting at her face as she stood on the edge of the cliff, gazing out at the valley. Beneath the vast sky, the earth seemed to be waiting. Waiting for her to act. Waiting for the prophecy to unfold.

But Liora was weary. Weary of pretending. Weary of the elders chanting her name, weary of feeling like she was suffocating under their expectations. She was supposed to rise. She was supposed to dispel the shadows, overcome the challenge, bring them peace. But each night, the words, the promises, felt more fragile, like paper dissolving in water.

She looked at the mark. The curved symbol. The intricate lines within it, stark and persistent. She had spent her life trying to ignore it, letting the world believe she was the answer. But her destiny wasn't to rescue them. Not her, not the girl they had turned into a legend.

It wasn’t hope. It was something else. And she was tired of running from it.

Then, the voice. Low. Deep. Unwavering.

“You believed you were the one to bring them peace?” it echoed, shaking her to her core.

Liora's heart pounded.

She didn’t speak. Couldn’t speak. The voice resonated in her mind, twisting her thoughts.

“No,” she whispered, her voice trembling.

“Yes,” the voice insisted. “You are the one. But not as they imagine.”

She wanted to flee, but she couldn’t. She couldn’t move. The wind held her captive. The sky above her swirled, the clouds darkening, more intense than night. The valley below seemed to stretch endlessly, until the earth itself felt like it was closing in.

Her pulse quickened. “What do you mean?” she managed, her voice barely audible against the wind.

The voice was closer now, sharp and cold. “You were always meant to disrupt. You were always meant to bring an end. The prophecy was never a tale of hope. It was a story of change.”

The air felt heavy. Her skin felt tight. Her breath caught in her throat, as if the words had taken her breath away. She stumbled back, feeling a cold sensation.

“No,” she gasped, tears threatening to fall. “I'm not… I'm not the one who ends it.”

“Yes,” the voice growled. “You were never meant to bring peace. You were meant to transform. The shadows will return, but not because of anyone else. Because of you. The prophecy was a deception, Liora. You were never the hero. You were always the catalyst.”

The ground shifted beneath her. She looked down. The earth seemed to open, revealing a darkness that seeped through, rising like smoke.

Liora's knees weakened. The mark burned hotter, as if trying to overwhelm her. She gripped her wrist, trying to ease the sensation, but it only intensified. Her chest tightened.

She was trembling. Her breath was shallow, but she didn’t look away. She couldn’t.

Her world had always been confined—too neatly packaged in the idea that she was the savior, the light. That she could mend everything. But this? This was the truth. This was what no one had told her. The thing she had never wanted to acknowledge.

The prophecy wasn’t about hope. It wasn’t about rising up. It was about facing change, about witnessing transformation.

And she was the spark.

“Why?” she whispered, struggling with the words. “Why me?”

The voice echoed, cold and empty, like the last whisper of a fading light.

“Because the world always needs someone to understand. Someone to face the turning point. You were always the one, Liora. You were the one chosen for the change.”

The cliff edge seemed to extend before her, endless. She felt like she was falling into the shadows, falling into the prophecy, falling into the truth she had denied for so long.

And now there was no escape.

Part Four - 700 words

She was born under a sky that no one remembered. A sky that belonged to no one. There were no bright lights the night she arrived, just an endless expanse of darkness. The world had overlooked her before it ever knew her name.

“I’m the Chosen One,” she whispered to herself as she stood at the edge of the cliff, her hands pressed against the cold stone.

Her name was Isa. And she was supposed to bring them hope and protect their kingdom.

But that was before she knew. Before she understood the true meaning of the prophecy.

They told her she was the one, their last hope. The one to dispel the shadows, the one to restore the light. The day she was born was significant, recorded in their ancient texts. They had chosen her. And she had believed them.

But now, standing here, gazing into the vastness of the world, the city she had sworn to help lying in disarray below her, she wasn’t sure what was more unsettling: the deception of the prophecy or her own self-deception.

“You’re not what they say you are,” a voice said from behind her. Cold. Familiar.

She didn’t need to turn around to know who it was.

“What do you want, Aiden?” Isa’s voice trembled in the silence.

Aiden stepped into her view, his cloak a dark silhouette against the tumultuous sky. His eyes, once so vibrant, had dimmed, as if the warmth inside him had long since faded. Isa had once thought she saw the same warmth in herself, but now… now it was just a faint echo.

“I want to help you,” he said. “But you’re not listening. You never listened.”

Isa swallowed hard. She had to stay focused. She had a choice now. A chance to alter things. She wasn’t the one they thought she was. She had been shaped by their expectations, molded into the tool they needed, and she had allowed it. She had believed in the light, in the possibility of something better. But there was no light. No hope.

“Aiden,” she said, her voice barely a thread now. “You know what I have to do. The prophecy—”

”The prophecy was a deception,“ he interrupted, his voice sharp, cutting through the night air like a blade. ”It’s not about bringing hope, Isa. It’s about control. About influence. They knew what would happen, and they used you. You were their instrument. You were never meant to be their hero.“

The words landed with a heavy impact. Isa felt her knees weaken, but she remained standing. She couldn’t fall. Not yet.

”You’re wrong,“ she whispered, but she didn’t believe it. She had once believed, but not now.

Aiden stepped closer, his hands extended, palms open. ”You don’t have to do this, Isa. Come with me. We can change this, together.“

She shook her head, her hair whipping around her face. ”No. It’s already too late for that. You… You don’t understand.“

Her hands clenched into fists, nails digging into her palms. There was no turning back now. She couldn’t undo the choices she had already made. Couldn’t ignore the truth she had learned the hard way.

”I’m not the Chosen One,“ she said, the words like a solemn promise, like a final declaration. ”I never was.“

”No,“ Aiden said, his voice softer now. ”You were never chosen to bring hope. You were chosen to bring change.“

And that was it. That was the moment. The moment when the world shifted and the truth flooded in, filling every space. The prophecy was a deception. She wasn’t here to bring hope. She was here to bring transformation.

”I’m sorry," she whispered, but it was a promise she couldn’t keep. She had already changed everything she could.

Isa turned toward the edge of the cliff, her heart no longer beating in time with the world. She could feel it now—the pull of the unknown. She could hear the whispers of those who had come before her, those who had carried the same weight of altered destinies.

And when she stepped forward, the world shifted. The ground moved beneath her feet, and the shadows reached. It was an absolutely beautiful sight.
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finsy's swc megathread

word war with pepper

I pulled up the floorboard, and my hand touched something cold. Not just cold. Wrong cold. The kind of cold that makes your brain go “hmm maybe let’s NOT” but your hands go “too late.”

So obviously, I grabbed it. Because I make excellent life choices.

It was a box. Small. Metal. Way too smooth, except for the scratches—no, not scratches, carvings. Symbols? Runes? Eldritch warnings saying “hey idiot, put this down”? Didn’t matter. I was already opening it.

The lid creaked. Dramatic. Inside? A folded piece of paper. Old, yellowed, suspicious. Probably contained cursed knowledge. Probably shouldn’t read it. So, duh, I read it.

YOU SHOULDN’T HAVE.

Great! Love that. Not ominous at all! Totally fine! Except no, actually NOT fine, because the air went weird. Heavy. Electric. Like the whole room was holding its breath. And then—then the box moved.

I yelped. Dropped it. Except, fun fact: IT DIDN’T FALL. Just hovered. Suspended in the air like gravity took a lunch break. I took a step back. The floor creaked.

The light flickered.

The shadow in the corner shifted.

I was not alone.

“Hello?” Stupid. Why do people do that? As if the supernatural horror cares about manners.

Something laughed. Right next to my ear.

I jumped ten feet, tried to bolt, but—oh, FUN! My feet weren’t on the ground anymore! Because APPARENTLY, the box had other plans. The room twisted, the floor disappeared, and I was falling—no, FLOATING—into nothing.

Last thought before everything went dark?

Welp. Should’ve just left it under the floor.

I didn't know anything what was going on except that all of this happened because I can't keep myself under control and let my excitement get the better out of me.
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word war with clev

I pulled up the floorboard, and my hand touched something cold. Not just cold—slimy. My soul nearly left my body.

I yanked my hand back, wiped it on my shirt, regretted everything, then peeked into the hole. Darkness. Suspicious. I squinted. Something glistened. Shiny. Suspiciouser. So, obviously, I reached back in.

Fingers brushed metal. A handle? A latch? I tugged. It didn't budge. I yanked harder. CLUNK. Uh-oh.

The floor beneath me shuddered. A groan rippled through the wood, like the house itself just woke up and went, who dares disturb my slumber? The air got weird. Heavy. Like the molecules were holding an emergency meeting about my choices.

Then—click.

Then—whirrrrr.

Then—the entire freaking room started moving.

The walls? Rotating. The ceiling? Splitting apart. The floor? Sinking. My brain? Screaming.

I scrambled up, but TOO LATE, bestie, because I was already sliding downward, the house swallowing me whole. I tumbled into darkness, landing in something soft, squishy, and very much alive.

It moved.

I screamed.

Lights flashed. A voice—deep, mechanical, annoyed—rumbled, “Unauthorized access detected.”

“Oh,” I whispered. “That’s bad.”

A thousand tiny red lights flickered on. Eyes. Watching me. Studying me. Calculating how fast to end my whole existence. The floor lurched, shifting under my feet.

“Uhhh, can I just—go back?” I tried.

No response. Just a hissing noise. Closer now. Sharp. Mechanical.

Behind me, something clicked. A trapdoor snapped open. A chute. A vacuum. A one-way trip to who-knows-where.

And before I could even regret my life, I was falling.

AAAAAAAAAAAAAA

The only thing I could hear was my scream. My body went numb and my brain had died ages ago. I didn't know what was truly–
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finsy's swc megathread

word war with silver

The verdict comes in the evening, announced by the magistrate in a firm, steady voice. The guards pull me forward, my wrists locked in heavy iron. The chains clink against the stone floor with every step.

I am not guilty.

But my brother is.

They call it blood guilt. The belief that family shares not just love, but responsibility. That his crime is my crime, that punishment must touch more than just the hands that acted. It does not matter that I was nowhere near when it happened. The law demands balance. One life for another.

My mother stands in the crowd. She does not cry. Her face is still, her hands clasped tightly in front of her. She has always believed in justice. Maybe that is why she does not beg for me. Maybe she knows it would change nothing. The rest of the city mourns in their own way. Some whisper prayers. Others shake their heads. But none step forward to stop what is coming.

The guards lead me through the marketplace. I know this place well. I have walked these streets barefoot in the summer, my feet coated in dust. I pass the fruit stalls, where figs sit in neat stacks, their scent filling the air. My brother once taught me how to steal from here, slipping fruit into his pocket with quick, careful fingers. He always said you had to take only what you needed. Never more.


The walk to the cliffs is long. I have time to think. I remember the games we used to play. How we would climb trees and pretend we were kings of something grander than the tiny life we lived. How he would carve little figures out of wood and give them to me, tiny warriors with missing limbs because he never had the patience to finish them. How he once told me that, if he could, he would run until the sky swallowed him whole.

The cliffs are waiting. The punishment is simple. My life in exchange for his. The debt will be repaid. Order will be restored.

I do not fight. The wind is sharp, cutting through my clothes. Below, the sea crashes against the rocks, endless and open. I think of my mother’s hands, rough from years of work. I think of my brother’s voice, light and full of mischief. I think of the taste of figs, sweet and bursting on my tongue. I think of the nights we spent side by side, whispering stories into the dark, promising we would always stay together.

The guards stand behind me. The city watches. The sky is growing darker, and the sea stretches wide, waiting.

I take a step forward.

And I fall.
+454 words
essayist
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finsy's swc megathread

Things will never be boring when Fini is an SWC Tyrant. She will sit upon the Golden Throne of the SCWorld, ruling with an iron fist—or rather, a boba tea in one hand and a Kevin pen in the other.

Each camper is assigned a writing genre at the start of camp. But guess what? You don’t get to pick. LOL. It’s completely random. Fantasy lovers? You might be stuck writing business emails in horror format. Mystery writers? Enjoy your epic poetry about tax fraud. Want to switch genres? You must defeat another camper in a word war.

At any point, campers can choose to betray their own cabin and switch sides—but only if they successfully complete a 1,000-word SWC fanfiction. Think you can just swap cabins for fun? No, no, no. Your story must be so convincing, emotional, and dramatic that at least three of the SWC leaders have to laugh after reading it. Once switched, the betrayer must complete one sabotage mission.

Got a dispute? Think a host is unfair? Welcome to the Supreme Court of SWC, where campers must argue their case in ROLEPLAY. The winning side receives one (1) Get-Out-of-Writing-Free Card, which allows them to skip a daily challenge but still earn its points.

Every 5,000 words written, campers must make a sacrifice to the Writing Gods. This can be:
- Deleting an old cringey piece of writing from their childhood
- Confessing a truly cursed idea they once had
- Setting fire to the main cabin

Failure to complete a sacrifice results in an instant writer’s block curse for ten whole days. The only way to lift the curse? Write an entire short story in second-person POV about someone trying to escape the curse.

Each camper writes the first paragraph of a story and submits it anonymously. Another camper must finish it without context. Once revealed, the most absurd endings win bonus points.

SWC MERCH SHOP! SWC MERCH SHOP!
Under Fini’s capitalist empire, the SWC Merch Shop will be a luxury monopoly. Available at super high prices (because inflation, duh):
- T-Shirts with the SWC logo (but all of them say “Kevin” for no reason)
- Fresh mangoes (handpicked by Fini herself)
- Mango perfume (for that aesthetic writer scent)
- Fire magnets (yes, they might actually be on fire)
- Kevin pens (they write in invisible ink, good luck)

Want a discount? Pay 1,000 words for 10% off.

THE ONLY RULE THAT MATTERS
Thriller must be No.1 on the leaderboard the entire March 2025 session. No exceptions. No negotiations. That’s all.

Last edited by essayist (March 23, 2025 02:32:17)

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