Following the success of my previous single that received radio airplay, “Put It in Your Head” is more of a return to slightly harder edged rock. The song deals with a failing relationship represented in the image of a band, and is essentially about moving out and starting life on one’s own. It was composed and recorded earlier this year in March, and was thereafter left in the production process for a while. This song was released to coincide with the three year anniversary of Frozen Coco’s first single. One more single from the triple album will be released soon, just before the record comes out, so stay tuned for that!

CodyTechery wrote:

Great song. I was particularly saddened by the break-up of Frozen Coco, so this is almost completely emotional to me.

KalinaStar wrote:

I loved the intro to this song! I think all of the instruments work very well together, and that the song is very well thought out.

I think my only criticism is that I found the quality of the vocals a little odd…? Maybe because they were a little echoey. I would have preferred a more clear, solid sound.

Overall, another great job, Diyath! Congrats on the release of your fifth solo single

SemolinaPilchard wrote:

I'm pretty much in agreement with KalinaStar. The instruments are very good and pleasant to the ear. The lyrics are decent and the singing quality okay, I just don't like what I think is some effect you've applied to it.

DIY wrote:

There have been listeners who asked why the song is not up on the website yet, but it will be updated on there sometime today.

ssss wrote:

Okay, not the first time I've listened to one of your songs, but I've been pretty lazy in posting any reactions.

First of all, I actually quite enjoy the triple tracking. I feel that the vocals wouldn't have the presence they had without it.

Some of the vocals sound like they were spoken, rather than sung, but that's just my opinion. And it was effective, so not really a complaint.

I feel one of the harmonies wasn't right, but I don't know how to explain it..

I really liked the song however.

mythbusteranimator wrote:

How many guitar tracks do you record?
I've always been back and forth on the subject; I always record 3 guitars and dupe one for the middle (it makes it easier for me to get likeable mixing settings) on clean or acoustic guitars, while recording 4 if it's a distortion

DIY wrote:

mythbusteranimator wrote:

How many guitar tracks do you record?
I've always been back and forth on the subject; I always record 3 guitars and dupe one for the middle (it makes it easier for me to get likeable mixing settings) on clean or acoustic guitars, while recording 4 if it's a distortion

It depends from song to song. For this one, I believe I tracked four guitars, including two channels that inter-played between lead and rhythm at certain points. There's a subtle acoustic in there, especially noticeable in the chorus, a clean rhythm, and the two over-driven lead/rhythm channels. Certain songs of mine go well beyond ten guitar tracks, though.

mythbusteranimator wrote:

DIY wrote:

mythbusteranimator wrote:

How many guitar tracks do you record?
I've always been back and forth on the subject; I always record 3 guitars and dupe one for the middle (it makes it easier for me to get likeable mixing settings) on clean or acoustic guitars, while recording 4 if it's a distortion

It depends from song to song. For this one, I believe I tracked four guitars, including two channels that inter-played between lead and rhythm at certain points. There's a subtle acoustic in there, especially noticeable in the chorus, a clean rhythm, and the two over-driven lead/rhythm channels. Certain songs of mine go well beyond ten guitar tracks, though.

Yeah, I noticed the acoustic; it gave me the same feel as the background acoustic to Hero of the Day

Sounds great!

DIY wrote:

mythbusteranimator wrote:

DIY wrote:

mythbusteranimator wrote:

How many guitar tracks do you record?
I've always been back and forth on the subject; I always record 3 guitars and dupe one for the middle (it makes it easier for me to get likeable mixing settings) on clean or acoustic guitars, while recording 4 if it's a distortion

It depends from song to song. For this one, I believe I tracked four guitars, including two channels that inter-played between lead and rhythm at certain points. There's a subtle acoustic in there, especially noticeable in the chorus, a clean rhythm, and the two over-driven lead/rhythm channels. Certain songs of mine go well beyond ten guitar tracks, though.

Yeah, I noticed the acoustic; it gave me the same feel as the background acoustic to Hero of the Day

Sounds great!

“Hero of the Day” by Metallica? Yeah, now that you mention it, I get what you mean about the likeness. I'm glad you like it!